Film

Love and The Last of Us

I was excited and thought I knew what to expect. I know what happens in the game after all. But after watching episode three, Long, Long Time (aired Jan. 29, 2023), I found myself considering what seems like something new in a zombie story as well.

Warning: Contains spoilers for The Last of Us video game and HBO series! (Oh, and for The Walking Dead… And maybe a few other zombie films too.)

I remember when Naughty Dog released the first iteration of its popular game, The Last of Us (2013) because a friend of mine worked with the sound design team for the game. This friend started out as a game tester and through years of effort, was eventually creating game sound and dialogue. The release was a BDF for his personal success and at the time, felt like something new in gaming: it was realistic, cinematic, and emotional. (And incidentally, it was reviewed very, very well.) This past month HBO released The Last of Us as a TV series. I was excited and thought I knew what to expect. I know what happens in the game after all. But after watching episode three, Long, Long Time (aired Jan. 29, 2023), I found myself considering what seems like something new in a zombie story as well.

Considering “Everything Everywhere All at Once”

The multiverse as a metaphor for trauma is rather compelling to me. It speaks to the way in which different realities and experiences impose themselves on others as a matter of fact rather than malintent. These realities necessarily co-exist in interrelationship but may compound the weight and confusion of present experience.

Warning: Spoilers Ahead!

Everything.

Everywhere.

All at Once.

I remember thinking, this is kind of a weird name for a movie, even if it is about the multiverse and shifting realities. But I’m a big sci fi fan, so of course, I jumped at the chance to see it when my friend said she wanted to see the movie, again, with me specifically. Mom’s day out for both of us. Check. A… m.o.v.i.e. I remember movies from a time pre-pandemic: there’s a big screen, right? And food? I like food. Sign me up. (j/k). I seem to remember movie theaters being more crowded though—my friend and I had almost a private viewing. And sitting practically on top of my friend by the end of the film, after laughing so hard I cried, crying because I was so sad, gaping in shock, horror, and even disgust, and wondering what I just saw, I reflected: this movie was perfectly named.

From the Archives: Frozen 2: Can the Christian Church Hear its Gospel Song? by Trelawney Grenfell-Muir

This was originally posted on March 5, 2020

The first time I saw Frozen 2, I was impressed by the ecofeminism and the efforts to respect the Sami culture. The second time, I thoroughly enjoyed the superb music and the character development. The third time… was a religious experience.

Other contrubutors have written wonderful reviews of Frozen 2, and I agree wholeheartedly that its animation reinforces the sexist idea that females should be tiny compared to males, except for our eyes, which should be larger than our wrists. These disempowering representations saturate today’s media, and I regularly spend a whole lot of time deconstructing them with my daughters.

However, there is a lot to love about Frozen 2, and as a Christian, I found myself resonating with several of the symbolic truths the film offers. I spent some time looking into the Sami religion, to see how much of it was incorporated into portrayals of the Northumbra. I knew that Disney had consulted with Sami representatives to portray their culture with respectful accuracy. The Sami history is an all too familiar tale of violent imperial conquest allied with Fundamentalist Christian Dominionism. The wounds of Sami history certainly give me terrible grief as a white American and a Christian, and I hope that the anti-colonialist messages of the film spread awareness of such violence in my country.

From the Archives: Slavery and God/dess by amina wadud

Moderator’s note: This marvelous FAR site has been running for 10 years and has had more than 3,600 posts in that time. There are so many treasures that have been posted in this decade. They tend to get lost in the archives. We are beginning this column so that we can revisit some of these gems. Today’s blogpost was originally posted January 28, 2014. You can visit it he r e to see the original comments.

Well the Golden Globe awards have been handed out. I don’t have a television, so I didn’t actually watch, but a quick google search gives the results. Highest honors go to a movie about blacks as slaves and whites as criminals. That’s appropriate.

But this is feminism and religion, so let me get to the point. It’s about a chance discussion on social media about the “merciful god” and historical institutions like slavery (holocaust, or oppressions like misogyny, homophobia, Islamaphobia and others…).

My view of the divine, the cosmos and of the world is shaped by my slave ancestry. Recent area studies about Islam in America estimate that one third of the Africans forced to the Americas were Muslim. My first African relative on US soil identified as Moor (another term used for “Muslim”). But Islam did not survive slavery.

