Exploring the F-word in religion at the intersection of scholarship, activism, and community.
Author: Barbara Ardinger
Barbara Ardinger, Ph.D. (www.barbaraardinger.com), is a published author and freelance editor. Her newest book is Secret Lives, a novel about grandmothers who do magic. Her earlier nonfiction books include the daybook Pagan Every Day, Finding New Goddesses (a pun-filled parody of goddess encyclopedias), and Goddess Meditations. When she can get away from the computer, she goes to the theater as often as possible—she loves musical theater and movies in which people sing and dance. She is also an active CERT (Community Emergency Rescue Team) volunteer and a member (and occasional secretary pro-tem) of a neighborhood organization that focuses on code enforcement and safety for citizens. She has been an AIDS emotional support volunteer and a literacy volunteer. She is an active member of the neopagan community and is well known for the rituals she creates and leads.
Scrooge … became as good a friend, as good a master, and as good a man, as the good old city knew…. Some people laughed to see the alteration in him, but he let them laugh, and little heeded them; for he was wise enough to know that nothing ever happened on this globe, for good, at which some people did not have their fill of laughter….. His own heart laughed: and that was quite enough for him. … It was always said of him, that he knew how to keep Christmas well, if any man alive possessed the knowledge.
You no doubt recognize this as the conclusion of A Christmas Carol by Charles Dickens, who wrote the book in six weeks in 1843 because the holidays were coming and he was nearly broke. He had to earn some money. The book was so immediately successful that it went into a second printing right before Christmas and has been in print ever since. There’s a memorable movie called The Man Who Invented Christmas (2017), starring Dan Stevens as an unstable Dickens. As the movie tells the story, most of the characters in the novel turn up in Dickens’ “real life” and either inspire or force him to write the book. Scrooge (Christopher Plummer) follows him all over London and forces him to confront his childhood. The climax is both dramatic and satisfying.
No matter which or how many gods we believe in, thinking about what we’ve done wrong and how we can set it straight is useful. The Day of Atonement, the Talmud says, “absolves from sins against God, but not from sins against a fellow man unless the pardon of the offended person is secured.”
Back in the Stone Age, otherwise known as the early 1980s, I had jobs as a technical writer and editor in five different industries, including aerospace and computer development. Hey, I was trained as a Shakespearean scholar, but in those days—pretty much like today—there were almost no jobs in the academy for newly-hatched Ph.D’s. So I tried technical writing. At one of the aerospace jobs, I sat in the “bullpen”—me and nineteen middle-aged white guys—whereas all the other women slaved—on typewriters in that pre-computer age—in the typing pool. There was a major class distinction in that aerospace firm, and I was glad to be with the guys. (Yes, shame on me.) Those were the days of 9 to 5. As far as I’m concerned, that movie is nonfiction.
One of my tech-writing buddies at the aerospace company was a former Jehovah’s Witness who had been disfellowshipped because his beard was the wrong shape and he’d refused to correct it. Another was an older man who had studied with Earnest Holmes himself and had also known Manly P. Hall in earlier days. A third friend, the project librarian, was a Conservative Jew. All three of these guys soon noticed the books I was bringing to read at lunch. These included the works of Dion Fortune and Gerald B. Gardner, and numerous metaphysical authors, plus every book I could find on alchemy, the tarot, New Thought, reincarnation, trance channeling…well, you get the idea. I was exploring occult worlds and ideas. When we weren’t talking about how to help the engineers write gooder English and I wasn’t trying to figure out how a FLIR (Forward-Looking InfraRed) helmet works, my three buds and I had some majorly interesting conversations on comparative religion and the occult (the word means “secret, hidden”) aspects of religions in general.
One day the Jewish librarian brought me a book to add to my library. This was the 1973 edition of The Jewish Catalog. What a wonderful book! I still have it. It’s sitting next to my keyboard as I type this.
Back in those innocent days, I still believed the pagan myth of the nine million witches burned by the inquisition during the Middle Ages. Yes, it’s a myth—there were never that many witches on the face of the earth at the same time; such a holocaust would have nearly depopulated medieval Europe. I have since learned that it is shameful to compare a mythological holocaust with the real Holocaust of World War II. I read The Jewish Catalog from cover to cover and learned a great deal.
Now flash forward to 2002 when the owner of RedWheel/Weiser phoned to ask me to write a book for them. I immediately said yes. The book, which they titled Pagan Every Day, is not, however, a pagan tome. It’s a daybook, a year and a day of short essays on topics that include goddesses, gods, and old pagan festivals and philosophy, and also saints and holy days from Christianity, Judaism, Islam, Hinduism, and Buddhism, plus less well known religions, plus interesting historical events…and then I also named Miss Piggy as The Goddess Of Everything. I get fan emails from people saying they reread the book, a day at a time, every year and still enjoy every page.
For September 24, I wrote about Judy Chicago’s Dinner Party, which was the most amazing exhibition I’d ever seen. The next day that year was Yom Kippur. I turned to my copy of The Jewish Catalog, where I learned about an obscure custom called kapparot. Here is what I wrote. Yes, I believe that we can borrow—but not pirate!—other people’s customs, acknowledge and express our gratitude to those other people and their religions, and then adapt what we borrow to a pagan perspective. After all, we’re all kin.
September 25: Yom Kippur
The Jewish Catalog describes custom called kapparot, which “entails swinging a chicken around one’s head as a…symbol of expiating sins. The chicken is then slaughtered and given to the poor….” Most people these days tie money in a handkerchief and swing that around their head, saying, This is my change, this is my compensation, this is my redemption.
Yom Kippur, the last of the ten days of Yamim Noraim, occurs at nightfall on the ninth day of Tishri. The rites for Yom Kippur are set forth in Leviticus 16.
No matter which or how many gods we believe in, thinking about what we’ve done wrong and how we can set it straight is useful. The Day of Atonement, the Talmud says, “absolves from sins against God, but not from sins against a fellow man unless the pardon of the offended person is secured.” People seeking recovery in Twelve-Step programs likewise turn their lives over to the care of “God as they understand him” (Step 3), make a list of people they have harmed and become “willing to make amends” (Step 8), and then actually make amends (Step 9).
