Feminism and Religion

She Changes Everything She Touches: A Reflection on Love and Loss, part 1 by Sara Wright

I reflect upon this year as the sun star rises in a northeastern sky. ‘He’ has reached the end of his northeastern journey.

Wave after wave – oceans of grief break over me at dawn – tempered by the same cycle during which I have been graced by a most powerful love in the form of a young canine companion. Love and Loss are such intimate companions.

‘She changes everything she touches, changes…’ during cycles of grief S/he changes nothing at all.

As the solstice bears down on us under a hard blue dome so does the fire. It is hard to believe that three weeks ago temperatures hovered in the 40’s. I resist the stifling heat of June coupled with days of torrential rain, cold, and wind that are presently drowning a field of lilies, wild lupine and roses. Fire and Ice. On good days there is the increased noise flow of man-made machines. Slow down please, I plead. Let me listen to the wood thrush, experience this space in between without bouncing between extremes.

I am feeling resentful, cross over the loss of spring and the relentless rains that destroy every flower just as it begins to bloom. I must honor the child who is heartbroken or I will make things worse. Wildflowers bring her the greatest joy and most have been under perpetual siege by inclement weather. Many plants were not pollinated. Too cold for bees.

Legacy of Carol P. Christ: Has the Phaistos Disk Been Cracked?

This was originally posted on November 10, 2014

Recent headlines in the international press announced that the enigmatic language of the ancient Cretan “Phaistos Disk” has been translated—in part—by the Welch-Cretan scholar Gareth Owens. Owens states that the Phaistos Disk records an ancient hymn to a Mother Goddess. More specifically he claims that one side is dedicated to a Pregnant Goddess and the other to a Birth-Giving Goddess.

All of this is very exciting, but is he right?

I have been leading Goddess Pilgrimages to Crete for that past twenty years, in the course of which I have developed an intimate and scholarly knowledge of the religion and culture of ancient Crete. Participants on my tours sent me the news reports about the Phaistos Disk, assuming I would be thrilled to have confirmation of my understanding that the ancient Cretans worshipped the Goddess as the Source of Life, or as Marija Gimbutas says, as the powers of birth, death, and regeneration in all of life.

Reading the news reports, I noted that archaeologist-translator of the disk, Gareth Owens, identified the Goddess of ancient Crete as a “Mother Goddess” and more specifically as a Pregnant Goddess and a Birth Goddess . This raised a red flag for me. The most well-known Goddesses of ancient Crete, the bare-breasted Snake Goddesses, are neither pregnant nor giving birth. Other Goddesses pour liquids from the breasts, but again are not visibly pregnant or giving birth.

Toni Cade Bambara: How to Care for Oneself While Healing The All (American Woman Writer 1939-1995), part 2 by Theresa Dintino

Part 1 was posted yesterday

The mud mothers, ancestors, began to make themselves visible to her when she was a girl, in the movie theater, on one of the walls in a cave like indentation, “with enormous teeth painting themselves with long hair brushes, painting pictures on the walls of the cave”( SE 254), at church, and in her attic. “In the attic they came in the mirror once. Ten or more women with mud hair, storing yams in gourds and pebbles in cracked calabash. And tucking babies in hairy hides. They came like a Polaroid. Stepping out of the mouth of the cave, they tried to climb out of the speckled glass, talk to her, tell her what must be done all over again, all over again, all over again. But she hung an old velvet drape over the mirror and smothered them. They were not going to run her off her own place, Not the attic “(SE 255). In church and at the theater she avoided looking at them.

For Velma and for Bambara, it is the spiritual roots of her ancestors and ancestry from Africa that come calling, the mud mothers. In Velma’s town there are mentors and guides and Aunties and godmothers, all levels of support and care available in claiming her gifts that Velma has left behind, rejected. Yet, when the book ends she will return to this, she has agreed to take up the mantle in order to be well.

For African Americans in particular, Bambara believes reconnecting with the ancestors—the ancestors that their ancestors were taken from— is part of the healing wanting to happen. That this was left out of the civil rights movement. That honoring ancestors is part of this lineage and that the ancestors are there and waiting. That slavery often disrupted this connection but it is there, the ancestors are there, for the reconnection if one is willing.

Toni Cade Bambara: How to Care for Oneself While Healing The All (American Woman Writer 1939-1995), part 1 by Theresa Dintino

Moderator’s Note: This piece is in co-operation with The Nasty Women Writers Project, a site dedicated to highlighting and amplifying the voices and visions of powerful women. The site was founded by sisters Theresa and Maria Dintino. To quote Theresa, “by doing this work we are expanding our own writer’s web for nourishment and support.” This was originally posted on their site on August 11th, 2020. You can see more of their posts here.