A Bombshell, Bogotá Style – Part 2 by Laura Montoya

The events of sexual harassment I shared with you in Part 1 of this post happened in my first paid-job experience. Just like Margo Robbie’s character in the movie Bombshell, my encounter with Mr. M. was like hitting the wall of the harsh world’s reality. It was a tough welcome to the adult workplace. After my first experience of harassment, I thought that feeling uncomfortable and guilty due to a man’s behavior wouldn’t happen to me again; especially since my second job was in a Christian organization. Bombshell!

I grew up in a very conservative Christian family in the Pentecostal tradition. In my teenage years I was an active member and leader in a church in Bogotá’s downtown. After that, I was a student leader in a Christian group in my university for seven years. After leaving the first job, I was a very-VERY- Pentecostal girl in my twenties, ready to take on the world again! The main requirements for my new job with the Christian organization were to know the Pentecostal culture and to have experience leading groups in peace-building projects. I was proficient in both, so, hurray – welcome job number two into my life! But what I didn’t realize was that this job would require me to welcome this new boss to it too.

A Bombshell, Bogotá style – Part 1 by Laura Montoya

Last weekend I watched the 2019 movie Bombshell. I had not heard about it, and I ended up seeing it for the suggestion of Prime’s “you might enjoy this” algorithm. I had no idea about the story of Gretchen Carlson and Megyn Kelly’s legal battle for sexual harassment against Fox News’ master Roger Ailes. The movie was not very long, but it was intense. It portrayed really well the misogyny expected to be found in such a workplace led by a mighty, egotistic man like Roger Ailes.

A good part of the movie, we join Kayla Pospisil, Margot Robbie’s fictional character, in her quest to become a host in the news. So we go with her into Roger’s office and witness what an interview with that man was. It was about “loyalty” and intended to “prove” that she had what it took to earn a place in one of the most competitive work environments. **Content warning: description of workplace sexual harassment to follow** Obviously, it meant that she had to sleep with him because how else could a woman with a hot body prove she is competent? Immediately she was forced to show him her legs because legs sell good on T.V., and then we get to see her underwear because he was too turned on and couldn’t stop himself. **End Content Warning** Thanks to Robbie, we also feel the panic, surprise, and horror of a naïve girl trying to get a dream job in the real world.

Star Trek: Discovery Season Two: On Characters, Action, and Faith by Ivy Helman.

Season two of Star Trek: Discovery incorporates religion differently than season one. While there are religious overarching themes running throughout, like how actions to shape the future and faith not as convictions but as empowerment, a more fitting and interesting way of addressing religion throughout this season is to look at the individual characters and what their stories have to stay about religion.

Captain Pike knows and understands religion. He also often believes. Michael is the persistent skeptic. The Red Angel plays many roles: an illogical mystery, a revelation, a savior or a intentional sign. Saru is the convert, physically transformed with a newfound confidence and power, while Hugh is the reincarnated, whose bodily existence begets loneliness and struggle. Spock is the logic wrestler, who as Pike says asks “amazing questions.” Finally, not a character per se, episode two, entitled “New Eden,” represents a typical Western understanding of organized religion, replete with sacred writings and a church.

Like season one, religion is present in the opening scene of the season, this time in the form of mythology, as Michael tells a tale of an African girl who threw embers from a fire into the air creating the Milky Way. Michael says that she left a message in the stars if one was willing and open to receiving it.

Continue reading “Star Trek: Discovery Season Two: On Characters, Action, and Faith by Ivy Helman.”

About Bridgerton: A Different Feminist Perspective by Christine Irving

First of all, I’m grateful to Bridgerton for providing several spirited conversations between my friends and me, not to mention the POVs penned recently in these pages. It was fun to take part in exchanges that did not highlight or veer off into either politics or the COVID-19 epidemic.

