Painting Mary(s), Queering Mary(s) by Angela Yarber

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Mary

It’s no secret that the holidays are often a difficult time for queer people. Disproportionately estranged from family, we often must create our own family. While these chosen families can be tremendously life-giving, it’s tough not to long for our families of origin during Christmas time. Many still in relationship with family are forced to retreat to the closet for fear of safety or exclusion this season.

Queer folk who have affirming families of origin still experience the twang of heteronormativity in holiday commercials, family events, and church services throughout December. There’s a reason why many refer to it as “Blue Christmas,” because, well, the holidays can leave us feeling pretty blue when our identities are invalidated, excluded, questioned, or marginalized.

In every nativity scene, we see images of a so-called “holy family” that likely doesn’t look very much like the family’s most queer folk create: a straight, cisgender couple, and a baby. This family is lauded by the Church as the quintessential iteration of what family should look like. When our families don’t look anything like this, it’s easy to see how celebrating the birth of Jesus is fraught with emotional and spiritual hardship.

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Virgin de la Regla

There is good news, though. We can subvert this narrative of traditional family by queering the story. So, I’d like to talk a bit about the revolutionary power of queering Mary. Abolitionist and Women’s Rights Activist, Sojourner Truth, said it best at the 1851 Ohio Women’s Convention. Once a slave, Truth questioned the whitewashing done to women of color by white women working only for white women’s right to vote by asking the famed question, “Ain’t I a woman?” In that same speech, she notes that male clergy claim that women “can’t have as much rights as men ‘cause Christ was a man.”

This adage is familiar, not only to women, but also to LGBTQs who have been told that our iterations of family aren’t real or true or right because they don’t reflect the so-called holy family of Joseph, Mary, and Jesus. In an act of theological brilliance and subversion, Sojourner Truth poses this question to the male clergy gathered at the convention: “Where did your Christ come from? Where did your Christ come from? From God and a woman. Man had nothing to do with him!” Continue reading “Painting Mary(s), Queering Mary(s) by Angela Yarber”