It’s no secret here that I am a big fan of science-fiction and fantasy. Discussing the NASA Space Program, the shuttle Curiosity, video gaming and cosplay is fun for me, and I assert that there is transformative and hopeful potential in these kinds of imaginative fictions. I also find that when done well, science fiction offers soci-political critique and encourages us to critically engage our own world without (no pun intended) alienating some part of its audience completely, as many political debates are apt to do. For example, I use a clip from Star Trek: Deep Space Nine (DS9) in my ethics classes to discuss issues of motivation, intention and end result–as these concepts relate to war and violence. (The clip is from the episode In the Pale Moonlight, and you can see it here.) Episodes like this one can be used to refigure issues we struggle with today, projecting them into a future struggle from which we can draw comparisons to our own time.
Recently I have been reading Kwok Pui-lan’s book Postcolonial Imagination & Feminist Theology; at the same time, I have been re-watching some episodes of DS9. Powerfully addressing the ways in which Western theology helps to reinscribe colonial ideology and practice, Pui-lan argues for (and exemplifies) the creation of new, emancipatory, postcolonial feminist theological discourses. Reading these “texts” together, I was struck with how powerfully DS9 illustrates many of the postcolonial politics and tensions Kwok Pui-lan considers in her book. She describes a “contact zone” as “the space of colonial encounters where people of different geographical and historical backgrounds are brought into contact with each other, usually shaped by inequality and conflictual relations.”[i] DS9 explores this place of contact, imagining how the different parties involved are changed by the encounter. Continue reading “Postcolonial Feminist Theology and… Deep Space Nine by Sara Frykenberg”
Feminism and Religion 