What first drew me to Bridgerton was the fun of it – the blatant over the top spoofery and satire so like the Commedia dell’arte it so brilliantly imitates. The Commedia got away with its mockery of society because it disguised it beneath a froth of opulent, frippery, and coarse buffoonery that distracted the rich (but not the poor) from its real message about the foolishness and vanity of the ruling class. So does Bridgerton, but in this case, the culture being satirized and unveiled is ours. Unlike those earlier dramatists, in our age we fortunately and so far, at least in this country, still enjoy much greater leeway in making mockery. “Huzzah!” I say. Continue reading “About Bridgerton: A Different Feminist Perspective by Christine Irving”

Let’s talk about Mary Magdalene and her new film by Anjeanette LeBoeuf

In keeping in line with my last month’s post, movies are on the docket, 2018’s Mary Magdalene. It’s fairly recent with not a lot of discussion around it. Here we go. The film written by two women, Helen Edmundson and Philippa Goslett, focuses on Mary of Magdala who encounters Jesus. The film stars American Rooney Mara as Mary Magdalene and Joaquin Phoenix as Jesus.

Continue reading “Let’s talk about Mary Magdalene and her new film by Anjeanette LeBoeuf”

Unorthodox: How Looking for “Truth” Misses the Point by Ivy Helman.

ivy tree hugging A few weeks ago a Slovak journalist reached out to me about the new Netflix four-part series entitled Unorthodox. In the email, the journalist wrote that they had read about my work as a Jewish feminist and wanted some insight into the new series. Their main question was: how accurate is the portrayal of the Satmar community?

I was slightly surprised. The journalist wasn’t looking for my opinion on Esty as a young Jewish woman who takes control over her life and works tirelessly to quite literally have her voice heard. Rather, the questions were: is the Satmar community really like that; do they not use the internet or have smart phones; is quality education so lacking; is marriage arranged; would a woman really be that clueless about her own body; is sex like that; and, do they really have no privacy?

Fast forward. I did the interview. I figured that if I could offer the article’s Slovak and Czech readers a better understanding of Jewish life, my efforts were worth it. I tried to focus the interview toward those goals and my feminist take on the story. The piece was published, and somewhat proud of my efforts, I posted a link to the article on my Facebook page. Continue reading “Unorthodox: How Looking for “Truth” Misses the Point by Ivy Helman.”

Reviewing Current Holocaust Popular Culture Materials By: Anjeanette LeBoeuf

Anjeanette I contemplated doing a post on the current rising issues of the Coronavirus but as so much of life has been stopped, altered, and/or rearranged, that I figured I would embody the proverbial statement of “Just Keep Calm and Carry On.” So, this month’s post is a mixture of observation/product review on recent Holocaust narratives, especially found in movies, TV shows, and books.

Continue reading “Reviewing Current Holocaust Popular Culture Materials By: Anjeanette LeBoeuf”

Frozen 2: Can the Christian Church Hear its Gospel Song? by Trelawney Grenfell-Muir

Beth March and the Courage of the Gentle Giver by Cathleen F

As someone who spent my prepubescent years watching director Gillian Armstrong’s “Little Women”, I was eager to see Greta Gerwig’s newly released version. Previously unexplored contours of each character, and of my changed perceptions, were made visible through this iteration. The most difficult and touching part of the film that lingers with me is the story of Beth, pianist and caretaker. Beth’s untimely death brings grief into the center of the March family narrative, and Gerwig’s portrayal brought up grief in me about my experiences with invisibility as a paced introvert in a culture that celebrates speed and extroversion.

I grew up wanting to be like Jo March, the outspoken, reactive protagonist. Jo was the rebel, the obvious feminist, and, mostly importantly to me, the brave one. Beth seemed to me to be boring, relegated to a life at home, bound by illness and a preoccupation with the needs of neighbors. Her steadiness looked to me like obedience; she could not fight away the disease that eventually killed her, and I wished to be everything besides her, the introvert who observed and cared and loved music and then died. As I grew into my own introverted, observant, caregiving tendencies, I began to wonder if I had been tricked by my culture, by my upbringing, to think I was Beth when I was really Jo! While social pressures certainly influenced my personality, as they do for us all, I didn’t want to believe that perhaps I was growing into my natural temperament, endowed by the Universe, expressed in my mind and body. As a woman in the 21st century, as a feminist, I was supposed to be like Jo, not the way I was (am). To have a deliberate or tender nature was, in my subconscious perception, to betray the spontaneous, assertive natures of those more worthwhile feminists who got things done. Continue reading “Beth March and the Courage of the Gentle Giver by Cathleen F”

Staying Un-Frozen by Sara Frykenberg

It is February 14^th, Valentines Day. So, today I want to explore my daughter’s love affair with Frozen; a story that I did not like, but that I learned to love by watching it through her eyes. A story which through her eyes, has taught me a lot about how to stay and be un-frozen.

