Just last week—a few days after the New York Times reported on the Trump administration’s efforts to define transgender out of existence—I read for the first time Welsh writer Arthur Machen’s 1894 novella, The Great God Pan, today considered a classic of horror fiction. Condemned as “morbid” and “abominable” by most critics when it was first published, the tale was hailed as “un succès fou” by Oscar Wilde, recuperated in the 1920s by H. P. Lovecraft, and particularly praised more recently by Stephen King, who called it “maybe the best” horror story “in the English language.”

The “queer” tale (the word “queer” recurs frequently throughout) is told by a series of straight-laced Victorian men, each of whom is horrified by the unspecified behavior and bearing of a mysterious woman, Helen Vaughan. Readers are led to suspect that Helen is guilty of some sort of sexual excess or transgression, but nothing is specified until after her suicide, when the medical examiner reports that he was “privileged or accursed” to see the “skin, and the flesh, and the muscles, and the bones, and the firm structure of the human body that I had thought to be unchangeable, and permanent as adamant, beg[i]n to melt and dissolve”: Continue reading “Lifting the Veil – #WontBeErased by Joyce Zonana”