While reading adrienne maree brown’s Pleasure Activism for #NastyWomenWriters, I was stopped in my tracks by the praise coming forward in that book for black feminist, writer, activist, film maker and mentor Toni Cade Bambara (1939-1995).

brown writes:

“Toni Cade Bambara, author of The Salt Eaters, the one to tell us writing was a tool for the revolution, that our task was to make revolution irresistible. Bambara is a main stream in the lineage of pleasure activism, not just because of what she put on the page and into words, but also because of the ways she wove community, the way she supported other writers and organizers, the way she engaged in healing work” (45).

In the chapter “The Sweetness of Salt,” author and activist Alexis Pauline Gumbs, archivist and scholar of Bambara’s work, writes about five women who have been instrumental in her life and work: “scholar Farah Jasmine Griffin, filmmaker and activist Aishah Shahidah Simmons, artist and abolitionist Kai Lumumba Barrow, healer and organizer Cara Page, and editor and intellectual activist Cheryll Y. Greene”(46), who were all personally influenced, mentored, “sistered” and “mothered” by Bambara. It was these women’s recounting of their experiences with Bambara that caused me to go find her for myself.

Patriarchy Unbound by Janet Maika’i Rudolph

Some new terms in our language have been after people. Both the terms sadism and masochism were so named according to etymologyonline.

Here is what the site says about sadism: “love of cruelty,” especially as evidence of a subconscious lust that the cruelty satisfies, 1888, from French sadisme, from the name of Count Donatien A.F. de Sade (1740-1815). Not a marquis, though usually now called one, he was notorious for the cruel sexual practices described in his novels.”

And here is what the site says about masochism: “The word masochism originates from the name of Leopold von Sacher-Masoch, an Austrian novelist best known for his 1869 novel Venus in Furs, which explored themes of submissive sexuality and domination.”

I have a new term to add that I would like to add to our vocabulary: Robertism to be named after John Roberts. Here is my definition: love of cruelty, not just cruelty by itself but by spreading cruel acts as widely and far as possible while giving them the authority of legality. Robertism encourages the most base and ugly parts of human behavior, brings them to the surface to be expressed in actions that are given permission through legal cover.

The Legacy of Carol P. Christ: Patriarchy As An Integral System of Male Dominance Created at the Intersection of the Control of Women, Private Property, and War, Part 3

Part 2 was posted yesterday. You can read it here, or the original in the link below.

Patriarchy is a system of male dominance, rooted in the ethos of war which legitimates violence, sanctified by religious symbols, in which men dominate women through the control of female sexuality, with the intent of passing property to male heirs, and in which men who are heroes of war are told to kill men, and are permitted to rape women, to seize land and treasures, to exploit resources, and to own or otherwise dominate conquered people.

As the discussion of patriarchy* I began last week and the week before shows, patriarchy is not simply the domination of women by men. Patriarchy is an integral system in which men’s control of women’s sexuality, private property, and war (including violence, conquest, rape, and slavery) each play a part. These different elements are so intertwined that it is impossible to separate one as the cause of the others. Patriarchy is an integral system of interlocking oppressions, enforced through violence, and legitimated by religions.

The model of patriarchy I have proposed argues that the control of female sexuality is fundamental to the patriarchal system. This explains why there is so much controversy about the “simple matter” of access to birth control and abortion in the US today. It also explains why so much vicious anger is directed at single mothers by politicians and commentators. Any woman who dares to control her own sexuality is questioning the foundations of the patriarchal system.

Sign our Statement to Halt the Death Sentence of 25-Year-Old Political Prisoner Arghavan Fallahi by WNCRI

Statement Calling for Immediate Action to Halt the Death Sentence of 25-Year-Old Political Prisoner Arghavan Fallahi

We express our profound concern over the death sentence imposed on Arghavan Fallahi, a 25-year-old political prisoner in Iran.

Ms. Fallahi was arrested on 25 January 2025 and detained in Ward 241 of Evin Prison. She spent five months in solitary confinement, during which she was subjected to interrogation as well as severe physical and psychological torture.

The death sentence was issued by Branch 15 of the Tehran Revolutionary Court, presided over by Judge Abolqasem Salavati, and was communicated to her on 1 July 2026.

Ms. Fallahi, a supporter of the People’s Mojahedin Organization of Iran (PMOI/MEK), was previously arrested in November 2022 along with her father, Nasrollah Fallahi, who was a political prisoner in the 1980s, and was held in prison for a short period. Her father remains in Evin Prison.

We further call upon the United Nations, Member States, and international human rights organizations to take immediate action to overturn the death sentence of Arghavan Fallahi and other political prisoners sentenced to death.

The international community must pressure the Iranian regime to grant the Special Rapporteur and the International Fact-Finding Mission access to Iranian prisons and allow them to meet with political prisoners.

The case of Arghavan Fallahi once again highlights the urgent need for coordinated and effective action by the international community to prevent an irreparable catastrophe. The 1988 massacre of political prisoners must not be allowed to happen again.