I did not understand the phenomenon that was Disney’s Frozen in 2013. I did not like film’s premier song Let it Go, which you could hear e-v-e-r-y-w-h-e-r-e. The film wasn’t even about Elsa; the queen with magical powers who sings this song while reveling in the new-found freedom of her isolation. It’s about Elsa’s sister, Anna, and her quest to find Elsa. So really, I thought, the song was misleading. I also didn’t like the ‘loveable Olaf;’ and while switching up the “true love’s kiss” narrative was a positive change for Disney (Anna saves herself and Elsa with her love, instead of that of a man), I just didn’t get the widespread appeal. Continue reading “Staying Un-Frozen by Sara Frykenberg”

I Hope “This Changes Everything” by Elise M. Edwards

Last week, I attended a film festival in Waco, Texas that showed the 2019 documentary This Changes Everything. Spending Friday evening at a film festival seemed like an enjoyable and appropriate way to kick off a weekend that would culminate with the Academy Awards (the Oscars). I had no idea that this film would inform the way I viewed the movie industry and its most celebrated awards show. It did change everything for me.

This Changes Everything is about the representation of women in film, particularly their underrepresentation and misrepresentation on screen and in the film- and television-making process. It is not the first time this theme has been explored in a documentary. What struck me at this viewing, though, was the way the film portrayed patterns that resonated with my experiences in academia and in religious communities. There are parallels between the way sexism manifests in entertainment and I, along with other members in the (predominantly female) audience, couldn’t help but see parallels in Hollywood’s patterns of exclusion and the discriminatory conditions we confront in numerous other industries and professions. What were these patterns?

Continue reading “I Hope “This Changes Everything” by Elise M. Edwards”

It’s Time for Nuns on the Bus to take to the Road Again: Getting Beyond Being “Pro-Birth” to Protecting all at the Margins by Dawn Webster

Author and daughter, Dr. Sheela Jane Menon, Assistant Professor at Dickinson College, PA

The country desperately needs to see the Nuns on the Bus on the road again. I just watched Radical Grace, nearly three years after my daughter and son-in-law gave it to me as a Christmas gift. My tardiness made me feel guilty, but despite the passage of time, the film still feels very timely. Three years after the cancer that is 45 entered the White House; three years after the corruption and cruelty he unleashed has metastasized into key branches of government; three years after Catholics have witnessed the heart of the Gospels ripped out the way children have been ripped from the arms of their parents at the southern border, this documentary about how a few nuns risked their place in the church to fight for justice tells me we need the leadership of the nuns more than ever.

Catholic voters from the heartland gave 45 the keys to the White House.—60 percent of them voted for him. Many justified voting for a man with Donald Trump’s appalling sexual, business, and racist history by pointing to his supposedly “pro-life” stance. Continue reading “It’s Time for Nuns on the Bus to take to the Road Again: Getting Beyond Being “Pro-Birth” to Protecting all at the Margins by Dawn Webster”

Emotional Labor, Elastigirl, & Me

Last year, I turned 40 and started grad school while working part time at the public library as the Children’s Services Manager, living in a cohousing community, volunteering with my Sisterhood, and raising three teenagers. I’m between semesters at the moment and I’ve had a chance to do some reading by choice instead of reading by syllabus. One of the titles I picked up during this semester break was Fed Up: Emotional Labor, Women, and the Way Forward by Gemma Hartley.

I’ve also had the chance to curl up with my family and watch a few movies. In addition to our epic Marvel chronology review project, we decided to snag the library’s copy of Incredibles 2 (2018) for family movie night. Despite the fact that the original movie released when our eldest child was only a year old, my teenagers have always been fans of Baby Jack-Jack and were excited to see this sequel fourteen years in the making.