Pagans can make amends before Samhain. We want to have a clean emotional field in which to rest over the winter and plant fresh seeds in when spring comes. Let’s revive that old Jewish custom. But not swinging the chicken! That’s cruelty to swinger and swingee. Tie crystals or red corn or other symbolic items in a clean white handkerchief and swing it around your head, reciting the blessing quoted above. Then go around and see the people you need to see. Speak heart to heart with them. Give them something blessed from your handkerchief. Get on with your lives, as friends or no longer as friends, but not as enemies.
BIO: Barbara Ardinger, Ph.D. (www.barbaraardinger.com), is a published author and freelance editor. Her newest book is Secret Lives, a novel about grandmothers who do magic. Her earlier nonfiction books include the daybook Pagan Every Day, Finding New Goddesses (a pun-filled parody of goddess encyclopedias), and Goddess Meditations. When she can get away from the computer, she goes to the theater as often as possible—she loves musical theater and movies in which people sing and dance. She is also an active CERT (Community Emergency Rescue Team) volunteer and a member (and occasional secretary pro-tem) of a neighborhood organization that focuses on code enforcement and safety for citizens. She has been an AIDS emotional support volunteer and a literacy volunteer. She is an active member of the Neopagan community and is well known for the rituals she creates and leads.
Dazed by the breakneck speed of the descending subway ride, the girl collapsed on the marble floor and just sat there for a while. Eventually she noticed a table with two full cups sitting on it and a sign that said Drink Me. “No no no,’ she said aloud. “Auntie said never drink what you don’t know you’re drinking because you never know what’s gonna happen to you.” She sat for another long minute, then said, “So where am I? I know where I was headed. To a committee meeting. But that’s not where I am. Where am I?” No reply. She looked around. To her left was a fancy garden gate, but she could see no garden beyond it, only lots of steps. To her right was a long corridor with office doors on both sides. All the doors she could see had names on them.
“Alice.” Where was that voice coming from? “Alice, you’re here for a meeting. You’re late! Hurry up! We can’t be late!” She stood up, but all she could see was a long-eared shadow (how curious!) running down the corridor. “I’m late, I’m late,” came the echoing voice.
The singing girl and her two new friends were walking very carefully along the edge of the yellow brick road. Outside of the bright sunlight, the bricks sere filthy and hardly yellow. This was thanks to a supply chain problem. The contractor had been forced to use inferior bricks to pave the road. The travelers were not impressed.
“How far are we from the capital city?” the girls wondered aloud as she gave the little dog in her arms a pat. ‘It’s certainly not over any rainbow I ever heard of.”
“It’s past the other side of the forest,” answered one of her new friends. He was a skinny fellow wearing ragged clothing, a farmer who had been cheated and chased away from his land. “I think we have to keep going through the forest,” he added.
“Assuming we don’t get lost and attacked by wild animals,” said the other man, obviously a prosperous citizen who had also suffered recent hardships.
“D’you guys think we can really get to see the Chairman?” the girl asked. “My uncle’s worried about his farm.”
I have a poster on my wall: UPPITY WOMEN UNITE. In big, red, capital letters. I don’t remember where I got this poster, but I know I’ve had it since the late 70s or early 80s. I’m sure it comes from the raggedy late 60s, when second-wave feminism got up a head of steam and uppity women began getting our attention. That’s when Betty Friedan said being a proper 50s housewife was like having a mental illness. It’s when Gloria Steinem founded Ms. Magazine, which (oh, horrors!) did not give us recipes or home-making tips and did not tell us how to dress to lure our men into bed. It’s when Mary Daly started giving us a whole new, original take on the English language. Ahhh, yes, those were the good ol’ days. And the bad ol’ days, too, when the Equal Rights Amendment was not ratified.
“Uppity” can be a troublesome word. In the olden days, if someone called you uppity, it means you were inferior to them and weren’t staying in what they thought was your proper place. If you were a black person, for example, and if you didn’t step off the sidewalk when white men were coming, you were uppity. If you were a woman who wanted equal pay for doing the same work a man did, you were uppity. Those women in the 1980 movie, 9 to 5, were majorly uppity. And they won the battle.
What if Daedalus had not been imprisoned and forced to build a labyrinth to hold a monster-bull that would eat everyone who dared to enter its domain? (Is it true that that monster-bull was named Donald?) What if the three Mother Goddesses took off their aprons and went out into the world to survey its peoples and its troubles and to bring aid and comfort (much more useful than thoughts and prayers) to everyone in distress?
“Well,” says Queen Bettycrocker, “the first thing we can do is look at all these walls. They’re all over the place. They separate people. That’s not good.”
“You’re right,” agrees Queen Saralee. “People should be neighbors, and neighborhoods should be areas where children can safely play and safely go to their schools. And eat good lunches, too.”
Scene: A comfy lecture hall in the temple on the summit of Mount Olympus. The feminist historians have taken their seats. The eldest Olympians rise to speak. Let us attend to their words.
I am Hera, Queen of All, Daughter of Gaia, Daughter of the Great Mother, whose body is our holy earth, whose bodily fluids are our springs and oceans, whose mind is our precious air and holy fire. I am Mother of the Fates, Sister of Hestia, protector of homes, and sister of Memory, whose daughters are the Muses, sponsors of our culture. I live in contentment with my wife, Zeusina.
Originally posted on February 7, 2021. You read the original comments here.
Here’s a simple spiritual practice that I’ve been doing for longer than I can remember. During the regime of the Orange T. Rex, I started doing it at bedtime to calm my mind so I could go to sleep. We’re hopefully living in a more optimistic and peaceable time now, but that’s no reason not to add a new spiritual practice to our lives. I hope you’ll like this one and will try it for yourself.
We’re accustomed to seeing people praying with rosaries or reciting mantras and counting repetitions with strings of beads. We can do that, too. But how about using a simpler “tool” to keep track of our mantras and affirmations—our own hands?
