Star Trek: Discovery – Feminism and Religion

On the Religious Nature of Connection in Star Trek: Discovery Season 3, by Ivy Helman

For the past two months, I have been exploring the religious elements of Star Trek: Discovery. Both seasons one and two have considerable religious elements. Of course that depends on how one exactly defines religion as well as how one interprets the actions of the characters. Season three is no different as the principle of connection becomes associated with religious rituals, behaviours, beliefs, and discussions.

By far, the most recognisably religious element of the season is the ritual bath that Adira participates in episode 4 in order to be able to commune (connect) with the symbiote. The ritual bath occurs in the sacred caves of Mak’ala. Adira, robed in white, enters the pool and spends considerable time learning to commune with the symbiote and its past hosts. After emerging from the pool of water, Adira is wrapped in a cloth that very much resembles a tallit.

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Star Trek: Discovery Season Two: On Characters, Action, and Faith by Ivy Helman.

Season two of Star Trek: Discovery incorporates religion differently than season one. While there are religious overarching themes running throughout, like how actions to shape the future and faith not as convictions but as empowerment, a more fitting and interesting way of addressing religion throughout this season is to look at the individual characters and what their stories have to stay about religion.

Captain Pike knows and understands religion. He also often believes. Michael is the persistent skeptic. The Red Angel plays many roles: an illogical mystery, a revelation, a savior or a intentional sign. Saru is the convert, physically transformed with a newfound confidence and power, while Hugh is the reincarnated, whose bodily existence begets loneliness and struggle. Spock is the logic wrestler, who as Pike says asks “amazing questions.” Finally, not a character per se, episode two, entitled “New Eden,” represents a typical Western understanding of organized religion, replete with sacred writings and a church.

Like season one, religion is present in the opening scene of the season, this time in the form of mythology, as Michael tells a tale of an African girl who threw embers from a fire into the air creating the Milky Way. Michael says that she left a message in the stars if one was willing and open to receiving it.

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The Religious Aspects of Star Trek: Discovery Season 1, by Ivy Helman.

I have been watching more television than usual. Perhaps, the reader has too. Two weeks ago, while I was rewatching Star Trek: Discovery, I thought to myself, “wouldn’t it be nice if I could write something about this series?”

After all, I want to acknowledge how grateful I am for the ways the series celebrates diversity with: women of color in leading roles; the normalization of gay relationships; and, in the latest season, the inclusion of non-binary and transgender identities. Not only that, it has strong female characters that are empowered, supported and mentored by each other and other crew members. I am also glad that it expresses ecological sustainability, the interconnectedness of life through the mycelial network, and the ethical treatment of animals. Finally, I have appreciated the way this series questions violence and war. Notably, it contends with the question: how does a united planetary organization committed to peace find itself in the midst of war? The answer: war and violence are learned behaviors. That has a very feminist ring to it, doesn’t it?

However, the show is not perfect. It contradicts itself in one major area: Starfleet’s hierarchical ranks and the corresponding requirement to follow orders. Captain Lorca in season 1 episode 3 reminds the crew that they are not part of a democracy. Yet, the Federation preaches equality and freedom and often touts itself as utopian, where hunger, wants and needs no longer exist.