family dynamics – Feminism and Religion

THE GRANDMOTHER THREAD

November is the month when the veil is thin and permeable and it is possible to engage with the ancestors …I recently received information that for me November’s moon belongs to the grandmothers, and the liminal space in between and not to the hunter/killers. How is it that what seems so obvious was wrapped in the shroud of my unknowing?

On all hallows I crossed a threshold when the hunters moon transmuted from male to female. trusting my senses, I called up the archetypal grandmothers while grieving my lost connection to my own grandmother. I honored these elders as a powerful force of nature… and left it at that.

Are you planning to gather with family or friends to celebrate during the holiday season? For many, this idea elicits joy, but for others, it evokes tension, dread. Some may even think, “Ugh, I don’t want to deal with the drama.” The reaction is real. Elucidating a psychological concept related to such dread sheds light on this “drama” and may help you manage tense and potentially provocative situations over the holidays.

Stephen Karpman developed the concept of the drama triangle in his 1968 essay, Fairy Tales and Script Drama Analysis. He looked at the stories that cultures tell, considering how these stories instill images, roles, and demeanors in the social imagination, which then manifest in individual and group behavior. The narrated plot lines work on the unconscious to provide attractive stereotypes: the helpless (as a human) mermaid Ariel makes a deal with a Sea Witch for legs; she becomes human but loses her voice in exchange – a voice restored due to the true love of a prince. Cinderella, the stepdaughter working amidst the ashes for the evil stepmother, wishes for more, and viewers watch as a prince eventually arrives. Stereotypical Barbie faces an existential crisis; she, like Ariel, finds power in human form, and corrects the wrongs of patriarchal society against both doll and owner. Every drama presents a triangle.