Isaac – Feminism and Religion

The parshah for November 26th is Toldot, Genesis 25:19-28:9. In it, we have the struggles of Isaac and Rebecca to conceive, the relations between Abimelech and Isaac’s family, the birth of Esau and Jacob, and the loss of Esau’s birthright and his father’s blessing. As we will see, this is a tricky portion from a feminist perspective because of Rebecca, yet, from an ecofeminist perspective, I find the way in which the portion discusses the interconnection between the water, the land, and divinity helpful.

Let me begin with the water and then we will look at Rebecca. Toldot takes place in and around the city of Gerar in Philistine territory, while Abimelech ruled. Isaac and his family travel through the land quite a bit between verses 26:16 and 26:32. Most of this section pertains to them moving and then digging new wells, the covering of wells, and the finding of water. What I find particularly interesting here is the way in which water and peace seem to go together. For example, in 26:20-21, Isaac and his family have constructed a well but it is causing them to have troubles with the locals. Isaac seeks peace and thus leaves. In verse 26:26, Isaac is visited by Abimelech and eventually a formal peace is declared. This is followed in 26:32 by Isaac’s servants finding water in a freshly dug well. In other words, Isaac is willing to uproot his family time and again to cultivate peace; he is not willing to go to war over what in the desert really is a quite limited resource.

The wages of the sin of sacrificing our children is their death, whether the sacrifice is to some supposed higher order, to absolute obedience or to appear to be the “good Christians” we are “supposed to be”…

Maybe its because I enjoyed the books more, or because of my sister’s all too expectation-garnering reviews or even, because I’d seen this theme before, in an amazing yet gruesome Japanese movie, Battle Royal, I left the theater unsatisfied after watching The Hunger Games. I did however, LOVE the song that played at the end of the movie, which I downloaded before we left the theater. I listened to it in the car on the way home. I listened to it the next day, the day after that and for days after that… I listened and listened, and I found surprise, power, anger, sorrow and a channel for grieving that I had needed in the Midrash “Abraham’s Daughter” by Arcade Fire.

Abraham took Isaac’s hand and led him to the lonesome hill

While his daughter hid and watched, she dare not breathe

She was so still.

I discovered the practice and potential power of Midrash from my teachers in graduate school. The idea of an “extra-biblical” story that might help to expound upon Biblical passages that are all too often unexplained or unsatisfactory to (my) feminist consciousness was very appealing to me—and it is still appealing to me. But I have to admit that the feminist Midrash I read in my classes seemed too positive and did not resonate with me. The pieces were too much like a tender hug or a mother hen covering my wounds with her wings. I wanted to hear a story of Bible that could help me make sense of the violence I’d discovered in my childhood religion. I needed a story of Bible that honored my violent struggle to counter the abuse within it and within me.

Like Isaac, I was too intimate with my abuser: unable to avoid walking hand and hand with him when pushed to do so. Asked to create a prayer or Midrash for a class once, I wrote about the way I would turn the radio in my car up when I started to hear ‘God’ speak to me. I didn’t know how to listen and tune out the abusive maxims that played over and over again in my head (maxims that surfaced every time I even thought about the divine). Continue reading “A MEDITATION ON A MIDRASH: “ABRAHAM’S DAUGHTER” BY ARCADE FIRE by Sara Frykenberg”