I was about halfway through Hartley’s book when we sat down to watch the Parr family pick up right where they left off at the end of The Incredibles (2004). And less than a quarter of the way through the film when Fed Up and Incredibles 2 collided spectacularly inside my head. I spent the rest of the film thinking about emotional labor, parenting, and midlife career change. Continue reading “Emotional Labor, Elastigirl, & Me”

Help, My Daughter Got a Bunch of Princess Stuff for Christmas! by Trelawney Grenfell-Muir

Every year, I see multiple pleas from concerned mothers (rarely fathers, because (straight) fathers rarely take on emotional labor of child rearing) wondering what to do about the pile of pink plastic that just came into their home. It’s such a scary pile. It whispers, “come here, little girl… let go of your individuality, your power, your freedom. Join me in the glamour and popularity of gendered subordinate dehumanized servitude… everybody’s doing it… first one’s free….” Mothers (well, the ones who pay attention) look at that pile and see a desolate road ahead of princess girls who grow into teens that think they need to look like pornified sex kittens, who grow into young adults that think it’s ok for men to treat them like sex objects, and on into a bleak dystopian future of internalized misogyny.

I can’t promise that I’ve come up with a magic formula to prevent all that. After all, our girls are met with a barrage, a deluge, of toxic messages luring them down that path in every movie, TV show, magazine, billboard, and media around them. Even female meteorologists can’t just wear suits or have short hair or look plump. And none of my strategies will work if family members are modeling that females should try to please the “male gaze.” So I am not offering a magic bullet. All the same, here is how I handled the Pink Plastic Menace – as usual, a joint effort with my sister Tallessyn Grenfell-Lee.

Continue reading “Help, My Daughter Got a Bunch of Princess Stuff for Christmas! by Trelawney Grenfell-Muir”

The Power of Black Panther by Xochitl Alvizo

Note: Black Panther movie spoiler alert.

I attended my friend’s dinner party (now my beautiful partner) recently in honor of her birthday. It was an intimate gathering of nine, mostly her immediate family, so I felt privileged to be included. At one point during the dinner, her sister-in-law initiated a ritual in which we went around the table taking turns to share words of wisdom in honor of the birthday woman. Her words in particular stayed with me. And looking back, I see how the ritual she initiated was in itself an embodiment of the words she spoke:

Stand in your power. We got you. We have your back.

She said more, but the gist of it all was summed up in those three short sentences. Looking my friend in the eye as she raised her glass in her honor, her sister-in-law’s words meant something. I could feel the truth of them – I have seen the truth of them in her relationship with her. She, along with her wife (who is my friend’s sister), really do have her back and truly do want to see her “stand in her power.” Continue reading “The Power of Black Panther by Xochitl Alvizo”

Leia Should Get Her Movie by Trelawney Grenfell-Muir and Tallessyn Grenfell-Lee

This post is written jointly by sisters, Trelawney and Tallessyn, who have been thinking and discussing together about this.

Contains Spoilers from the movie Star Wars VIII: The Last Jedi (TLJ).

I was born in 1974. Star Wars IV: A New Hope was perhaps the first movie I saw in a movie theater. Back then, I was too young to understand much more than that there were good guys, bad guys, and, yay – the good guys won. Except, for once, there was also a good gal. There was Leia. In a world of Spidermans, Supermans, Batmans, Lukes, Hans, Obi-Wans, and a deluge of male heroes of every kind…. There was Leia.

It’s hard to overstate how much my sisters and I loved Leia. She was so much cooler than Luke or Han. Luke was whiny and immature. Han was irresponsible and selfish. But Leia – Leia had been fighting for justice long before either Luke or Han entered the picture, and Leia had the smarts, the skills, and the grit to get shit done. Continue reading “Leia Should Get Her Movie by Trelawney Grenfell-Muir and Tallessyn Grenfell-Lee”

Mulling over Movies: Moana, Pt. 2 by Elise M. Edwards

Every summer in the US, movie theatres show their newest big budget films, hoping to draw in large audiences. While I appreciate an air-conditioned theatre on a hot day, I love the opportunity to go to an outdoor movie screening. These screenings are usually community-oriented opportunities for social gathering. In my previous post, I talked about Moana, a Disney film I saw at an outdoor screening earlier this summer. I enjoyed watching this movie with my friends and their families and I was delighted by the story itself. It has several religious and spiritual themes and strong female characters. Previously, I spoke of the significance of myths in this movie. Today, I’m focused on depictions of nature in Moana and their remarkable beauty.