This was originally posts on October 4, 2020. You can see the original comments here.
The quality of mercy is not strained; It droppeth as the gentle rain from heaven Upon the place beneath. It is twice blest; It blesseth him that gives and him that takes…
This speech (Act IV, scene 1) from The Merchant of Venice, given by Portia in disguise as a boy lawyer (and Bassanio doesn’t even recognize her!), may be one of Shakespeare’s most famous. In the play, as we know, Shylock, a Jewish moneylender, and Antonio, a merchant waiting for his ships to come in, make a bargain, one part of which is that if Antonio doesn’t pay on time, Shylock gets to collect one pound of his flesh. Antonio’s ships don’t come in, the case is taken before the Duke of Venice, and Portia appears in disguise to solve the legal issues. She goes immediately to Shylock and speaks this speech to him.
When I first wrote this post in 2014, I said the news was getting me down. A terrorist gang in Nigeria had kidnapped, raped, and “married” two hundred schoolgirls. Kids were even then taking guns to school. What’s better as I rewrite this in March 2022? Not much. The pandemic and idiots still refusing to be vaccinated. Putin’s invasion of a former soviet satellite country. (I think Putin thinks he’s the tsar and wants to rebuilt “his” empire.) Road rage, hate crimes, kids still taking guns to school. I think we can all agree that the news is still awful. The following is what I wrote in 2014.
A couple Saturdays ago, I heard an enormous noise of cawing and shrieking and wings flapping outside my window. It went on for several minutes, so I finally set my book aside (I was trying to ignore Eyewitless News), got up, and looked out into the courtyard. Two huge, noisy crows were chasing a smaller bird. I think it might have been a scrub jay. I have no idea what the jay’s crime had been in the crows’ eyes, but they were chasing it back and forth and up and down until one of them finally speared it with its beak. The jay fell. The crows landed on the roof of the building across the courtyard and strutted back and forth for several minutes. One of them went down for a closer look at the fallen jay. Then they flew away.
Let’s go back 100 years today and watch a silent movie. As you may know, most silent films had orchestral accompaniment. While you’re reading this, therefore, you can be the orchestra. Hum along as you read. Selections from Wagner (like the Ring Cycle) would probably be best unless you want to dive deep into irony, in which case you can hum selections from Gilbert and Sullivan.
The film begins. It’s a dark and stormy night. The ocean is crashing against a narrow beach overlooked by steep cliffs. There is a deep, dark forest nearby. Out of the forest comes a small figure bearing a large burden upon its back. As the figure comes forward, we see a curly-haired young girl wearing ragged clothing.
Intertitle: O me, O my. I seem to be carrying the burdens of the world upon my back. I am so weary!
Moderator’s note: This marvelous FAR site has been running for 10 years and has had more than 3,600 posts in that time. There are so many treasures that have been posted in this decade that they tend to get lost in the archives. We have created this column so that we can all revisit some of these gems. Today’s blogpost was originally posted August 5, 2018. You can visit the original post here to see the comments.
Candide, ou l’Optimisme (in English, Candide, or Optimism) is a satirical, picaresque novel published in 1759 by François-Marie Arouet, better known as Voltaire, who was possibly the smartest author of the Age of Enlightenment…but he annoyed so many courtiers and public officials that he was forever traveling around Europe to get away from their threats of arrest and bodily harm. A picaresque novel is an adventure novel with a clever, tricky hero who somehow survives and makes us like him. Voltaire wrote his novel primarily to criticize the optimism of the German writer Gottfried Wilhelm Leibniz, who said that because God is always benevolent, everything that happens is always for the best. This presumably includes the bloody Seven Years War (Protestant vs. Catholic, fought mostly in Germany and France) and the Lisbon earthquake of 1755, which occurs both in Lisbon and in the novel. Even though Voltaire was accused of blasphemy and heresy, among his other sins and crimes, Candide was enormously popular throughout Europe, a popularity that continues to this day.
Moderator’s note: This marvelous FAR site has been running for 10 years and has had more than 3,600 posts in that time. There are so many treasures that have been posted in this decade that they tend to get lost in the archives. We have created this column so that we can all revisit some of these gems. Today’s blogpost was originally posted July 1, 2018. You can visit the original post here to see the comments.
I bet almost no one knows this secret: the United States is being watched over by two goddesses! One of them stands on top of the Capitol dome in Washington, D.C. The other stands on an island in New York harbor.
The goddess standing above our congressional building is named Libertas, or Freedom. She’s a Roman civic goddess whose sisters are Concordia and Pax. Although the Romans hardly ever experienced freedom, civic harmony, or peace, they always kept their eyes on the possibilities. Libertas was sometimes merged with Jupiter, sometimes with Feronia, who was originally an Etruscan or Sabine goddess of agriculture or fire. In Rome, Feronia became the goddess of freed slaves. Libertas is shown on Roman coins as a matron in flowing dress and wearing either a wreath of laurel leaves or a tall pilleus, which is called a “liberty cap” and looks like a witch hat without the brim. And there’s also a bird—is it a raven?? She holds either a liberty pole (vindicta) or a spear, and in some paintings of her (she was a popular subject in the 19th century) there is a cat at her feet.
Because the late 18th century is sometimes referred to as the Augustan Age (for classicism in architecture, literature, and art and named after the first Roman emperor, Caesar Augustus), the Roman Libertas became Lady Liberty during the American Revolution. To celebrate the repeal of the Stamp Act in 1766, Paul Revere created an obelisk with an image of Lady Liberty on it, and a short time later, Tom Paine addressed her in his poem, “The Liberty Tree.” An enormous bronze statue of Lady Liberty was commissioned in 1855 for the top of the Capitol building, and she was hoisted up there in 1863, where she stands, hardly visible, to this day.
