The Thirteen Attributes of Shekhinah: A Prayer for the High Holidays by Jill Hammer

On Rosh haShanah and Yom Kippur (the Jewish New Year and the Day of Atonement), and on the festivals throughout the year, traditional Jewish liturgy includes the Thirteen Attributes of the Divine. Exodus 34:6-7 is the first to mention these thirteen attributes, or thirteen names really, for God.  This Rosh haShanah, as part of my work as a creative liturgist, I offered a new meditation on these thirteen attributes, dedicated to the Shekhinah, the Divine Presence.

In the biblical story, Moses asks God to show him God’s face, and God’s response is that Moses cannot see God’s face but “I will make all My goodness pass before you.” God hides Moses in the cleft of a rock, passes by the cleft, and recites the following:  YHWH, YHWH, compassionate and gracious, patient, abundant in kindness and truth, extending kindness to the thousandth generation, forgiving mistakes, and cleansing…”  The liturgy actually cuts off the rest of the text, which is harsher, in favor of retaining the loving divine attributes. At the new year, when the liturgy invites us to reflect, consider our actions, and acknowledge the brevity of our lives, Jews recite the text as a prayer to invoke God’s mercy.

Thirteen is a somewhat uncommon sacred number in Jewish tradition (seven, ten, and twelve are more common), but it’s a frequent sacred number in my practice.  In my spiritual tradition, at the Kohenet Hebrew Priestess Institute, we place at the core of our work thirteen netivot, or paths, of sacred action.  We also call them the “archetypes,” the “priestess paths,” or “the paths of Shekhinah.” Each of these paths—maiden, midwife, prophetess, mother, wise woman, shrinekeeper, lover, weaver, etc.– comes from an ancient way in which women embodied the sacred.  As a community, we use these paths as a guide for how to serve the sacred and one another, and we also understand them as faces of Goddess. Continue reading “The Thirteen Attributes of Shekhinah: A Prayer for the High Holidays by Jill Hammer”