Many feminist and womanist theologians and religion scholars have raised concerns about the interrelated dominations of women and nature, as well as the disproportionate hardships women and children are exposed to with increasing climate change and environmental degradation. Our changing environment affects all life on the planet, but it is the people who are most vulnerable (physically, economically, politically) who at most at risk. Obviously, animals and plants are endangered, too. Ethicists like me are interested in finding ways to address these concerns because we are committed the preservation of life. As feminists, there’s more to it, though. We recognize the way nature itself is often feminized (“Mother Nature”), which makes it even more troubling when it is cultivated without respect for the wellbeing of existing ecosystems and the life forces dependent upon them.

Continue reading “Mulling over Movies: Moana, Pt. 2 by Elise M. Edwards”

Making America What Again? Reflections for the 4th of July by Sara Frykenberg

I find myself asking (again), when the religious right, evangelicals, and Christian fundamentalists hear Trump say, “Make America Great Again,” do they really hear him saying, “Make America Christian Again?” How can the really hear him saying that in light of what this man has actually said and actually done? The answer: because of the same mythical purity that erases the violence, slaughter, and atrocity attached to this “Christian nation’s” founding.

Sara Frykenberg My mother sometimes likes to watch the movie “Independence Day,” on the 4^th of July—you know, the one where Will Smith, the gutsy and heroic Marine pilot, Jeff Goldblum, scientist, and Bill Pulman, president, save the Earth from extraterrestrial invasion? It’s an action film loaded with implicit myth and exceptionalism, extolling “mankind’s” common humanness in the face of annihilating, “alien” difference. The heroes ultimately unify the globe with fly-by-the-seat-of-your-pants “American” ingenuity, luck, and bravery. Continue reading “Making America What Again? Reflections for the 4th of July by Sara Frykenberg”

Mulling over Movies: Moana, Pt. 1 by Elise M. Edwards

I love going to outdoor movie screenings. Sitting outdoors on a summer evening with good company brings me joy. Last week, I went to an screening of Moana, the Disney movie about a teenager who goes on a quest through the Pacific Ocean with the demi-god Maui. Moana goes on this journey to help her people. The movie came out last year, but I didn’t see it. I have to admit that I wasn’t even interested in it until Simone Biles performed a dance to one of Moana’s songs on Dancing with the Stars. It was then that I realized that the movie has an empowering message. I asked my friend Natalie, who is also a feminist religion scholar, about Moana. She has three young daughters, so I trusted her to be more current than I am. Her enthusiastic response sold me, as did her remark, “There’s not even a love story in it!”

Ah, Disney princesses and their love stories! I’m old enough that I didn’t grow up with the Disney culture that children in the past few decades have, but I haven’t been immune to the Disney princess phenomenon. I childhood pre-dated DVDs and digital downloads, but I still knew and cherished the Disney characterizations of Snow White, Cinderella, and Sleeping Beauty. These young women were kind and virtuous and beautiful (according to Eurocentric standards), but their stories culminate with marriage to a charming prince. It’s also problematic that so often, the villains in these movies were older women—wicked stepmothers or evil witches—who were motivated by jealousy and hate.

Continue reading “Mulling over Movies: Moana, Pt. 1 by Elise M. Edwards”

Remembering Sor Juana Inés de la Cruz’s Life and Legacy: Champion of Universal, and Non-Human Rights November 12, 1648/51 – April 17, 1695 by Theresa A. Yugar

She studies, and disputes, and teaches,
and thus she serves her Faith;
for how could God, who gave her reason, want her ignorant?

—Sor Juana Inés de la Cruz, Villancico, or, “Carol”, in celebration of St. Catherine of Alexandria (1692)

The reason for this blog, and for writing it on this day, is to celebrate and remember the life and legacy of Sor Juana Inés de la Cruz.

In 1994, I was exposed, by chance, to the life and writings of 17th century Novohispana feminist Sor Juana Inés de la Cruz. I am the product of twelve years of Catholic education, eight years of which were in an all-women setting. Again, by chance, I learned about Sor Juana in a liberation theology class while studying feminist theology at Harvard Divinity School. In this class, I learned about Sor Juana’s bold advocacy of the right of women to be educated. This spurred me to learn more about this Catholic Latina theologian whom I would later discover was the last great author of El Siglo de Oro (Spain’s Golden Age), recognized in her era as an esteemed poet, mathematician, astronomer, and more. This was the beginning of my life-long passion to reclaim the legacy of Sor Juana and her-story within the Christian, non-Christian Western tradition, and in Spanish and Mexican history. Continue reading “Remembering Sor Juana Inés de la Cruz’s Life and Legacy: Champion of Universal, and Non-Human Rights November 12, 1648/51 – April 17, 1695 by Theresa A. Yugar”

It is Over, It is Just Beginning by Kate Brunner

katebrunnerqueenanneslace “In this nation of thinkers and philosophers, poets and artists, idealists and enthusiasts, the world will recognize nothing but a people of conquerors and destroyers. …we are neither loved nor respected, but only feared. We are deemed capable of every wickedness, and the distrust felt for us grows ever more pronounced….”

