The Legacy of Carol P. Christ: Belonging to the Land

This was originally posted on November 17, 2014

Carol Christ in Lesbos

I believe that we can restore our hope in a world that transcends race by building communities where self-esteem comes from not feeling superior to any group, but from one’s relationship to the land, to the people, to the place, wherever that may be.—bell hooks

In these words from her poignant memoir-reflection-analysis Belonging, bell hooks suggests that rather than creating identity by comparing ourselves to others, whether in the academy, in communities, or in the larger society, we would do better to root our identity in the land.

Hooks “left home” in rural Appalachia in order to pursue “higher” (why do we call it that?) education including a Ph.D. which enabled her to teach at prestigious universities in the urban north. Despite her considerable success as an academic and a black feminist, hooks suffered persistent depression in the cities where she taught. Eventually she diagnosed her dis-ease as a longing for the home she had left behind, specifically as a need to connect with the traditions of her ancestors, the mountains, and the land that had sustained them since the end of slavery.

Hooks asks if one of the reasons that so many black people have failed to thrive in the urban north has to do with the loss of connection to the land and ancestral traditions that occurred with twentieth century migrations to the north. Though black people—and hooks herself—hoped to find greater freedom and dignity in the north, hooks wonders if the price they paid was too high.

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On Ancestors, Judaism, Patriarchy, and Gratefulness.

The other day my partner, her mother, and I visited one of the family gravesites.  We go together all three of us, or just sometimes my partner and I, at least two times a year.  My partner’s mother certainly goes more often, especially to the gravesites in Prague.  I have noticed that Christians, Jews, Buddhists, Muslims, and the non-religious alike are all often buried in one cemetery, although it is sometimes divided into sections to accommodate some religious beliefs; that seems to be the case in many places throughout the country.

It is typical to visit the cemetery on Dušičky, or All Souls’ Day, and most Czechs, regardless of religious background, participate in the tradition.  While this is a common time to visit, it is very typical to see Czechs in cemeteries tending to gravesites throughout the year.  This involves cleaning them, washing the gravestones, removing spent flowers and offerings, adding new ones, and lighting candles in remembrance.  Cemeteries in the Czech Republic are busy, colorful, peaceful places on account of this. My partner’s family will also offer prayers after finishing the ritual, but I am not sure if this is common as I only ever go with them.  

Continue reading “On Ancestors, Judaism, Patriarchy, and Gratefulness.”

Legacy of Carol P. Christ: We Could Have Been Canadians and Other Thoughts about My New England Colonial Heritage

This was originally posted on Sept 1, 2014

carol mitzi sarah

My 2x great-grandparents Nathaniel Searing and Louisa Caroline Martin were pioneers who cleared the land and built a log cabin in Lyons, Michigan in 1840. They were descended from English Puritan Colonial settlers in New England. At least two of my ancestors are recognized by the Sons and Daughters of the American Revolutions. Other members of my family who were Quakers proudly refused to take part in the Revolutionary War.

My great-grandfather James Augustus married a woman of German descent, his daughter Lena Marie married a Swede, and my mother married a man who was German, Irish, and Scottish. As the descendants of Nathaniel Searing and Louisa Caroline Martin moved around the United States and married into the families of newer immigrants, the succeeding generations also lost touch with their history. Our family’s connections to the New England Colonists were not even mentioned at Thanksgiving!

Continue reading “Legacy of Carol P. Christ: We Could Have Been Canadians and Other Thoughts about My New England Colonial Heritage”

From the Archives: Hagar and Intersectionality by Marilyn Batchelor

This was originally posted on May 15, 2020

I began to follow Kimberlé Crenshaw a little more than five years ago when I first learned of her theory of intersectionality as a more concise description of oppressions stemming from race, age, gender, sex/sexual orientation, religion and socio-economic status. 

In Delores Williams’ book, Sisters in the Wilderness, there is a closer look at womanist theology as it relates to Intersectionality. The focus on traditions of biblical appropriation that emphasize liberation of the oppressed “showed God relating to men in the liberation struggles,” Williams says in the introduction. “In some African American spiritual songs, in slave narratives and in sermons by black preachers, reference was made to biblical stories and personalities who were involved in liberation struggle.” 

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Legacy of Carol P. Christ: Another Bow to Hestia

This was originally posted on Jan 4, 2021

I am not big on New Year’s resolutions, but this year I have vowed to change one of my habits. I have always been house-proud and love using my artistic flair to decorate my home in beauty. I have had a cleaning lady most of the time for many years, so my homes have been relatively clean. The living room and dining room have always been ready to receive guests. But I didn’t always do the dishes or clean the surfaces in the kitchen right away, clothes I had worn often sat on chairs before I hung them up, and I didn’t make the bed every day.

Now that I think about it, this habit goes back to my childhood and teen-age years, when my not picking up things in my bedroom was a bone of contention between me and my mother. Joyce Zonana wrote recently about how she rejected her mother’s role as homemaker and “dutiful” wife when she was young. Only now during the Covid crisis, she writes, is she beginning to enjoy the traditional women’s work of cooking regularly and knitting.

