The Great Dragon, Níðhöggr by Deanne Quarrie

Deanne Quarrie, D.Min.I am a student of the Northern European/Old Icelandic worldview known as Seidr. What I find particularly fascinating in my studies are not the deities but rather the creatures living on the World Tree, along with the Primordial Giants who predated the gods. One such creature is Níðhöggr, the “Derision Striker.” Níðhöggr is a great dragon who lives at the base of Yggdrasil, the World Tree. She gnaws on the roots of the tree, stimulating new growth. Her home stretches from icy Niflheim, near what is called the “Roaring Kettle”, the sacred well of all the rivers of Niflheim, all the way to Dead Man’s Shore in Helheim where she devours the piled corpses.

NíðhöggrNíðhöggr embodies the principle of rot, which is that all things must decay to make room for those things that are new. It is Níðhöggr’s job to clean up the mess! She is involved in acts of undoing. She reminds us of the impermanence of life and that eventually, all that is must become undone. It is important to know this so that we can be prepared for unexpected or difficult changes in our lives.

Níðhöggr is there to devour nasty things in one’s self, both physical and emotional. She is there to take away anything that no longer serves us, as long as we are willing to give it to her. She also is there to help anyone working to clean up the environment, especially from our own pollution.

Many fear Nidhogg because of the job she must do but without this part of the life cycle there would be no cycle at all. We make every effort to hide things that are unpleasant. We flush our human waste into our water supply instead of simply giving back to the Earth where we can restore it and use it as nourishment for new life. Menstrual blood is hidden away as if somehow shameful. We hide all that is ugly or that which makes us uncomfortable. And so it is too, with creatures and characters in mythology. Somehow in our dualistic world, the lines between good and bad, negative and positive are clearly drawn. So often those things we suppress, hide and call negative are actually, what save our lives. They are the things in our basic natural spirit that propel us forward into becoming better human beings.

Níðhöggr also serves us as a moral agent, reminding us that our own cruelty, especially harmful acts that undermine another’s sense of self. Bullying behavior is a good example. She reminds us that our actions always have consequences to the energy of the whole, not just our own lives.

Her work is much like that of the vulture, a bird so ugly it is beautiful. I have always thought of vultures as the great recyclers, returning what is lifeless and no longer useful back to the Earth to make ready for new growth.

She is truly all about roots, and keeping them clean. As that, she reminds us that real strength is found in one’s roots.

In her story, at the end of days, Níðhöggr chews through a root and upends the World Tree. Clearly if this were the root upon which all else depended, the mighty tree would fall. Perhaps this would represent our own failure to clean up after ourselves, both in our own lives as well as here in this place we call home, the Earth.

Deanne Quarrie. D. Min. is a Priestess of the Goddess. She is the author of five books. She is the founder of the Apple Branch where she teaches courses in Feminist Dianic Witchcraft, Northern European Witchcraft and Druidic Shamanism. She mentors those who wish to serve others in their communities. She is also an Adjunct Professor at Ocean Seminary College and is the founder of Global Goddess, a worldwide organization open to all women who honor some form of the divine feminine.

Author: Deanne Quarrie

Deanne Quarrie is a Priestess of The Goddess, and author of six books. She teaches online at the Liminal Thealogical Center and is the Founder at Apple Branch - A Dianic Tradition. She is also an Adjunct Professor at Ocean Seminary College. She teaches classes in Feminist Dianic Wicca, Druidism, Celtic Shamanism, the Ogham, Ritual Creation, Ethics for Neopagan Clergy, Exploring Sensory Awareness, Energetic Boundaries, and many other classes on the use of magic. She is the founder of Global Goddess, a worldwide organization open to all women who honor some form of the divine feminine. Through the years Deanne has organized many women’s festivals, seasonal celebrations, taught workshops and formed groups of women to honor the age-old tradition of women coming together to share. Deanne’s books can be found Here For more information about Deanne, visit: The Apple Branch The Blue Roebuck Her Breath Global Goddess

16 thoughts on “The Great Dragon, Níðhöggr by Deanne Quarrie”

  1. Yes, she is mine! I would not call myself an artist but now and then I get our my acrylics and paint and find it quite enjoyable. I am trying to learn to get outside the box – I was still very much “in the box” with this one!

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    1. Well I think that painting is very good. You have a great design sense with the painting filling the space, color sense good, the branches are beautiful, and there is a feeling for the joy and grace of life in the dragon, who is and is not one with the tree.

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  2. Nature is rigged in a manner that can be very frustrating, always giving and then taking away what it gives. But it also provides some amazing, hidden gifts, and at least a couple of them, sustainable. But why are they hidden? Because I think, as you indicate, thanks, Deanne, we have to be challenged in order to learn new things, that is, in order to avoid complacency and grow. And that prodding is maybe similar to Níðhöggr’s purpose, that is, she is like the process of winter — quietly making room for the new.

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  3. Brava! Yes, we do need someone to clean up, but–duh–we also need to learn to clean up after ourselves. How are Seidr and Níðhöggr pronounced?

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  4. Deanne, this is an interesting take on Nidhogg. Like all dragons, Nidhogg is a force of chaos. In gnawing on the roots of Yggdrasil (the World Tree), he attempts to turn the orderly universe upside-down, something that finally happens during Ragnorak, the end of time. He — and in the Prose and Poetic Eddas Nidhogg is male — is mentioned only a few times. in one short segment, he is seen eating the corpses of traitors, murderers, and villains of all sorts. In the Eddas his recycling function seems to be of a very onerous and apocalyptic sort, not your everyday, ordinary rot or decay.

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  5. “She is truly all about roots, and keeping them clean. As that, she reminds us that real strength is found in one’s roots.” Thank you for that truth – I am currently travelling in Sicilia, close to the roots of my ancestors. Joy, recognition, grief, and cleansing are all part of my journey here.

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