Sojourner Truth, the photos by Beth Bartlett

Moderator’s Note: We inadvertently left out the photos from Beth’s posts on Sojourner Truth. The photos, all by themselves, pack an emotional punch and so we want to be sure they can be seen. These are Beth’s photos from Sojourner Truth Legacy Plaza in Akron, Ohio

You can see Beth’s posts here. Part 1 and Part 2

close- up of statue

Sojourner Truth: Part Two: The Speech and the Sojourner Truth Legacy Plaza by Beth Bartlett

Part one was posted yesterday.

Most of us are quite familiar with Sojourner Truth’s “Ain’t I a Woman?” speech as recorded by Frances Gage several years later, with its powerful “ain’t I a woman” refrain.  However, the actual speech as transcribed at the time by Marius Robinson, while similar in content, does not contain the refrain. Rather, Truth simply states that she is “a woman’s rights” woman.[i]  It is unlikely that she spoke in the southern dialect Gage used in her transcription, since Truth grew up knowing only Dutch, eventually learning English as spoken in New York, and probably spoke with a Dutch accent. Much of the content in the Gage version was fabricated – such as the statement that she bore thirteen children, when she only had five children, though she did cry out in a mother’s grief when she learned that her only son, Peter, had been illegally sold south to Alabama.[ii]

Continue reading “Sojourner Truth: Part Two: The Speech and the Sojourner Truth Legacy Plaza by Beth Bartlett”

Herstory Profiles: The Queen of Gospel Music, Mahalia Jackson by Anjeanette LeBoeuf

February, the month designated as Black History Month, will see us focus on the voice, the faith, and the heartbeat of one of the greatest singers in all of US History. Many have stated that the voice and songs of Mahalia Jackson can be considered one of the most influential voices of the 20th Century. She not only became one of the most modern voices to bridge popular music, blues, and religious hymns but she also became intrinsically linked to the Civil Rights Movement and became one of the first commercially successful Black musicians of the modern era.

Continue reading “Herstory Profiles: The Queen of Gospel Music, Mahalia Jackson by Anjeanette LeBoeuf”