Feminist Awakenings – Feminism and Religion

Pretzels: The cruelty behind patriarchal women in positions of power by Sara Wright

” I would say it’s not just patriarchal men in power. The patriarchal women in power are doing plenty of damage as well. The cruel choices are deliberate and to see the pretzels they turn themselves into to justify the cruelty is a sight to behold.”
Janet Rudolph

During the last year I have been repeatedly betrayed by women. In retrospect my mother initiated me into woman betrayal by terrorizing a sensitive little girl by threatening to send her away if she wasn’t ‘good’. My terror of all women and my mother’s skepticism/dismissal of my grandmother as an ‘old woman’ whose opinions didn’t matter eroded my relationship with my grandmother that followed me into adulthood with catastrophic effects.

My fear kept me separate from the comfort of developing friendships with any woman until I became a feminist (yet I felt like an orphan when my grandmother died so my love for her survived).

I came to feminism through the back door through my love for Nature, the only real mother I have ever known. My love for animals, plants, trees, did their best to sustain me although I was very lonely. It is important to acknowledge that I also chose to be alone because I seemed to have so little in common with women in general (my 50 percent).

Into Me I See: The Sacred Torch of Feminine Heat by Jsabél Bilqís

There’s that throbbing again! In the slit center of me. Spreading vehemently, devouring, insatiable, red like blood and warm like body. They say I’m Jezebel because I like it when she purrs.

𖦹

‘Now you can get pregnant.’

I became a woman but all my mother saw was a dirty girl. Like the wombs before and around me, scorched by estranged origins, I got in bed with shame and became disembodied, found myself in hell.

‘Virgin or Harlot?’, they asked me at the gates.

Sensing my fullness, I looked Illusion in the eyes.

‘Both.’

Engulfed in the flames, I chose all of me and it purified every thing that was not free.

The Legacy of Carol P. Christ: The Matricide Basic to Patriarchy’s Birth

This was originally posted on January 13, 2020

About 20 years ago I witnessed a performance of the 3 plays of the Oresteia (the Orestes plays) by Aeschylus. I was stunned. Watching them in sequence, I understood that the plays were one of patriarchy’s “just so stories” and that their continuing performance was part and parcel of patriarchy’s perpetuation and legitimation.

According to the myths, Helen, the wife of King Menelaus of Sparta, ran off to Troy with its prince, Paris. In revenge for his lost honor, Menelaus called the Greeks to attack Troy and bring her back. Agamemnon, brother of Menelaus and king of Mycenae, assembled his ships, but the wind refused to fill their sails. He was told that his army would be allowed to depart only if he killed his daughter Iphigenia. He lured his daughter and her mother Clytemnestra to the place where his ships were waiting with the promise of marriage to Achilles. When they arrived, he killed his daughter and the ships sailed.

The myths do not tell us that in matrilineal and egalitarian matriarchal cultures the mother-daughter bond is the sacred because it represents the continuation of life. Continue reading “The Legacy of Carol P. Christ: The Matricide Basic to Patriarchy’s Birth”

From the Archives: The Queen, the Memory-Keeper (Women in the Book of Daniel, part 1) by Liz Cooledge Jenkins

Note: This is the first in a two-part series reflecting on women in the biblical book of Daniel. This was originally posted on May 20, 2023

I recently had the chance to take a deep dive into the biblical book of Daniel. I think it’s the first time I’ve read the whole book of Daniel since I’ve started intentionally attending to the questions of feminist biblical interpretation: Where are women present? Where are women absent? What are they doing or not doing—perhaps prohibited from doing? How does this passage move its readers toward—or away from—gender equity and women’s empowerment? How does it speak to—or deny—women’s full humanity?

The absence of women in most of the book of Daniel feels glaringly obvious to me.^[1] The main characters include the Hebrew exile Daniel, Daniel’s three (male) friends, King Nebuchadnezzar, King Belshazzar, and King Darius. The angels look like men. The divinely appointed eschatological authority figure is described as being like a “son of man.” The particularly oppressive king who desecrates the temple, abolishes the ritual sacrifices, and sets up an “abomination that causes desolation”^[2] is definitely male.

Where are the women?

