Sita, as many know, is the tragic heroine of the Ramayana who gets discarded by her husband Rama because he doubted she had remained chaste while in his arch enemy Ravana’s captivity. Moreover, she is the “ideal Indian woman” in popular imagination because she remains loyal to Rama no matter how unfair his treatment of her. But there is another female character in the epic who meets perhaps a far more violent fate.
Unlike Sita, however, Shurpanakha gets little sympathy from the readers because she does not stick to her socially assigned roles. I would like to talk about Shurpanakha and how she comes to symbolize all women who transgress societal boundaries, while also stressing the fact that although she is often presented as Sita’s opposite, the two share far more in common as women; both Sita and Shurpanakha deserve our compassion and empathy.
In the traditional Sanskrit text, Valmiki describes Shurpanakha as “maddened with desire” when she first beholds Rama’s beauty. The poet then goes into a rather lengthy description of what she is not by comparing her “unsightly” presence with Rama’s exemplary beauty, thereby affirming the fact that she does not deserve to be visible because of the physicality of her body. Upon his enquiring, Shurpanakha tells Rama that she, who roams the forest alone and according to her own will, is the sister of Ravana (who later kidnaps Sita), and she makes it a point to add that she is more powerful than all her brothers. She then declares her undying love for Rama and asks him to be her husband, after which the two of them could seek adventure amid the forest together. Continue reading “Women First, Rivals Later by Vibha Shetiya”
Feminism and Religion 