Here’s my idea. This FAR community has lots of power. We—and at least two thirds of the U.S. population—are very unhappy with the antics of the Lyin’ King and his court…excuse me, the executive and legislative branches of our national government. So let’s visualize Libertas coming to life. Watch her stomp her heavy bronze feet so hard she breaks a hole in the top of the dome. Watch her fly down into the main lobby of the Capitol. Now she turns in one direction and stalks into the Senate. “Gentlemen and Ladies,” she begins, “you were sent here to do a job. You’re not doing your jobs. Work together! Learn to compromise. Stop talking so much. Get to work!” And then she marches into the House. “Why are you here?” she asks. “And why are you here only three or four days a week, and why aren’t you working for the benefit of all the citizens of the United States?” I suspect that Libertas, who is 19 feet 6 inches tall and weighs approximately 15,000 pounds, could indeed put a scare into Congress, not to mention all the lobbyists. Remember, she also carries that spear. And she no doubt knows how to use it.
Our second national goddess? “Liberty Enlightening the World,” whom we call the Statue of Liberty, was a gift from France to the U.S. circa 1886 on the occasion of our centennial. Designed by Frederic-Auguste Bartoldi and Alexandre Eiffel (who also built a famous tower in Paris), Lady Liberty holds a tabula ansata (a tablet evoking the law) in one arm and with her other hand raises a torch, a common symbol of truth and purification through illumination. She wears a crown of solar rays similar to the crown worn by the Colossus of Rhodes, one of the seven wonders of the ancient world.
For almost a century and a half, Liberty has welcomed immigrants to our Atlantic shore. Those immigrants were the grandparents and great grandparents of nearly all of us. Now let’s visualize Liberty taking action. Goddesses can perform magic; let’s visualize Liberty multiplying herself into 10,000 Liberties, and then let them travel to Texas, New Mexico, Arizona, and California and—you guessed it—let them stand facing south. Let these 10,000 goddesses with torches of purification replace the Xenophobe-in-Chief’s wall/fence/border army. Let’s ask Liberty to welcome people into the U.S. Because she’s smart (and the flames of that torch can reveal a lot) and there are indeed drug smugglers traveling in addition to men, women, and children who are coming for sanctuary or safety or work, let her use her torch to reveal the small proportion of criminals trying to sneak in. And let her welcome and protect everyone else and keep families together. (Maybe she could send all the ICE agents off hunting coyotes, who are no doubt smarter and more humane than they are.)
Here is the full text of “The New Colossus” the poem by Emma Lazarus that Lady Liberty proclaims to the world. Maybe our senators and representatives should read it—for the first time, I bet. They should pay attention to what it says and obey the words and principles of this goddess.
Not like the brazen giant of Greek fame, With conquering limbs astride from land to land; Here at our sea-washed, sunset gates shall stand A mighty woman with a torch, whose flame Is the imprisoned lightning, and her name Mother of Exiles. From her beacon-hand Glows world-wide welcome; her mild eyes command The air-bridged harbor that twin cities frame. “Keep, ancient lands, your storied pomp!” cries she With silent lips. “Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse of your teeming shore. Send these, the homeless, tempest-tost to me, I lift my lamp beside the golden door!”
Let us visualize both of these American goddesses doing their work and protecting the hard-won rights of everyone who lives in the United States.
BIO:BIO:Barbara Ardinger, Ph.D. (barbaraardinger.com), is the author of Secret Lives, a novel about crones and other magical folks, Pagan Every Day, a unique daybook of daily meditations, and other books. She really enjoys writing her monthly blogs for FAR. Her work has also been published in devotionals to Isis, Athena, and Brigid. Barbara’s day job is freelance editing for people who have good ideas but don’t want to embarrass themselves in print. To date, she has edited more than 400 books, both fiction and nonfiction, on a wide range of topics. She lives in Long Beach, California, with her rescued calico cat, Schroedinger.
Moderator’s note: This marvelous FAR site has been running for 10 years and has had more than 3,600 posts in that time. There are so many treasures that have been posted in this decade. They tend to get lost in the archives. We are beginning this column so that we can all revisit some of these gems. Today’s blogpost was originally posted October 1, 2017. You can visit it here to see the original comments.This post is the 3rd and final of a series which has been posted for the past 2 days. They were curated by Barbara Ardinger to stand together for their relevancy, now, 5 years later.
Members of this community (and others) have been feeling that the world is out of balance since the 2016 election. There’s a feeling that people are becoming less kind and that some men (following the model that lives and tweets in the White House when he’s not at one of his golf resorts) are more misogynistic. I’ve heard that Orwell’s novel Nineteen Eight-Four is more popular than ever before. We seem to be living in a new dystopia. It’s very sad and very scary.
I’ve recently reread three novels written by women that I think may be both prophetic and inspiring. I’m hoping that if you read them, too, you’ll inspired by their brave heras to keep on resisting. The novels are Gibbon’s Decline and Fall (1996) by Sheri S. Tepper, Woman on the Edge of Time (1976) by Marge Piercy, and The Fifth Sacred Thing (1993) by Starhawk.
Starhawk (Miriam Simos) was probably the most famous “out” witch in the last quarter of the 20th century. Her book The Spiral Dance (1979) introduced uncountable numbers of people to the Goddess, Paganism, and Witchcraft. Nowadays, she’s teaching “Regenerative Culture, Earth-based spirituality, and Permaculture.” She is no doubt working up to the Uprising described in The Fifth Sacred Thing that separated northern and southern California—a generally bucolic San Francisco filled with Pagans and an eclectic mix of every other religion with free healthcare for all and a City of Angels (Los Angeles) filled with Stewards, ruins, and sex slaves.
The Fifth Sacred Thing opens in 2048 with Maya, a 98-year-old Orthodox (sic.!) Pagan climbing a mountain. At the Lammas (August 1) ritual, she tells how the Uprising began. Global warming has happened, and during the drought of 2028, four old women (remember Tepper’s bag ladies?) went with pickaxes to a major thoroughfare in San Francisco, dug up the pavement, and planted seeds in the earth. The Uprising was led by people who had participated in the Summer of Love (1967) and demonstrated against the Vietnam War.
