Women’s Agency – Feminism and Religion

Medieval Bhakti Women Saints: Early Voices of Feminism by Sonal Jakhar

Long before the first wave of feminism in the mid-nineteenth century had its initial launch, a well-established religious movement sparked a socio-political awakening in India. The processes of social and cultural integration in the bhakti tradition have significantly reshaped medieval Indian society. To understand the reclamation inherent in the bhakti movement, one must first acknowledge the ‘dominant power structure’ that prevailed.

The orthodox Brahmanical hierarchy (the priestly class) enforced a strict monopoly over religious ceremonies, temple access, and sacred texts. On the other hand, spiritual knowledge was bound within Sanskrit, a language only upper-class men could learn. The bhakti movement arose from a desire for a direct relationship with God while rejecting society’s rules and rituals. Women and marginalised castes were heavily oppressed and restricted from public spheres. Since religious space was the only space available to women in the early medieval period, many women embraced bhakti (devotion), and it eventually provided them space to define their own voices that revised society, relationships and religions.

The bhakti movement, since its emergence in the 7^th century in South India, had a seismic impact on women and marginalised groups. Ideas of inclusivity, accessibility, and connectivity were running through reforms and resistance. A small but steadily growing group of thinkers called for the democratisation of the Divine against the social hierarchy in religious practises. Many women supported this reform with resilience, as they knew that change, whether conservative or revolutionary, would inevitably shape gender relations and advance women’s rights.

Maiden, Mother, Crone: The Anthology by Madeleine White

Introduction: When I last wrote for Feminism and Religion, I shared some of the experiences that led me to write Maiden Mother Crone, a memoir in verse exploring trauma, motherhood, addiction, recovery, hope and the search for more inclusive forms of spiritual expression.

That personal journey has now opened into a wider conversation.

Maiden Mother Crone: The Anthology, published by Sea Crow Press and co-edited by me and Sea Crow Press founder and publisher Mary Petiet, is the third and culminating volume in my Crossing Places series. Drawn from around 150 submissions and developed through workshops in the UK and internationally, it brings together poets from across cultures, generations and geographies to explore body, memory, land, love, loss, motherhood, daughterhood, ageing, renewal, courage and hope.

While responding to Mary’s questions about the anthology, I found myself returning to Bosorka, a statue I encountered recently in Bratislava. Created in memory of the women and men persecuted and killed after being accused of witchcraft, she seemed to embody many of the questions at the heart of the collection: whose voices are heard, whose experiences are mistrusted or erased, and how poetry and storytelling can help us remember, bear witness and create connection.

Soul-Fully Scripting Flesh: Poetic Justice & Joy by Margot Van Sluytman

Ours is a city of abundant tattoo shops. Places, I was to learn, where art and heart are rife. Places in which rich conversations occur. Conversations that linger long after the ink has begun to settle.

Wending my way to find the place to begin the process of scripting my skin, I spoke with a young man. His back was bent as he focussed on his animal friend and for a short while, before approaching him with my questions, I read the ink that covered his arms and legs. So many designs, descriptors, expressive strokes of thought and meaning known only to him. Hieroglyphs wherein his voice, his many selves, were revealed, yet hidden unless conversation were struck and desire to speak forthcoming. Wherefrom grew his choices?

I decided to cross the street and to ask him the meaning of some of his tattoos, the ones that spoke most vocally to me. As I moved closer, I spotted the script on his wrist. Script among an array of the colours and images. That script struck me. A fragment from The Tempest. Caliban’s words.

Be not afeard; the isle is full of
noises,
Sounds and sweet airs that give
delight and hurt not.

Islam: A Feminist/Womanist Faith by Jamilah Ali

American media and the Taliban in Afghanistan have both long disparaged Islam regarding the status of women. I would like not only to correct the contention that women are second-class, but to provide for you an argument that Islam is, based on our Prophet and the Holy Quran, a feminist and egalitarian religion. It has been falsely maligned.

For your convenience I will use the English word for Allah, God, throughout this piece. (Did you know Arabic speaking Christians call God; Allah?)