The international community witnessed the extraordinary courage of Iranian women during the recent protests, when they stood at the forefront of a movement demanding dignity, freedom, and fundamental rights. This courage was not spontaneous or isolated; it was rooted in a long history of resistance by Iranian women against repression and authoritarian rule. Thousands of PMOI/MEK women members and women activists have been executed by the mullahs’ regime over the past 45 years. The struggle of women such as Arghavan Fallahi reflects this broader legacy of resilience and determination.

Today, as a young Iranian woman faces the possibility of execution following a deeply concerning judicial process, the world must once again stand in solidarity with the women and people of Iran who continue to defend their fundamental rights.

To sign the petition, please click here.

You can read FAR’s post about Fallahi here.

The Legacy of Carol P. Christ: Patriarchy as a System of Male Dominance Created at the Intersection of the Control of Women, Private Property, and War, Part 2

Part 1 was posted yesterday. You can read it here. Or the original in the link below.

In last week’s blog, I explained patriarchy as a system in which men dominate women through the control of female sexuality with the intent of passing property to male heirs. How did a system that identifies a man’s essence with his property and the ability to pass it on to sons come about? I suggest that the answer to this question is war and the confiscation of “property” by warriors in war. Patriarchy is rooted in the ethos of war which legitimates violence, and in which men who are heroes of war are told to kill men, and are permitted to rape women, seize land and treasures, to exploit resources, and to own or otherwise dominate conquered people.

My argument is that the origin of “private” property, defined as property owned by a single (male) individual, and as that which defines the “essence” of that individual, is the “spoils” of war, which are divided up by victorious warriors. The “spoils” of war are the tangible treasures “looted” or taken by the victors from the conquered, such as jewelry and sacred objects. The “spoils” of war include land “taken” as the result of warfare, along with the right to exploit resources, directly or through taxes and levies. The “spoils” of war also includes the right to “take” the women of the defeated enemy and to confirm ownership of them (and humiliate their fathers or husbands) by raping them. The “spoils” of war also include the right to “take” these raped women and their young children home to serve as slaves and concubines.

Legacy of Carol P. Christ: Patriarchy as a System of Male Dominance Created at the Intersection of the Control of Women, Private Property, and War, Part 1

Moderator’s Note: This three part series was originally posted in 2013 near the start-up of FAR. Because of its seminal nature, wee have re-posted it several times since then. This piece not only set FAR off on its ground-breaking direction but Carol also educated many of us about the roots, the patterns and experiences of patriarchy. This knowledge and understanding is so important to understanding where our culture is and what is happening now that we have decided to post it each year starting on the anniversary of Carol’s death, July 14th, 2021 and continuing for the 3 days.

Recently feminist scholar Vicki Noble commented that this is the best definition of patriarchy she has read–but she hadn’t read it earlier. I am reposting it now in the hopes that all of you will share it with your social media so that it will be more widely known.

Patriarchy is often defined as a system of male dominance. This definition does not illuminate, but rather obscures, the complex set of factors that function together in the patriarchal system. We need more complex definition if we are to understand and challenge the the patriarchal system in all of its aspects.

Marx and Engels said that the patriarchal family, private property, and the state arose together. Though their understanding of the societies that preceded “patriarchy” was flawed, their intuition that patriarchy is connected to private property and to domination in the name of the state was correct. It has long seemed to me that patriarchy cannot be separated from war and the kings who take power in the wake of war. Many years ago I was stunned by Merlin Stone’s allegation that in matrilineal societies there are no illegitimate children, because all children have mothers. Lately, I have been trying to figure out why the Roman Catholic and other churches and the American Republican party are so strongly opposed to women’s right to control our own bodies and are trying to prevent access to birth control and abortion. In the above definition of patriarchy, I bring all of these lines of thought together in a definition which describes the origins of patriarchy and the interconnections between patriarchy, the control of female sexuality, private property, violence, war, conquest, rape in war, and slavery.

How We ALL Need the Goddesses Now . . . by Annie Finch

Carol Christ, in her 1978 clarion call “Why Women Need the Goddess,” summarized four powerful, foundational ways that the Sacred Feminine urgently matters for women crawling out from under patriarchy. Each way helps to heal the psychic damage of our upbringings and surmount the profound losses of our violated herstory. Christ shows how Goddess belief and worship affirms the legitimacy of our power, the sacredness of our bodies, the honoring of our will—and the centrality of our connections with our foremothers and each other.

All this is still so true. All so important.

AND . . . Christ’s framing of Goddessness as a precious path of women’s transformation is not enough anymore.

Times have changed in the forty years since Christ published her essay. Today’s world has been fast plummeting into an even more blatantly hellish (no, I don’t want to insult the source of that word, Goddess Hel, guardian of life and death—so I will change the adjective!) into an even more blatantly patriarchal state of affairs.