Sex, Death and the Gods (Part II) by Vibha Shetiya

IMG_20160112_101035This continues my reflections on the Devidasis in Part 1.

The overall picture that emerged from the documentary “Sex, Death and the Gods” was that, in its current form, there were many layers to the Devadasi system. For one, the most heartbreaking of all, there were the helpless, underage girls protesting such an existence, pleading that they would rather be in school, instead of being trapped in what was essentially a form of sexual slavery. But then we also see the older Devadasis, women who had been dedicated as children themselves.

Within this latter bracket, there were two groups.Those that viewed the practice as evil, and those that saw it as empowering – they earned their own income and they didn’t have a man or mother-in-law to lord over them; in short, they were in-charge of their own households. To them, married life was akin to a life of servitude, sex was something they enjoyed, and they may have shared a more or less equal relationship with the men who were their customers, men who enjoyed their company and preferred being with a Devadasi rather than with spouses they never chose or couldn’t get along with. In the words of one Devadasi – “I am the boss.” Continue reading “Sex, Death and the Gods (Part II) by Vibha Shetiya”

Sex, Death and the Gods (Part I) by Vibha Shetiya

Vibha I recently re-watched a BBC documentary my students and I had discussed in class last Fall. “Sex, Death and the Gods,” directed by Beeban Kidron, takes a close and rather intimate look at the Devadasi system as currently practiced in Karnataka, a state in southern India. In its ancient form, young girls were dedicated to temples, and their duties included dancing and singing to the deities, a form of worship in itself. Delivering on its provocative title – one that describes how prostitution and sexually-transmitted diseases such as AIDS intersect with the realm of the divine – the film sheds light on how a practice once sanctioned by religion came to offend public sensibilities because of changing mores regarding sexuality, ultimately leading to its being outlawed in twentieth century India.

Despite the ban and denials by government officials, however, the practice continues to exist in some villages and towns, albeit watered-down from its historical form. In the first part of this post, I present the background of the system; in the second, I discuss how “Sex, Death and the Gods” problematizes the concept of women’s agency, a thorny matter especially when issues of morality enter the picture, as it almost always does with “problematic” professions that involve an exchange of money for sex. Continue reading “Sex, Death and the Gods (Part I) by Vibha Shetiya”