Please note Muslims believe that all the Holy Books, the Bible and Torah, were indeed revelations from God. Belief in all the Holy Books is one of Islams 7 articles of faith. However, according to Muslim creed the Bible has been changed by humans through time deliberately or not. Thus Quran, the most recent revelation sent 610 years after Christ, is relatively unaltered from its original. It was radical, even then, for providing women the rights to inheritance, to have their own money and property, and for them to retain the dowry paid for marriage, not the father.

From the Archives: Creating Space: Mosques Affirming All Bodies, Minds, and Hearts by Laury Silvers

This was originally posted on December 31, 2013

In my first blog for Feminism and Religion, I discussed the cognitive and embodied dissonance that some Muslims experience as a result of historically (not eternally) gendered ritual forms. I ended with a promise to share with readers the ways in which el-Tawhid Juma Circle mosques try to create space to break free of those forms. Our mosques affirm all human beings as spiritually, socially, and ritually equal and try to break down the social hierarchy of ritual and theological leadership by opening up a space for all bodies, minds, and hearts to lead and follow as equals among each other.

Breaking out of cognitive and embodied dissonance requires cognitive and embodied habituation to what Amina Wadud names, “The Tawhidic Principle.” Meaning, the space must be one in which human beings can embody divine oneness by recognizing that their relationships with each other are on the horizontal plane and refrain from mediating between any other individual and God on the vertical plane. Wadud has described it as a triangle in which God is at the top with self and other at the two points beneath. Each has an individual relationship with God and a relationship of reciprocitous community with each other. Wadud argues that to mediate between another and God is nothing other than idolatry because the mediator forces another to accept that satisfying his expectations is the same as satisfying God.

Zahra Tabari by WNCRI

Women’s National Council of Resistance of Iran (info below)

In a continuation of the escalating crackdown on political dissent in Iran, Zahra Shahbaz Tabari, a 67-year-old political prisoner, was sentenced to death by Branch 1 of the Revolutionary Court of Rasht on October 25, 2025. The regime’s judiciary has accused her of “supporting the People’s Mojahedin Organization of Iran (PMOI).”

Who Is Zahra Tabari?

Zahra Tabari, 68, holds a master’s degree in electrical engineering and is a graduate of Isfahan University of Technology and the University of Borås in Sweden, specializing in Sustainable Energy.

She suffers from chronic health conditions, and the poor conditions in Lakan Prison, combined with shortages of medication, medical care, and constant psychological pressure, have severely deteriorated her physical condition.

She was arrested on April 17, 2025, after security forces raided her home in Rasht without presenting a judicial warrant. During the raid, agents searched the house and confiscated her and her daughter’s electronic devices. For weeks, her family had no information about her whereabouts or health condition. She is currently being held in Lakan Prison in Rasht.

Um, You Were So Happy by Vibha Shetiya

“We were so happy,” he said, emphasizing the so.

Her thoughts flashed back to that car ride. Hearing that an acquaintance was taking the GRE, she had half-jokingly quipped – “Maybe I should too.” He responded: “You should. You don’t know anything about life. Your life consists of your parents and brother and a handful of friends. It’s time you learned what it really was about,” this time stressing the really. The next few months were spent prepping for entrance exams and sending out grad school applications. Within six months, she was in the US of A.

She couldn’t believe it. She had been trapped for nearly two decades. As a child, she had had no choice. As an adult, it was too late; the indoctrination of being in a family cult had left her completely alienated; she was a stranger to herself. Marriage took on another dimension. Any chance of deprogramming was replaced by degrading, the methods remaining the same though; browbeating and gaslighting as a time-tested and guaranteed method of emotional torment never disappointed.