When I was a teen-ager, I sewed all of my clothes (both because we didn’t have a lot of money and because, as I was very tall and very skinny, most ready-made clothes didn’t fit). I was a second mother to my baby brother. For me, those were the fun parts of women’s work. But I hated washing dishes and cleaning the house, and I did not learn how to cook. I suppose I recoiled from the repetitiveness of those tasks. I was also aware that my father ruled the roost, and though I would never have criticized him, I knew that one of my mother’s jobs was to please him. Laura Montoya’s meditation on her grandmother’s life in a recent blog reminds us that the failure of homemakers to meet their husbands needs or wants can lead to violence.

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Keyvermestn by Janet Madden

in memory of Esther Shumiatcher-Hirschbein

1.
On a sunny Elul afternoon
I kneel at your grave
a sprig of rue in my pocket.
I recite a tkhine for visiting the graveyard
and imagine that you know this ritual–
stretching string to calculate
the space your body inhabits.
The unspooling wick rests gentle
on rough-cut grass, touching
the edges of mortality,
its twists separating and connecting worlds:
the dead and the living
the past and the now
mine and yours,
a woman I never met,
a writer dead these 40 years.

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Elemental Grannies: Snippets from Over the Edge of the World, A Fairytale Novel by Elizabeth Cunningham

Introduction: An old woman, Rose begins spinning the tale the children never tire of hearing. Grannies Sweep, Spark, Dirt, and Brine, were old, so old, they forgot who they were and how they came to live where they did: a sheer pinnacle, a walking forest, an old shoe, a ship moored off a hidden shore.

But Rose has never told the whole story—to anyone. The story of a world these children have never seen, where the rich lived inside a vast dome, protected from heat and cold, rain, wind—and hunger. Nor do the children know about madness or cruelty. She has never told them about Noone, the power behind the dome, his obsession with immortality.

If she never tells these stories, who will remember the bravery of the beauty singers who daily risked the ultimate penalty—being thrown over the edge of world. Who will remember the intrepid children who danced defiantly on the dung heaps. If Rose does not tell her own story, who could imagine her birth deep inside the dome, the dangerous secret of her existence. A secret guarded her two huge aunties, once ragged outside boys, who became outrageous bodyguards in towering wigs and heels. To protect the new world and the people she loves, it is time for Rose to tell…

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Divining Goddess: Tattooed Sawbonna & Serpent by Margot Van Sluytman/Raven Speaks/Heyoka

Tattooed upon my body. Residing in my soul. Sawbonna. Serpent. Snake. SHE who is. Was. Always will be. Like waking from a solemn sleep. I walked with the intention of heading to my home where I have been building houses. Papier-mâché mansions and tiny, tiny shacks. Sheds too, that speak of shelter. Of warmth. Of community.

After time with Jess and Benn in Emma’s office, heading in the direction of my cozy cave of light. My sanctuary. Where silence rarely slumbers. I looked up.  Above me there, right there, blue, blue, sky. Fat potent clouds. One errant, silent-speaking breeze redolent with hope. Reeking of Sawbonna. I knew that the time had come.

I knew what I had do.
I did not return home.
I turned left on to Hunter Street.
Wended my way to Simcoe Street.

After conversation with Nelson at Henry’s Barber Shop, Riverside Tattoo and I became acquainted. It was mid-afternoon.

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“Over the Edge of the World” by Elizabeth Cunningham: A Book Review by Judith Shaw

Elizabeth Cunningham’s new book is a marvel you won’t want to miss. It’s subtitled, “A Fairytale Novel” which lets you know you are in for a magical experience. Fairytales have meaning and contain wonder, beauty and truth.  Fairytales awaken new insights for the reader, inspiring us all to think more deeply about our world.  “Over the Edge of the World” certainly does all that. It will leave you pondering the difficult reality of our world today and the sacrifice and grit needed to create it anew. 

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Let’s Have The Talk – What Does “The Birds and The Bees” Actually Mean: By Zoe Carlin

Recently, I have thought about a common idiom that has been used to refer to sexual reproduction, the birds and the bees. I became curious why animals that appear in most gardens were used as an example to explain where babies come from, until I did some research. It turns out that since the birds lay eggs, that is their representation of the female body and the bees represent the sperm due to pollination. It is a very subtle, overlooked message that can be disguised as being more age-appropriate to young children. However, I decided to dig a bit deeper. Ed Finegan, a USC professor of linguistics and law, has stated that this phrase has existed a lot longer than one might think. There is evidence of it being used in a somewhat sexual context going back to at least two authors, Samuel Coleridge Taylor (1825) and an entry from John Evelyn’s The Evelyn Diary (1644). 

In Work Without Hope, Samuel Coleridge Taylor quotes, “All nature seems at work . . . The bees are stirring, birds are on the wing . . . and I the while, the sole unbusy thing, not honey make, nor pair, nor build, nor sing.” This separation of the birds and bees is indicating the loneliness and sadness of missing out on a potential romantic connection. When going even further back in time to 1644, it was noticed in the Evelyn Diary that there was an entry discussing the interior design of St. Peter’s in Rome: “That stupendous canopy of Corinthian brasse; it consists of 4 wreath’d columns, incircl’d with vines, on which hang little putti [cherubs], birds and bees.” This description is illustrating that there is a possible sensual or sexual meaning of the architecture in St. Peters.

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