A girl leaps out of her tree perch to warn a pregnant doe that a hunter is drawing his bow against her. For this act of defending the mother deer, who should never be hunted, her uncle beats her. And so this novel drops us into the world of East Anglia in the year 598, in the wake of the Saxon invasions and enslavement of some of the British population. In this world, the old folkmoot councils are threatened by the rising power of the thanes, a hierarchy of lords under the new Saxon kings. And these lords are eroding women’s power at a rapid pace. Continue reading “The Swan-Bone Flute by Rachel O’Leary: Reviewed by Max Dashu”
Skip to content
Exploring the F-word in religion at the intersection of scholarship, activism, and community.
Feminism and Religion 