These are the private musings of German prince, Friedrich Wilhelm Nikolaus Karl, — Friedrich III (or apparently “Fritz” to his friends) — on the disturbing nature of the Second Reich under his father, Wilhelm I & the “Iron Chancellor”, Otto von Bismarck. Friedrich wrote these words in his diary roughly a century and a half ago.

It is somewhat disheartening and downright eerie how the words of history echo so familiarly into the present moment sometimes. My children & I read this primary source excerpt together during our homeschooling studies last week and it struck me in the heart.

This week, I began writing my monthly piece in the days leading up to Election Day 2016; a piece that would publish shortly after my state and my nation made a slew of very crucial decisions about our future as a people.

When I thought about those decisions, I didn’t actually mean the official returns. Continue reading “It is Over, It is Just Beginning by Kate Brunner”

Dystopian Fiction Inspiration and Religious Lessons by Ivy Helman

me-hugging-tree We live in a dystopia. This world is filled to the brim in dichotomies: poverty and extreme excess, hunger and mountains of food, disease and cutting-edge medicine, materialism and an immense environmental crisis, and hour-long walks for water and hour-long luxurious baths. There are so many parts of our world that are not just unfair, unequal, broken and undesirable, but violent, traumatic and deadly. And, sometimes it feels like it is only getting worse, or at least, again teetering on the edge of yet another catastrophe.

Most of the world’s religious traditions agree that this is not the way the world should be. My own religious tradition, Judaism, traces this separation between the Creator’s utopia, the Garden of Eden, and our current situation all the way back to the beginning of humankind. The actions of the first two humans resulted in exile from the Garden: enter the world diametrically opposed: dystopia. Nonetheless, the Jewish religious tradition’s call for tikkun olam (repairing the world) suggests that it is possible to lift the veil between the Divine and us and consequently recreate the utopian Eden once again. One could say it is why we are here.

That being said, while the dystopian genre has been around for many decades, I have noticed a recent rise in the popularity of dystopian fiction. While I have always had a keen interest in science fiction, from Star Trek to FireFly and beyond, I myself have, as of late, become an avid reader of dystopian novels. I blasted through the Divergent series by Veronica Roth, have reread The Fifth Sacred Thing by Starhawk more times than I can count and just began my dip (25 pages) into The Mandibles by Lionel Shriver – not so action-packed as the others. I’ve also been, one could say, addicted to dystopian films (yes many were books first) like The Hunger Games, Maze Runner, Gattaca, The Fifth Element and Serenity to name just a few.

Continue reading “Dystopian Fiction Inspiration and Religious Lessons by Ivy Helman”

Jesus Films Have Risen, They Have Risen Indeed By Anjeanette LeBoeuf

Anjeanette The creation of cinema brought a new medium to which art and representation were transmitted. This new visual tool allowed people to bring to life favorite stories. Deemed in 1947 as ‘the greatest story ever told,’ the four Gospels found in the New Testament, have been ripe for cinema. Over fifty movies have been made which depict the life story of Jesus. Some have found lasting popularity and influence. Franco Zeffifrelli’s Jesus of Nazareth became the template for successful Jesus films. Mel Gibson’s The Passion of the Christ was another turning point for Jesus cinema. Each new Jesus film becomes a window to study how the story is reimagined. Continue reading “Jesus Films Have Risen, They Have Risen Indeed By Anjeanette LeBoeuf”

“Respect: Dualism Subversion and So Much More in Survival Reality Television,” by Ivy Helman.

In “Ecofeminism and Wilderness,” Linda Vance believes that Western society defines wilderness by “… the absence of humans, we are saying, in effect, that nature is at its best when utterly separated from the human world. The idea of wilderness is thus an extreme manifestation of the general Western conceptual rift between culture and nature,” (62). Reality television shows, focusing on survival or living off the land, often reproduce this dualistic way of thinking.

