Farm Workers Movement – Feminism and Religion

I played Dolores Huerta in an adaptation of Antigone Too: Rights of Love and Defiance, at the feminist theater in Minneapolis, At the Foot of the Mountain, in 1983. When the theater closed in 1991, it was the longest continuously operating women’s theater in the United States. For Antigone Too, they brought, I think, twenty- five actresses from around the country to play twenty-five significant women who stood up for social justice. We had parts illustrating our histories, interspersed throughout the traditional script of Antigone.

I got the part of Dolores Huerta—championing the cause of social justice for farm workers.

I loved the character and I was deeply honored to become her. (Today I question why I, a woman with white skin privilege, but native heritage, was chosen for this role—but at the time I was just intensely grateful.)