Women’s Spirituality – Feminism and Religion

Gloria Naylor: Redirecting the Spotlight, American Woman Writer (1950-2016), part 1 by Maria Dintino

The Gloria Naylor Archive

I am beyond thrilled to learn of The Gloria Naylor Archive!

This extensive repository of Naylor’s work has been a joint labor of love, respect, and honor between Sacred Heart University in Fairfield, Connecticut (where Naylor was awarded an honorary degree in 1994) and Lehigh University in Bethlehem, Pennsylvania.

Suzanne Edwards, associate professor of English and director of the Humanities Center at Lehigh, explains:

“It’s this incredible resource, but it was also a resource that I didn’t see people engaging with in scholarship on Naylor. The materials weren’t easily accessible, and Sacred Heart didn’t have the staff or resources to digitize it.”

As a result, Edwards recommended a partnership that would “make the archive more accessible to fans of Naylor’s work, to teachers who are teaching her novels at the college level, on the secondary level, and to scholars who might find it difficult to make a trip to Fairfield”(Hochbein).

The results: a rich and expanding digital archive, as well as an invite to those doing research involving Naylor to schedule an appointment if they would like to engage with materials in person. (Before scheduling a trip, know that the physical materials belonging to the archive are back at Sacred Heart University in Connecticut as of 2023.)

From the Archives: Why are We Drawn to the Black Madonna? by Judith Shaw

This was originally posted on Oct 25, 2012

Once the opportunity came my way to spend two weeks with my sister in Paris, I knew I had to visit the Black Madonnas at Chartres. I had been to Chartres many years ago, before I knew about the Black Madonnas scattered throughout Europe. I felt the power of the site at that time, but had little understanding of where that power came from.

History of the Black Madonna

The indigenous goddess worship of Europe, was influenced by Phoenician traders who introduced statues of dark skinned African and Middle Eastern goddesses such as Isis, Inanna, and others to the European continent from 1550BC to about 300BCE. The worship of these goddesses continued with The Roman invasion of Gaul (France) and other parts of Europe.

Once Christianity took hold in Europe, churches were built on top of sacred pagan sites. But old ways die hard; many of these dark skinned goddesses were incorporated into the newly built Christian churches. Today there are more than 500 known Black Madonna statues and paintings throughout the world, the majority in France.

How I Have Been Influenced by Poet Ellen Bass by Charlotte Donlon

“When You Return” by Ellen Bass

Fallen leaves will climb back into trees.
Shards of the shattered vase will rise
and reassemble on the table.
Plastic raincoats will refold
into their flat envelopes. The egg,
bald yolk and its transparent halo,
slide back in the thin, calcium shell.
Curses will pour back into mouths,
letters un-write themselves, words
siphoned up into the pen. My gray hair
will darken and become the feathers
of a black swan. Bullets will snap
back into their chambers, the powder
tamped tight in brass casings. Borders
will disappear from maps. Rust
revert to oxygen and time. The fire
return to the log, the log to the tree,
the white root curled up
in the un-split seed. Birdsong will fly
into the lark’s lungs, answers
become questions again.
When you return, sweaters will unravel
and wool grow on the sheep.
Rock will go home to mountain, gold
to vein. Wine crushed into the grape,
oil pressed into the olive. Silk reeled in
to the spider’s belly. Night moths
tucked close into cocoons, ink drained
from the indigo tattoo. Diamonds
will be returned to coal, coal
to rotting ferns, rain to clouds, light
to stars sucked back and back
into one timeless point, the way it was
before the world was born,
that fresh, that whole, nothing
broken, nothing torn apart.

This poem appears in Ellen Bass’s book “Like a Beggar” published by Copper Canyon Press in 2014 For more information on Ellen Bass and her poetry go to her website https://www.ellenbass.com/ Poem posted here under “fair use” guidance.

