Minoan archaeology – Feminism and Religion

Offerings to the Labyrinth on Papoura Hill by Sylvia V. Linsteadt

Rhea, mother of Demeter, is coming down upon the seven mountain ranges of her Crete. Ariadne, granddaughter of Rhea, is coming up from her ten thousand perfect caverns inside those mountains with clear water in her arms. They have been quiet a long time, but they are not quiet now. Between them comes Demeter across the wide plateaus where her stones and soil are being stripped for profit, where her bees are dying from pesticide use in their hives, where her grain and oil are sold out from under her, the farmers who grew them cheated by countries with fatter economies and shinier marketing schemes.

They are gathering on Mt. Juktas and Mt. Dikti and Mt. Ida and on Papoura Hill, on all the old holy mountain places where nereids and kouretes were born, where midwives danced, and the dead were buried, and the priests and queens held night-long vigils to take divinations from the procession of the stars. From those divinations they turned the wheel of Crete’s festivals so that they continued year by year as precisely as Earth turned around her axis, so that Earth knew that she and her gifts were respectfully received, and truly loved.

Legacy of Carol P. Christ: The Turtle Goddess from Myrtos in Ancient Crete

This was originally posted on October 15, 2012

“As we bless the Source of Life, so we are blessed.” Song by Faith Rogow.

The strange and cheerful figure portrayed in this ancient Cretan vessel comes from the site known as Fournou Korifi near Myrtos, in Crete. Dated before 2000 BCE, she was called the “Goddess of Myrtos” by the excavator, Peter Warren. This little Goddess was found on an altar in a small room in the ritual area of a complex of small rooms on a hill above the sea that was home to up to 120 people. The Goddess of Myrtos is a vessel holding a vessel. In ritual libations, liquid would have been poured from the pitcher she holds onto an altar.

.She is obviously female, with breasts and a sacred triangle.

The cross-hatching on her sacred triangle and on the squares drawn on her body perhaps symbolize woven cloth and the important roles of women as weavers in the community that created her. A side view shows that she is “stitched together” along her sides. The many spindle whorls and loom weights recovered from the site provide material proof of the importance of weaving at Myrtos.