In the next chapter we begin to meet the Stewards, who in 2028 canceled the elections and took control. Now “the Corporation,” which banished women from every profession but the oldest one, owns the Southlands and apparently most of the U.S. Although Starhawk wrote this novel in 1993, the Stewards look like Trump’s cabinet and true believers exponentially multiplied. The Steward are allied with the Millennialists, who have suppressed every religion but their own and whose Creed reads in part, “…we abhor the earth, the Devil’s playground, and the flesh, Satan’s instrument. We abhor the false…gods…who tempt us to wallow in the worship of demons, whether they be called Goddesses, Saints, Lucifer, or the so-called Virgin Mary. For we know that Our Lord never lowered Himself to take on loathly flesh….” Maya’s grandson, Bird, has been their prisoner for ten years. He’s been drugged (like Connie), but now he’s beginning to feel his magical powers returning.
Another protagonist is Madrone, a healer and midwife. As we read through a long Council meeting (they’ve got Councils for everything), we see the similarities between San Francisco is 2048 and Piercy’s free future of 2137. The values are much the same, although Starhawk’s future is determinedly Pagan and Witchy (and very PC). Madrone has lost a patient to a mysterious fever that morning. In the council meeting, one character says they’re still living in the “toxic stew” of pollution in the Bay. Is this fever becoming an epidemic? Is it biological warfare?
Bird summons the best magic he can and escapes with two other prisoners. As he travels up the California coast, sometimes along what was once the Pacific Coast Highway, sometimes along what was Interstate 5, he learns what happened to him ten years ago. When he and some other Witches destroyed an atomic reactor (probably in Santa Barbara County), his friends were killed by the Stewards and he was captured. Now he’s regaining his memory and his powers as he’s meeting other outlaws.
When Bird arrives in San Francisco, not much has changed: there’s still a lot of free love and arguing and they all still work collectively. Madrone recently went into “the ch’i worlds” to search for the virus, caught it, and almost died, but now she’s mostly recovered. They hold a meeting in which they discuss nonviolent resistance. After much argument about how best to resist, Madrone finally decides to travel south to find out if the Stewards are really planning an invasion. As she retraces Bird’s trail and meets the people who helped him, she gives them free healings and teaches them Witchy powers. The book thus turns into what is essentially a handbook of resistance and Witchy powers. When Madrone goes to Hollywood to take part in raid on a drug warehouse, we learn that in the Southlands only the rich have water, medicine, fresh vegetables, cars, access to education, healthcare, and any kind of technology (which is mostly built by prisoners).
Yes, there is a war in this novel. Just think of any superhero-action-adventure movie and add Nazis, and you’re seeing it. The Stewards’ army invades San Francisco, and nonviolent resistance seems to wither under bullets. Although she finds pockets of rebellion and resistance, Madrone nearly dies in Los Angeles. She finally gets home and learns that Bird has been captured again. But the Witches are also learning how to get soldiers to desert.
The novel has a sort of happy ending. Is it prophetic? I hope not! I live in the Southlands. But anyone who is paying attention to the daily news sees that we’re already on the path to a world run by the Stewards and the Millennialists. Starhawk has written a sequel, City of Refuge (2015), around the three major characters to tell what happens next in the North and the Southlands. I have not read the new novel.
But I know that Witches can prophesy. And so can writers, and so we have in these three novels four protagonists—Carolyn Crespin, Consuelo Ramos, and Maya and Madrona—who can teach us a great deal about resistance. The four sacred things are earth, air, fire, and water. The fifth is spirit. Blessed be.
BIO:Barbara Ardinger, Ph.D. (barbaraardinger.com), is the author of Secret Lives, a novel about crones and other magical folks, Pagan Every Day, a unique daybook of daily meditations, and other books. She really enjoys writing her monthly blogs for FAR. Her work has also been published in devotionals to Isis, Athena, and Brigid. Barbara’s day job is freelance editing for people who have good ideas but don’t want to embarrass themselves in print. To date, she has edited more than 400 books, both fiction and nonfiction, on a wide range of topics. She lives in Long Beach, California, with her rescued calico cat, Schroedinger.
Moderator’s note: This marvelous FAR site has been running for 10 years and has had more than 3,600 posts in that time. There are so many treasures that have been posted in this decade. They tend to get lost in the archives. We are beginning this column so that we can all revisit some of these gems. Today’s blogpost was originally posted September 3, 2017. You can visit it here to see the original comments.This post along with the one posted yesterday and the one which will be posted tomorrow were curated by Barbara Ardinger to stand together for their relevancy, now, 5 years later.
Members of this community (and others) have been feeling that the world is out of balance since the 2016 election. There’s a feeling that people are becoming less kind and that some men (following the model that lives and tweets in the White House when he’s not at one of his golf resorts) are more misogynistic. I’ve heard that Orwell’s novel Nineteen Eight-Four is more popular than ever before. We seem to be living in a new dystopia. It’s very sad and very scary.
I’ve recently reread three novels that I think may be both prophetic and inspiring. I’m hoping that if you read them, too, you’ll inspired by their brave heras to keep on resisting. The novels are Gibbon’s Decline and Fall (1996) by Sheri S. Tepper, Woman on the Edge of Time (1976) by Marge Piercy, and The Fifth Sacred Thing (1993) by Starhawk.
The woman who is on the edge of time is Consuelo (Connie) Ramos, a Mexican-American who lives in a New York barrio and has a life so dreadful that even as Piercy describes the poverty and the abuse in exquisite detail, I can’t really see it…though I bet any homeless person who lives on or under a freeway overpass could add more horrific details. Connie’s father beat her, two of her three husbands beat her, her daughter’s pimp beats her. Her brother has anglicized himself by changing his name from Luis to Lewis. Her third husband was a blind black musician named Claud; it was while she was deep in mourning (and withdrawal) that she struck out at her daughter and injured her, which led to her first imprisonment (Lewis signed the committal forms) in an insane asylum that is immeasurably worse than, say, Dotheboys Hall in Oliver Twist. The bureaucrats who run the asylums have zero interest in their patients. If a patient complains of a burnt back (the pimp knocked Connie into a hot stove) or a headache, that patient is accused of making a “medical diagnosis.” The favored treatment? Huge doses of Thorazine, which has terrible side-effects. Connie finds herself “stymied, trapped, and drugged with Thorazine that sapped her will and dulled her brain and drained her body of energy.”