While warming up beside an enormous stone fireplace with a dozen other writing workshop participants in western North Carolina, I listened to an instructor read the poem “When You Return” by Ellen Bass. I had come to the retreat wrung out from church trauma and the ache of not knowing where I fit in anymore. As the flames crackled and spit, the reader spoke words that singed the edges of longings I hadn’t yet noticed—longings for crooked paths to be made straight, for broken things to be made whole. I was crying by the time he recited the last few lines— “the way it was / before the world was born, / that fresh, that whole, nothing / broken, nothing torn apart.” The tears surprised me; a snowmelt after years of frozen longing that finally began to thaw.

Mabel McKay (1907-1993): “Dreamer” and Master Basket Weaver of the Northern California Pomo Indians, part 2 by Theresa Dintino

part 1 was posted yesterday

The last sucking doctor of the Pomo

Mabel healed people with songs that spirit sang through her. Eventually, she was taught to suck. Into a sucking basket she had woven, she spat out what she had sucked out of her client. People came from all over for her healing and she traveled far to heal others. She needed singers and translators to help her when she worked. Many people came to witness.

When Mabel was raised, traditional healing was beginning to go out of fashion and even be suspect. But Mabel’s work was widely sought after by the local indigenous population from all the various tribes who worked on the farms and lived on the reservations in the area of Northern California.

Sarris describes her extracting a salamander-like creature from a woman’s eye, gallons and gallons of water from a man’s chest and an evil spirit from another.

Mabel McKay (1907-1993): “Dreamer” and Master Basket Weaver of the Northern California Pomo Indians, part 1 by Theresa Dintino

Moderator’s Note: This piece is in co-operation with The Nasty Women Writers Project, a site dedicated to highlighting and amplifying the voices and visions of powerful women. The site was founded by sisters Theresa and Maria Dintino. To quote Theresa, “by doing this work we are expanding our own writer’s web for nourishment and support.” This was originally posted on their site on July 23rd, 2024. You can see more of their posts here.

It’s hard to know what might have happened to Mabel McKay if her grandmother Sarah had not made it a point to care for and protect her. Sarah recognized her as a Dreamer, one who is owned by spirit.

Mabel’s great-grandfather, Sarah’s father, had been a medicine man descended from those before him. Sarah’s brother, Richard, had started the Dream religion “after the white people had taken everything but their souls to Dream”(Sarris 8). Sarah recognized the signs in her granddaughter but worried there was no one left to teach her.

One of the signs Mabel was a Dreamer is how she talked in her sleep at night as a girl, out loud speaking her Dreams. Spirit talked to her in her waking hours as well. She was a strange child and there was a lot of worry around her.

Lips Sealed Unsealed by Claire Taylor

My Grandmother, Bernadette Mary Claire at her first communion.

My name is Claire Taylor. I’m seventeen, and I was named after my maternal grandmother’s confirmation name, the Catholic tradition of giving someone a saint’s name at first communion. Her full name was Bernadette Mary Claire Szafranski, so you can tell religion was a big deal in her life. I was raised in an agnostic family with basically no spiritual life, but for the last six years I’ve gone to Immaculate Heart, an all-girls Catholic school in Los Angeles. And I love Catholicism.

I love the singing and the psalms, the traditions, the Bible stories, and how my teachers push me to actually think and argue about things. But something bothers me: my grandmother grew up Catholic and then left it, raising my mom with no religion at all, and my own school was founded by sisters who, in 1968, had to choose between staying under the archdiocese or keeping their values: social activism, feminism, progressive theology.

Faithfully Dissident Daughters Reclaiming Christian Womanhood Beyond Patriarchy by Chelsea Kim Long: Book Review by Esther Nelson

After a beautiful and insightful Foreword by Christena Cleveland, Chelsea begins her engaging book by telling us, “Up until the age of 26, I didn’t struggle to align my identity and my life experiences with the white, evangelical way of seeing the world.” Born in the late 1980s and raised in a nondenominational megachurch, she grew up with a strong sense of belonging. All was well as long as she matched her thinking and experiences with authoritarian expectations. “I was able to exist in those spaces just fine until, quite suddenly, I wasn’t.”