Let’s Have The Talk – What Does “The Birds and The Bees” Actually Mean: By Zoe Carlin

Recently, I have thought about a common idiom that has been used to refer to sexual reproduction, the birds and the bees. I became curious why animals that appear in most gardens were used as an example to explain where babies come from, until I did some research. It turns out that since the birds lay eggs, that is their representation of the female body and the bees represent the sperm due to pollination. It is a very subtle, overlooked message that can be disguised as being more age-appropriate to young children. However, I decided to dig a bit deeper. Ed Finegan, a USC professor of linguistics and law, has stated that this phrase has existed a lot longer than one might think. There is evidence of it being used in a somewhat sexual context going back to at least two authors, Samuel Coleridge Taylor (1825) and an entry from John Evelyn’s The Evelyn Diary (1644).

In Work Without Hope, Samuel Coleridge Taylor quotes, “All nature seems at work . . . The bees are stirring, birds are on the wing . . . and I the while, the sole unbusy thing, not honey make, nor pair, nor build, nor sing.” This separation of the birds and bees is indicating the loneliness and sadness of missing out on a potential romantic connection. When going even further back in time to 1644, it was noticed in the Evelyn Diary that there was an entry discussing the interior design of St. Peter’s in Rome: “That stupendous canopy of Corinthian brasse; it consists of 4 wreath’d columns, incircl’d with vines, on which hang little putti [cherubs], birds and bees.” This description is illustrating that there is a possible sensual or sexual meaning of the architecture in St. Peters.

Healing Soul Loss Through Movement

We tend to imagine soul loss as something rare and dramatic, or reserved for those with deep trauma. But in shamanic paradigms across cultures, soul loss is a normal part of being human. The concept refers to moments when a vital piece of our essence disconnects, often as a survival mechanism. In psychology this is called dissociation. This can happen through shock, illness, relational rupture or subtle decisions we make to fit in, stay safe or succeed. A piece of us leaves in order to preserve the rest.

[Image credits: Detail from Anderson Debernardi’s painting “Iniciacion Shamanica”, seen at Exhibition Visions Chamaniques. Arts de l’Ayahuasca en Amazonie Péruvienne, ‎⁨Musée du Quai Branly, 2024. Photo by Eline Kieft.]

Miriam Is For the Girls by Zoe Carlin

The Book of Exodus is a well-known scripture, and it is one that many Jews, Christians, and even people who are non-religious are very familiar with. Growing up, our family continued to tell this story year after year during Passover. It was one of many classic Torah readings shown to us in our temple. So, one of the key figures in this story is Miriam, Moses’ older sister. Most remember that she helped her mother deliver Moses in secret at the Nile River when he was an infant due to the Pharaoh setting an order to kill every Hebrew son because of concerns of the population growing too much (Exodus 11:5-6). She also assisted in leading the Israelites across the Red Sea when Moses opened it up for the Hebrews to cross (Exodus 14:21-22). An article titled “Miriam: Midrash and Aggadah” shares a deeper analysis of the roles that Miriam upheld as a sister, a daughter, and a woman during this time. It has also informed my understanding of Miriam’s story.

Dancing the Stories That Heal

After a near-death experience in 2019, I found myself immersed in myth and movement—sitting with Clarissa Pinkola Estés, dancing archetypes through Movement Medicine, and weaving stories like the Handless Maiden and the Red Shoes into my everyday life. This post shares some of the journey of how myths became embodied allies and an invitation for you too, to remember what lives in your bones.

Tapestry: *Le Grand Charniers* (1959) by Jean Lurçat, Musée Jean-Lurçat, Angers, photographed in 2024. Image © Eline Kieft.

Do You Hear Seal-Woman Calling?

It was beautiful to read Carol P. Christ recent ‘from the archives’ post “Mermaid, Goddess Of The Sea,” especially because I’m in the middle of organising my first live Story-Dance workshop since several years, to move through one of my favourite stories of the Selkie-Seal Woman!

Stories of seal-women drift across the sea from the windswept coasts of Scotland to the icy shores of the Arctic. In the Scottish and Irish Highlands, Seal-women are known as selkies—shapeshifters who live as seals in the ocean, and who, when they shed their skins, walk as women on land. These selkie women dance beneath the moonlight, their laughter echoing across the waves as they rejoin their sisters in joyful reunion with the earth.

Yoga for Witches: Should You Try This at Home?

In this post, I review Yoga for Witches by Sarah Robinson, a practical book that weaves together two ancient practices with surprising similarities, yoga from the East, and witchcraft as practiced in Northwestern Europe.

I start with what I loved, and how Robinson describes the similarities and differences between those two traditions. That weaves into some personal and deeper reflections on the theoretical background and yoga sequences. At the end you’ll find a specific recommendation so you’ll know if this is the book for you!