It is while she is in the asylum that Connie begins to feel a presence of some sort. This turns out to be psychic “calling” from Luciente, an androgynous woman who lives in Mattapoisett, Massachusetts, in 2137. Luciente, who is somehow physically present when she visits Connie, persuades her to let the contact go forward. When Connie visits Mattapoisett in an ambiguous state that is both psychic and physical, she enters a hippie paradise (remember, this novel was written in 1976) filled with free people who garden, compost, ride bicycles, eat healthy (mostly vegetarian) food, have manufacturing and technology (including solar power and computers), raise their children communally, and speak a politically correct language in which the pronouns “he” and “she” are replaced by the gender-neutral word “per.” It isn’t a true utopia, of course—there are echoes of Brave New World and they have government by consensus—but Connie visits many times and eventually learns about individual rights. She also learns that they have an enemy that arose from “corporations and the Pentagon” and which occupies Antarctica, space platforms, and some large cities; all the free people have to do six months of “defense.”
Looking at Mattapoisett through our 2017 eyes, we realize that many of our modern cities are trying to incorporate those Mattapoisett values. We’re aiming at racial and cultural diversity. We have bike lanes in city streets. Green spaces and community gardens. Recycling programs, solar and wind power, cleaner water. The High Line Park in New York City.
So now Connie has a sort of escape from the asylum. In a visit about halfway through the book, she enters a meeting in which Luciente and the others are discussing people like her. They’re nearly all “crazy” people. “At certain cruxes of history,” a character says, “forces are in conflict. Technology is imbalanced. Too few have too much power.” A bit later, Connie learns that there was a thirty-years’ war fought by ordinary people that led to a revolution that led to Mattapoisett. But, says Luciente, “we’re struggling to exist.” It’s people like Connie—“crazy” people who sound saner than the attendants in the asylums—that are on the edge of time and can perhaps turn society toward Mattapoisett values.
And then Dr. Redding arrives with experimental equipment that will change “crazy” people’s brain function to “normal.” He and his team are clichéd control-freak physician-scientist-businessmen—think Nurse Ratched+Gordon Gekko on steroids—with no emotional affect except some semi-concealed fear of the crazy patients into whose heads they insert electrodes and tiny radios. Connie is interviewed and selected to be a “participant.” She can’t allow this to happen to her! But the selected patients are moved to a New York hospital, where their heads are shaved and tiny “machines” are inserted into their brains. Now the doctors can control their mood with a push of a button.
During this time, Connie cannot connect with Luciente, however much she tries. Instead, she arrives one night in a different future: the windowless room of a woman named Gildina, who has been surgically engineered to be a sex toy (huge breasts, tiny feet, minuscule intellect) and who eats packets of food made from coal, algae, wood by-products, and artificial flavors. When Connie asks Gildina if she ever goes outside, say, for a walk, Gildina replies that the outside is full of air and “you can’t see through air.” Connie is nearly captured when a huge eunuch bursts into Gildina’s room.
Spoiler alert: When Connie gets back to the hospital, she can still think for herself. She sees that she is now “enlisted in Luciente’s army” and makes a huge sacrifice to help the good future hopefully arrive and survive.
BIO:Barbara Ardinger, Ph.D. (barbaraardinger.com), is the author of Secret Lives, a novel about crones and other magical folks, Pagan Every Day, a unique daybook of daily meditations, and other books. She really enjoys writing her monthly blogs for FAR. Her work has also been published in devotionals to Isis, Athena, and Brigid. Barbara’s day job is freelance editing for people who have good ideas but don’t want to embarrass themselves in print. To date, she has edited more than 400 books, both fiction and nonfiction, on a wide range of topics. She lives in Long Beach, California, with her rescued calico cat, Schroedinger.
Moderator’s note: This marvelous FAR site has been running for 10 years and has had more than 3,600 posts in that time. There are so many treasures that have been posted in this decade. They tend to get lost in the archives. We are beginning this column so that we can all revisit some of these gems. Today’s blogpost was originally posted August 6, 2017. You can visit it here to see the original comments.This post along with those which will be posted in next two days were curated by Barbara Ardinger to stand together for their relevancy now, 5 years later.
Members of this community (and others) have been feeling that the world is out of balance since the 2016 election. There’s a feeling that people are becoming less kind and that some men (following the model that lives and tweets in the White House when he’s not at one of his golf resorts) are more misogynistic. I’ve heard that Orwell’s novel Nineteen Eight-Four is more popular than ever before. We seem to be living in a new, dystopic society. It’s very sad and very scary.
I’ve recently reread three novels written by women that I think may be both prophetic and inspiring. I’m hoping that if you read them, too, you’ll inspired by their brave heras to keep on resisting. The novels are Gibbon’s Decline and Fall (1996) by Sheri S. Tepper, Woman on the Edge of Time (1976) by Marge Piercy, and The Fifth Sacred Thing (1993) by Starhawk.
Let’s begin a new year by finding out what we know about feminist history and goddess scholarship. Take this little quiz and find out where you stand as a Feminism/Goddess Scholar. (It’s okay to laugh at some of the choices. Laughing shows you’re paying attention.)
Moderator’s note: This marvelous FAR site has been running for 10 years and has had more than 3,600 posts in that time. There are so many treasures that have been posted in this decade that they tend to get lost in the archives. We have created this column so that we can all revisit some of these gems. Today’s blogpost was originally posted August 2, 2015. You can visit it here to see the original comments.
It’s one of my favorite T-shirts. Every time I wear it, people who know who Durga is comment. So do some people who don’t know who the Hindu goddess is.
“What would Durga do?” is of course an echo of the question What would Jesus Do?