What changed? Pregnancy. “It was the first splinter in a crack that eventually ripped my whole worldview apart, forcing me into a crisis of theology where I felt I had to choose between myself and the church I loved.” Experiences surrounding pregnancy and childbirth opened Chelsea’s eyes to the realization that as a woman in a patriarchal structure, built by men, she didn’t fit. Interpretation of Biblical text empowered men. “I couldn’t see my femininity reflected in and affirmed by the God they made in their image.” She fled her home church.

“I walked through many lonely years trying to wrestle my way into a version of faith that reflected my reality and contained my life experience.” Chelsea, as a child, had memorized Jeremiah 17:9, “The heart is deceitful above all things, and desperately wicked: who can know it?” No room in her natal faith for “heart knowledge” since logic and reason superseded intuitive thought. She had learned to mistrust and silence any wisdom that came from within her own Being.

Mary as Sister, Trickster, and Mother by Elanur Williams

The road to the House of the Virgin winds through the hills, a thin ribbon of light. Nestled on Mount Koressos (also known as Bülbüldağı, Turkish for “Mount Nightingale”) near Ephesus, its discovery in the late nineteenth century was inspired by the visions recorded in The Life of the Blessed Virgin Mary by mystic Anne Catherine Emmerich, whose descriptions led priests to identify the small stone dwelling she saw in her revelations. Although the Bible is unclear about Mary’s later life, passages such as John 19:26–27, in which Jesus entrusts his mother to the Apostle John, lend narrative weight to the belief that she followed him; whether to Ephesus or elsewhere, this is a matter of faith and ongoing historical debate. For many, the House is a place of pilgrimage and serves as a symbol of interfaith devotion across centuries. At the wishing wall, candles and paper flutter in the breeze, small, tangled petitions to the divine. I feel my own within my heart as I light a candle among the others, its black wick catching the wind.

SheSpeaks! Women of the Bible Have Their Say by Janet Rudolph

Author’s Note: I have been working on this project for about 3 years now. It is based on almost 30 years of research. I have written about some of the vignettes here on FAR before. With each re-telling and each performance the story deepens and comes more alive. On Thursday, Sept. 24th at 11:00 am NY time, the SheSpeaks!Ensemble will be doing a one hour live/zoom, free performance of the arc called EveSpeaks! You can access the zoom link on the 24th through this webpage. (Scroll to the bottom of the page for the link.)

The storyteller holds great power to both reflect the culture and to give it further shape and form. This is especially true for stories of the Bible which are foundational to our world. Whether we see them as mythological, historical, divinely inspired, wisdom teachings or simple folktales, they have shaped our beliefs and values. People see all different faces of God. If we look to the movies, God has looked like George Burns (Oh God, 1977), a vengeful John Huston (The Bible, 1966), Morgan Freeman (Bruce Almighty, 2003) and even Groucho Marks (Skidoo, 1968). There aren’t a lot of women although Alanis Morrisette did play a silent God (Dogma, 1999). If most people were asked to describe God, they would most likely picture a Charlton Heston-like figure (The Ten Commandments, 1956) when he played Moses reflecting the vehemence of God’s anger.

But . . . alas . . .biblical women’s history is most like Alanis – mute. Women’s voices have been diminished and even silenced. Female deities, female voices have either been translated out of reach or turned into purveyors of “evil” or curses.

Slippery tongued Witches by Claire Bullion

“It is still Eve the temptress that we must beware in any woman” St Augustine (354-430 CE)

I’ve been annoyed recently by suggestions that the ‘feminization’ of institutions involves increased deceit and manipulation because of an inherent deviousness to be found in women. Why is the idea of the manipulative woman still so powerful in our culture? When 165 of the 193 countries with UN membership are led by men and the top 10 richest people in the world are all men, why are these manipulative women doing so badly? Are men manipulating women to think they are manipulative? Both Helen Andrews (2025) and J. Stone (2019) in their essays, which insist that the increase representation of women in institutions is ruining the world, quote the work of Harvard Lecturer Joyce Benenson as evidence of this inherent feminine deviousness that needs to protected against.

“Woman, by her nature, is the instrument of the devil. A woman’s voice is the hissing of the serpent” Pope Urban II (c.1035-1099CE)