Burning Woman, by Lucy H. Pearce, 10th Anniversary Edition, Book Review by Beth Bartlett

As someone who came into feminism in the late 1970s early 1980s, reading Lucy Pearce’s Burning Woman was re-entering the power and promise of women-centered feminism – the heyday of Adrienne Rich, Audre Lorde, Mary Daly, Clarissa Pinkola Estes, Andrea Dworkin, Charlotte Bunch, China Galland, Riane Eisler, Carol Christ, Gloria Anzaldúa, Susan Griffin, Starhawk, Sara Ruddick.[i] It was the era of reclaiming the Feminine from its patriarchal definitions and women defining themselves outside of patriarchy – celebrating women’s spirituality, art, music, language, bodies, sexuality, birthing, voices, and power – when feminism was about transforming patriarchy rather than fitting into it — when Meg Christian proudly sang Betsy Rose’s “Glad to Be a Woman.”

And then everything changed. Just as women were coming into our own beyond patriarchy, women-centered feminism came to a halt due to pressures both from within feminism and without – with a whole school of deconstructionist feminists[ii] now critiquing women-defined women as “essentialists,” and moving back to minimizing rather than maximizing the differences between the sexes,[iii] with an emphasis on abolishing the gender binary, welcoming trans and non-binary folk, and questioning the whole concept of “women.” Indeed, one of my Women’s Studies, now Gender Studies, students asked me privately if it was okay to call herself a “woman” because the term had become so forbidden among many of the students. At this time, feminist theorist Nancy Hartsock raised the important question, “Why is that just at the moment when so many of us who have been silenced begin to demand the right to name ourselves, to act as subjects rather than objects of history, that just then the concept of subjecthood becomes problematic?”[iv]

Maryam Rajavi by Yalda Roshan

My name is Yalda. I am a woman from the Iranian resistance who, for many years, has fought for women’s equality and worked to amplify the voices of Iranian women around the world. Today, I want to share with you the source of inspiration and motivation that has guided my path.

Covering every aspect of Maryam Rajavi’s life and thought in one article is a challenge, so today I will focus only on what has personally influenced me: her perspective on women.

She herself is a woman who has spent decades fighting against two dictatorships—the Shah’s and the misogynistic clerical regime—and believes that women can change the world. A brief overview of her biography: she was born on December 4, 1953, in Tehran and is a metallurgical engineer from Sharif University of Technology in Tehran. From her teenage years, she embarked on the path of struggle, learning from action rather than words.

From the Archives: Passover and the Exodus: A Feminist Reflection on Action, Hope, and Legacy by Michele Stopera Freyhauf

This was originally posted on March 26, 2015

Last week, Supreme Court Justice Ruth Bader Ginsburg was in the news again, but not for reasons you would expect. She, along with Rabbi Lauren Holtzblatt, penned a feminist essay about the Exodus title “The Heroic and Visionary Women of Passover.” Finding this story was exciting, especially because I am so drawn to the Exodus story (the intrigue and curiosity of which caused me to return to school and study, as one of my main areas of focus, Hebrew Scriptures – along with Archaeology and Ancient Near Eastern History). Now women’s roles in this story are being elevated thanks to Justice Ruth Bader Ginsburg and Rabbi Holtzblatt.

Before I discuss the message and the importance this message brings, I think it is important to know an important fact about Justice Ginsburg. Ginsburg is not observant, but does embrace her Jewish identity. When her mother died, she was excluded from the mourner’s minyan because she was a woman; an event in Judaism that is meant to comfort the mourner, brings a sense of community, and is considered obligatory – a means of honoring our mother/father. This important event left an impression and sent a loud message that inspired and influenced her career path – she did not count – she had no voice – she had no authority to speak. No wonder her life and career focuses so much on women’s rights and equality.

As many of us know, the story of Exodus is focused on two things 1) Moses and 2) liberation from the bonds of servitude and enslavement; women are rarely discussed. In the essay co-authored by Ginsberg, women are described as playing a crucial role in defying the orders of Pharaoh and helping to bring light to a world in darkness. In the Exodus event, God had partners – five brave women are the first among them, according to Ginsburg and Holtzblatt. These women are: Continue reading “From the Archives: Passover and the Exodus: A Feminist Reflection on Action, Hope, and Legacy by Michele Stopera Freyhauf”