I’ve just done a bit of research and learned that this phrase may come from the Middle Ages, that it was famously used in a sermon in about 1891, and that it became very popular among evangelical Christians during the 1990s. What would Jesus do? I think he’d remind us to pay closer attention to the Sermon on the Mount (Matthew 5, 6, 7), especially the Beatitudes and the Golden Rule: “So whatever you wish that others would do to you, do also to them” (Matt.: 7:12). The Golden Rule is of course given in the other major religions, too. WWJD has also been turned into WWBD—“What would Buddha do?” I think the Buddha would tell us to live more mindfully.
Moderator’s note: This marvelous FAR site has been running for 10 years and has had more than 3,600 posts in that time. There are so many treasures that have been posted in this decade that they tend to get lost in the archives. We have created this column so that we can all revisit some of these gems. Today’s blogpost was originally posted May 27, 2012. You can visit it here to see the original comments.
In my blog of May 11 about practicing the presence of the Goddess, I explained how Brother Lawrence of the Resurrection inspired me. Many thanks to everyone who read that blog and commented on it. One comment came via email from a friend, who said, “I kept thinking as I read about that expression ‘walking one’s talk.’” But of course. It would be lovely if anyone outside a nunnery or monastery could be as filled with their god or goddess as Brother Lawrence was. Though we try to be as mindful as we can, we obviously don’t always succeed as well as we’d like. But surely it’s better to have a positive intention than a negative one.
So let’s get practical. Instead of filling our heads with what’s been called monkey-chatter, let’s fill ourselves with the Goddess so that our thoughts of Her can go on autopilot. Instead of obsessing over, say, if the Lakers, Packers, or Cardinals are going to win their next whatever-they-play or who’s gonna win this week on Dancing With the Stars, let’s set our minds on the Goddess so our thoughts go to Her when we don’t have to concentrate on some specific, important task at hand.
Here we are in December—and what a year 2021 has been. Let’s not even think about what we’ve survived—continuing pandemic, climate change, people with guns, violations of voting rights, the Orange T. Rex still at large. No no no. Let’s celebrate the coming holidays with the antique ancestor of the Feast of Fools. Let’s celebrate the Saturnalia.
Some background: Saturn, who was sometimes conflated with the Greek Titan, Cronus (who became a god of time), was an ancient Latin agricultural god whose name may derive from satur, “stuffed,” or sator, “a sower”; in either case, he stands for abundance. He was a working god who oversaw viniculture and farming and was the king of Italy during the golden age before the rise of imperial Rome. When Jupiter came to conquer him, he hid himself (latuit) in the region that came to be called Latium. The Romans soon proclaimed that Saturn’s body lay beneath the Capitol in Rome. Because his reign (and presumably his hidden corpse) brought prosperity to the city, the state treasury and the standards of the Roman legions were kept in his temple when the army was at home. Saturn’s statue was bound in woolen strips to keep him from leaving Rome. In addition to Saturn, the Romans honored Ops and popular gods like Sol Invictus, Mithra, Consus, Juventas, and Janus in their winter festivals.
Moderator’s note: This marvelous FAR site has been running for 10 years and has had more than 3,500 posts in that time. There are so many treasures that have been posted in this decade that they tend to get lost in the archives. We are beginning this column so that we can all revisit some of these gems. Today’s blogpost was originally posted March 3, 2013. You can visit it here to see the original comments.
Let’s talk about Mars and Ares. It’s common to think the Greek and Roman pantheons were identical and the gods and goddesses just had alternate names. This is not true. The Roman gods and goddesses personified civic virtues, whereas Greek mythology was largely philosophical.
I’ve been thinking about Carol Christ’s two excellent blogs about patriarchy and its connection to war and our so-called heroes. We read or watch the news today and learn about “our heroes” serving in the Middle East, about warriors who’ve come home and are suffering from deep wounds both physical and emotional. Yes, these men and women do indeed deserve our support…but, still, I ask, Why are people who are trained to kill other people called heroes? It’s a very thorny problem, and I must set it aside as I write this blog.
We’ve just entered November, the beginning of winter, the season of darkness. Twenty-odd years ago, I led a group of students through the Wheel of the Year in a class I called Practicing the Presence of the Goddess. (I also wrote a book with the same title.
I have just spent a week watching four productions of Mozart and Schikaneder’s 1791 opera. Four in a row! Now we all know that I adore musical theater more than almost anything else in the world. Operetta. Nelson and Jeanette. Fred and Ginger. Broadway musicals (but not the movies made from them that rewrote them completely). But opera?? Certainly not Italian opera seria. It’s just too loud. Besides, why isn’t La Boheme sung in French? Carmen in Spanish? Madame Butterfly in Japanese? Aida in Egyptian? Turandot in Chinese?
All right—yes, these are ridiculous questions. I’ve seen La Boheme and Turandot live. I’ve seen The Magic Flute live two or three times. Mozart is my favorite classical composer. Born in Salzburg (which was then part of the Holy Roman Empire and now is the site of an annual Mozart festival), he began composing at age five, and he and his sister Nannerl toured the courts of 18th-century Europe and performed before Louis XVI and Marie Antoinette. (BTW, while much of his story is told in the play and film Amadeus, Mozart was not murdered by Salieri. He died from a highly contagious miliary fever.)
I put the pendulum away. I went into Charles’s bedroom and watched TV with him.
But I was addicted. First thing Saturday morning—back to the pendulum. We want you as our earth slave. I prayed over my paper Ouija Board. I cupped the crystal pendulum in my hands and prayed again. I visualized white light on the paper, around the pendulum, around my hands, around my pen and notebook, around my whole body, filling my living room. White light everywhere. I called upon angels and spirit guides to protect me.
I was born into a Republican, Calvinist, working-class family in Ferguson, Missouri, and was a teenager during the 1950s. Nothing remotely “spooky” or occult about my life. I was fortunate to discover the Unitarian Universalist Association during my freshman year in college and was a happy Unitarian until the late 1970s, when I completed my formal schooling and moved to Southern California. Nothing spooky or occult about the UUA, either.
