Marriage as a Commodity (Satisfaction Guaranteed) by Michele Stopera Freyhauf

Freyhauf, Feminism, Religion, Durham, Old Testament, Blogger, Bible, Gender, Violence, Ursuline, John CarrollThis Saturday I will be presenting a paper about Cyberbrides at the United Nations Commission on the Status of Women.  While my focus for that paper is the impact on mothers and families, my research also revealed how some Cyberbrides (or Mail-Order Brides) are selected from internet catalogues with “satisfaction guaranteed” and how “International Marriage Broker” may be a cloak hiding the agencies’ involvement with human trafficking.

Cyberbrides are essentially mail-order brides, but like pen pals, they can chat and exchange pictures on the Internet and interact through video or instant chat.  There are almost 2.9 million website matches that turn up when Google-ing “Mail-Order Brides” within 19 seconds of pressing the “return” button. With the low cost of social media, a new venue to market and display this “commodity” is available.  Presently,  about 30 Facebook sites exist that advertise “Mail-OrderBrides. Continue reading “Marriage as a Commodity (Satisfaction Guaranteed) by Michele Stopera Freyhauf”

Les Miserables’ Fantine, Women’s Suffering, and Female Migrant Labor by Gina Messina-Dysert

Gina Messina-Dysert profileUpon the recommendation of several friends and colleagues I decided to see the film Les Miserables.  It is rare these days that I make it to the movies.  My life is generally over scheduled and spare time is nonexistent.  So with just a few days left until the start of the semester and with a pile of work on my desk, I decided to throw caution to the wind and head to the theater last-minute to see Victor Hugo’s masterpiece on the big screen.

First, can I say what a brilliant surprise the film itself was?  I wondered if Hollywood could do justice to Hugo; from the moment of the opening scene I was in absolute awe.  I left the theater experiencing a momentary resurrection.

Anne Hathaway / Les Misérables: © Universal Pictures.
Anne Hathaway / Les Misérables: © Universal Pictures.

While the entire film was amazing, I would have seen it for nothing else but Anne Hathaway’s performance as Fantine.  I felt her suffering in the depths of my soul and wept along with her.  In Fantine we see the suffering of Everywoman.  She represents the thin line between those virtuous and those fallen and mirrors women’s imprisonment within this dichotomy.     Continue reading “Les Miserables’ Fantine, Women’s Suffering, and Female Migrant Labor by Gina Messina-Dysert”