At the same time they reproduce another of Vance’s concerns, “I would argue that wilderness recreation “re-creates” more than the self: it also recreates the history of the conquest of nature, the subjugation of indigenous peoples, the glorification of individualism, the triumph of human will over material reality, and the Protestant ideal of one-on-one contact with G-d. And as for the elements of physical challenge and risk, I think it goes without saying that they appeal most to those for whom day-to-day mobility is a given, and for whom danger isn’t always close at hand,” (71). However, by presenting this dichotomy, many of the shows also subvert the ideal of untouched wilderness, challenge the notions of human abilities and highlight our lack of embeddedness and embodiment when it comes to survival situations. Continue reading ““Respect: Dualism Subversion and So Much More in Survival Reality Television,” by Ivy Helman.”

I Am Queen by Vibha Shetiya

Vibah I started this post just after getting back from an India trip, always very challenging because of memories that haunt me not only through their high negative recall value, but also in that I often find myself reverting to the diffident, fearful person I used to be while living there. In fact, palpitation is the first to greet me at Bombay airport even now after nearly seventeen years of being an expat. But with every trip, I also find myself evolving as a person, as a woman. And of course, it is always fun to meet up with family and old friends, all of whom I hold very dear. But the highlight of this trip was Queen.

Queen is a Bollywood movie unlike any other I’ve seen. As mentioned in a previous post, B-wood cinema if you can call it that, is made mostly of predictable, formulaic themes centering on impossible flights of fancy, not-so-subtle patriarchy, and gendered stereotypes. The good news is that in recent years, film makers have been trying to push boundaries in their own small ways, no doubt a laudable attempt in an industry where success still depends on mass consumption; box office success over critical acclaim. Queen, however, stands out in its portrayal of the protagonist Rani Mehra, a middle class young lady from Delhi (“rani” is “queen” in Hindi). Even more remarkable is that it portrays Rani’s female friends – “scantily” dressed women and prostitutes – without judgment, as human beings who are far from detrimental to Rani or the plot. Continue reading “I Am Queen by Vibha Shetiya”

“Spotlight” and the Recovery of a Lost Faith by Cynthia Garrity-Bond

cynthia garrity bond Last week I was finally able to see “Spotlight“, the recent movie depicting the true story of the Pulitzer Prize-winning Boston Globe investigation into the priest pedophilia abuses. What makes “Spotlight” so compelling is the shared burden of culpability by those outside the organized Catholic Church. While hunting down the priestly offenders, including Cardinal Bernard Law, “Spotlight” also takes calculated aim at those official offices and individuals that turned a blind eye from the sexual abuse of children. In his NCR review, film critic Steven D. Greydanus praises the film for its ability to include such collaborators as “Lawyers, law enforcement, family members and friends, and pointedly and repeatedly, the fourth estate itself—the press and specifically the Globe – are all implicated.” Which is to say, the sin of silence through a misguided sense of protection of the institution is as damaging as the act itself.

In the Globe’s investigative work, a team of four reporters begins the difficult work of interviewing survivors of sexual abuse. What moved me deeply was the recurrent syllogism expressed by each in their retelling of the abuse at the hands of their parish priest. In the first statement of a syllogism, the major premise is the articulating of the moral principle. Step two, the minor premise, is the particular act to be judged. Step three is the logical conclusion inferred between the major and minor statements. With regard to the Catholic Church’s doctrine of the priesthood and views expressed by survivors, the syllogism looks like this:

Step 1: “By ordination one is enabled to act as a representative of Christ, Head of the Church in his triple office of priest, prophet, and king” (Catechism of the Catholic Church, # 1581)

Step 2: All priest (as males) reflect Jesus Christ in word and deed.

Step 3: When a priest abuses children it is as if Jesus Christ is also the abuser.

For those survivors interviewed by the Globe, their early religious teaching of the priest as Jesus made Jesus as God a participant in the abuse. Cries of anger over the abuse at the hands of priest who stood in the place of God turned to lament at the losing of ones faith and belief in a benevolent God. Continue reading ““Spotlight” and the Recovery of a Lost Faith by Cynthia Garrity-Bond”