
Long before I lived in Montréal, the lands known to the Kanienʼkehá:ka Nation as Tiohtià:ke, Canada lived in my heart. When I moved there as a young adult, the reality beautifully exceeded my imagination; yet in the years before experiencing those landscapes firsthand, they existed for me purely through books. I was an avid reader and an aspiring writer, searching for characters who felt the same strong and sometimes overwhelming pull toward self-expression that I did. I found that mirror in the windswept shores of Prince Edward Island, through L.M. Montgomery’s fiercely imaginative protagonists, Anne Shirley and Emily Byrd Starr. In her Anne of Green Gables and Emily of New Moon books, Montgomery dismantles the rigid, punitive theology of her upbringing and offers a sharp, proto-feminist interrogation of late 19th-century Canadian Presbyterianism. In doing so, she constructs a deeply personal, feminist spirituality that equates creativity and autonomy with the divine.
Continue reading “The Creative Divine: L.M. Montgomery’s Anne of Green Gables and Emily of New Moon by Elanur Williams”