After I moved to California, I met people interested in occult and metaphysical topics. I wanted to know more, so I started reading. I read the mainstream metaphysical literature, the books on the European Occult Revival and the various psychic sciences, books on ceremonial magic, New Thought, alchemy, the Qabala, theosophy, metapsychiatry, and the Universal White Brotherhood. I read Madame Blavatsky, Charles W. Leadbeater, Annie Besant, Dion Fortune, Horace Quimby, Stewart Edward White, Charles Francis Stocking, Manly P. Hall…well, the list goes on and on. (Those books are still on my shelves.) Although I learned enough to be a walking footnote to this day, I didn’t learn anything helpful about the spirit guides that a popular teacher in Anaheim told me were running my life. My boy friend was regularly doing automatic writing, so under his tutelage, I tried automatic writing, too. All I got was a stiff hand. I visited The Psychics To The Stars. I went to a spoon-bending seminar. (I bent one spoon). I attended a remote viewing workshop. All I got was a lot of debits in my check register. I didn’t meet any of my spirit guides.
(With apologies to Jean de La Fontaine for significant changes to his fable)
Note: We watch TV or read posts on the social media, and what do see? People attacking other people. People with guns shooting other people. Racist and fascist groups trying to stomp our democracy into the mud. I first wrote this story several years ago for a Llewellyn annual. A few years later, I secured permission from them to post it on this site. I’m reposting it today because—especially on Independence Day—we need a few chuckles and some practical lessons in kindness. My friends, I hope you enjoy this story.
“Curses on that grasshopper!” exclaimed the ever-busy Madame Fourmi. “All he ever does is play. He’ll be sorry when winter comes.”
Just as each Roman man had his genius, or guardian spirit of masculinity, so did each woman have her juno, or guardian spirit of femininity. Juno ruled every woman’s life, every feminine occasion. In the civic life of Rome during both the Republic and the Empire, Juno stood with Jupiter and Minerva as the Capitoline triad that ruled the city. In one of her aspects, Juno was regina, “queen.” In another she was Juno Moneta, the “warner,” so called because the sacred geese of her temple once squawked so ferociously that the city was warned of a Gallic army outside the walls. Generals began to visit Juno Moneta’s temple for support, both popular and monetary, which is where we find an echo (“money”) of this goddess’s name today.
Rest awhile, Dear Reader, and dream along with me. We’re standing on a corner, call it Main Street, Any City, USA. We’re chatting, passing the time of day, being happy we can stand among other people without the fear of a giant virus jumping out of someone’s breath and attacking us. It’s a nice day here on the street. Not much traffic.
Oh, look—there’s a huge box in the middle of the intersection. It’s shabby, looks to be made of old, thin wood loosely clamped together. The box starts shaking, rocking back and forth. What’s in there? Something is obviously trying to get out. As we watch, an orange mist starts seeping out through the cracks in the box. More shaking. Now the box seems to be jumping. More orange mist. And the box shatters. An orange form—is it human? It’s fat. It’s shaking an iPhone. Or is that a golf club? The orange one speaks. “Do you miss me yet?” “Stand back and stand by.” “I’ll be baa-ack.”
Note: If you’ve been reading Athena’s story for the past two days (link to Part 2 here), you know what’s happened to her before her third birth. You’ve read her version as I heard it in my mind and wrote it down. Part 3, here, is mostly speculative, based on hints in books I’ve read during the past twenty-plus years. If you’ve read The Greek Myths by Robert Graves (who is said to be The Authority), you’ve met Medea in the context of the yarn about the Golden Fleece, but I’m leaving Jason out of this story. I’m also leaving Theseus (also associated with Medea) out. These boys have no role in Athena’s story of her meeting and her shamanic rebirth at the hands of the great Medea, who is sometimes called a sorceress. Read on.
Athena
And so with the help of the great Hera, who remembered how I had once loved her (and she still loved me), I left Zeus’ stony kingdom. Hera helped me depart, though I soon forgot her help. I suppose she is still there. After all, her own lands had been taken long before, her own throne stolen long ago, her temples and altars supplanted. I suppose she has nowhere to go now. For all I know, great Hera remains at the declining god-king’s side, where poets still deprecate her and laugh at her and call her a nagging wife. A god-king as impotent as he is now needs such a strong wife, does he not? I regret that I no longer know her.
But I could find no other kingdom that would give me charity or honor, found no other king or god who would wed me or let me speak for him, and so I become disillusioned with kings and gods and epic tales. I put down my spear and shield and abandoned my armor and helmet, though I always kept my owl (who often flew above me) and my ragged plume.
And so, twice homeless, twice born and twice dead, friendless and scorned by the men I had so harshly judged, I wandered through the world, and all anyone saw was a woman, a gray, anonymous woman carrying a stick and a drooping feather. I walked up and down in the world and had no home. I had neither friends nor sisters nor protégées to honor me, neither priestesses nor queens to love me. I had no one at all. I had nothing at all. I wandered alone through all the lands around the wine-dark sea, alone in the lands around the central sea, alone in the lands along the ocean sea and the northern sea. For uncounted years I wandered alone, stopping here and there, but never staying anywhere, searching for what I never found and no longer remembered. I went in a plain gray cloak with my stick in my hand, my sad plume in a pouch at my belt. Sometimes I ate, but more often I went hungry. Up and down upon the earth I walked, and so my pride and anger began to be worn away.
Note: This part of the story concerns what nearly everybody who has read the mythology knows about the Goddess of Wisdom. But what you’ve read in, say, Edith Hamilton or Robert Graves is the patriarchal version. What would the story be like if Athena told it herself? That’s what I imagined as I wrote her story. Read on to learn more about her Greek incarnation.
Athena
After our tribe was conquered by the warriors who lived across the seas, I wished to die, and I was indeed close to death when I was carried off by the bloody hero who fancied me. I longed to die every time he violated my body, every time he crushed my mind. But I was carried away alive, a living trophy for that warrior-king. I was secured in his warship as it sailed across the sea to his hard and stony land. Weak though I was, men still fought over me. Eventually I was claimed by their god-king Dyaus, whom you may know by his commoner name, Zeus. I was claimed as his prize of war, dragged up the stony mountain that came to be called Olympus, and flung into his harem until I should become strong enough to bear his weight upon me in mating. And still I longed to die.
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