Ms. Boo, aka Queen Boudicca, in the heart of Pendle Witch Country.
Though I was born and raised in Minnesota, I have wandered the world as an expat writer nearly my entire adult life, living in Belgium, Austria, and Germany, before moving to Pendle Witch country in northern England in 2002. I fell in love with the beautiful, rugged moorland, haunted by its history of the Pendle Witches, who cast their everlasting spell on the land. This was the landscape that inspired my 2010 novel, Daughters of the Witching Hill, which casts the Pendle Witches in their historical context as cunning women and healers. Indeed I was inspired enough to write seven out of my eight published novels in Lancashire. The mythic name for that part of Northern England is Brigantia–simultaneously the name of the Celtic Goddess of the land, the tribe of people who made their home there, and the land itself.
As a novelist, evocation of place is my passion. The question I ask myself is what makes this place I’m in now unique, unlike any other place I’ve ever been? What song does the land sing? What stories does it have to tell? What ancestors and elders cry out from the depths of the earth? I am obsessed with local history and regional folklore and myth, and how these stories merge with the landscape itself. History is a fluid thing that, together with folklore and myth, continually shapes the present. As contemporary storyteller Hugh Lupton has said, if you go deep enough into the old tales and can present them in an evocative and meaningful way to a modern audience, you become the living voice in an ancient tradition—every storyteller’s dream. This is what I aspire to do in my life’s work. Continue reading “The Grace of Letting Things End by Mary Sharratt”
Feminism and Religion 