Angela Yarber

Painting Our Lady of Light: Winter Holidays 2016 by Angela Yarber

angela There’s nothing like the holiday season to bring out everyone’s least feminist self. In one of the courses that I teach—Gender, Food, and the Body in Popular Culture—students are assigned to examine gender roles throughout the holiday season through the lens intersectional ecofeminism. Inevitably, almost every student returns from holiday break with the same assessment: mom, grandma, and a kitchen full of women prepare, cook, and clean every family meal; women do the holiday shopping; men in the family watch sports.

Of course, this isn’t true of everyone. There are plenty of families which subvert and dismantle stereotypical gender roles, but the holidays seem to heighten these roles, undergirding them with some kind of nostalgic and theological weight that claims that if mama doesn’t arduously prepare her famed casserole, the season will be ruined. Otherwise committed feminists find themselves singing carols filled with sexist language and participating in holiday rituals that they would critique any other time of the year. Subversion be damned because we want our traditional family holiday! Continue reading “Painting Our Lady of Light: Winter Holidays 2016 by Angela Yarber”

Nominating Holy Women Icons by Angela Yarber

Who is your Holy Woman Icon?

When I began the academic study of religion in 1999, I was struck by the pantheon of male saints, venerated, honored, painted, adored, perhaps even worshipped. From virtually every tradition, men reigned supreme—in leadership, iconography, decision-making, worship—which is one of the myriad reasons groups like Feminism and Religion must exist. To combat this oppressive supremacy.

In 2010, I decided to put my wonder and this patriarchal dis-ease on canvas. I painted a triptych of Sophia, the feminine Greek word for wisdom often understood as the feminine face of Jesus, for a group triptych exhibition. Inspired stylistically by the art of Shiloh Sophia McCloud and He Qi, I endeavored to give traditional iconography a folk twist in an attempt to make it more accessible, perhaps a bit less brooding and intimidating. Emboldened by the works of womanist and feminist scholars in religion, my icons aim to subvert traditional—and often patriarchal—depictions of a virtually all-male sainthood. Though there are surely some women depicted Catholic and Orthodox iconography, and a robust number of women and goddesses in Hindu iconography, I found myself at a loss when it came to positive, affirming, and empowering icons of women across the vast spectrum of religious and spiritual traditions. Continue reading “Nominating Holy Women Icons by Angela Yarber”

Holy Women Icons Contemplative Coloring Book by Angela Yarber

angela Around the time Microaggressions in Ministry: Confronting the Violence of Everyday Church was published, I was under contract and furiously trying to finish yet another book project, a coloring book of all things. On the heels of such imperative justice work as microaggressions, why on earth was creating a coloring book on my radar? Feminist academic-activists don’t dabble in such seemingly insignificant projects as coloring books, do they? As I wrote about my potential coloring book for the first time with FAR, I realized the time is ripe for such work—a coloring book that fuses feminism, arts, and spirituality—so I graciously took the feedback offered here and shared them with my publisher.

Coloring is a fast growing trend among over-stressed adults. “Soothing coloring pages” is a top Google search item. Amazon.com lists over 3,000 adult coloring books, some even featured on their bestsellers list.

Articles—popular and academic—whose authors range from psychologist to spiritual director purport the power of coloring to calm anxiety, relieve stress, and provide a creative and spiritual outlet. Is this a feminist issue? I’d say so. In fact, part of the problem of microaggressions is the difficulty in coping with the stress, depression, and anxiety caused by them. Hear me clearly, I’m not saying that coloring in my coloring book will rid the world of microaggressions and usher in a utopian paradise where every person is treated equally and justly. What I am saying is that, since studies have proven that coloring is a valid mode of relieving stress and anxiety and microaggressions create stress and anxiety, coloring pages filled with bold, revolutionary women, many of whom are women of color and/or queer, can provide a balm, a method of empowerment, a window into what that utopian world could be. Continue reading “Holy Women Icons Contemplative Coloring Book by Angela Yarber”

Drawing Pele, Retreating to Hawai’i by Angela Yarber

angela I knew I’d paint her from the moment we discovered that we would spend three months of our Year of Volunteer Travel Discernment in Hawai’i. Little did I know how Pele would turn our world inside out, destroying what needed obliteration and recreating new life that we never could have imagined. Pele is the Hawai’ian Volcano Goddess who governs fire, lightening, volcanoes, and the flow of lava. According to legend, she lives in the Halema’uma’u crater of Kilauea on the Big Island.

For over a year, I’d corresponded with a retreat center on the Big Island for my wife and I to be Scholars in Residence, while I also taught yoga and my wife worked on the organic farm. We were beyond excited and arrived in Hilo this January with open hearts and minds, eager to begin our work. Pele had other plans for us. The retreat center where we were planning to work turned out to be a complete disaster: dengue fever, mosquitoes biting my child within five minutes inside our living quarters, proprietors clearly on drugs. We’ve roughed it with no running water in the middle of the woods for months at time, but this was squalor. My wife and I took one look at each other and knew that there was no way we were keeping our child in this environment. Continue reading “Drawing Pele, Retreating to Hawai’i by Angela Yarber”

Painting the Virgen de la Caridad, Doing Intersectionality by Angela Yarber

angela The most recent Holy Woman Icon with a folk feminist twist that I’ve painted is the Virgen de la Caridad. Like Mary, Guadalupe, La Negrita, and the Virgin of Regla, she was commissioned by a bold and brilliant friend, a scholar who lives, teaches, and does the work of intersectional feminism on a daily basis. As with my beloved friend who taught me so much about Jane Addams last month, this dear friend has taught me so much about feminist understandings of Marian Spirituality and of the need for many secular scholars to keep a connection to their religious roots.

When we discussed her commission, she wanted to make sure that the Virgin of Caridad was the primary focus of the icon, but since she is also often associated with Oshun, she also wanted elements of this Yoruban goddess to shine through. I was thrilled with the opportunity to learn, research, grow, and paint. Little did I know what kind of important learning was in store. Continue reading “Painting the Virgen de la Caridad, Doing Intersectionality by Angela Yarber”

Painting Jane Addams by Angela Yarber

angela As bright red hearts grace every storefront in anticipation of Valentine’s Day, the virtue of love remains at the forefront for many feminists. Let’s set aside Hallmark and the commercialism of romance for a moment and focus on some forms of love often overlooked: love for friends, love for the world, and love from women for women. All of these are manifested in one of my Holy Women Icons with a folk feminist twist: Jane Addams.

Known as the Mother of Social Work, this revolutionary woman did so much more than begin a new field of study. Jane Addams (1860-1935) was a pacifist, sociologist, public philosopher, founder of the Hull House, co-founder of the ACLU, and the first American woman to be awarded the Nobel Peace Prize. All of her romantic relationships were with other women, including Ellen Star and Mary Smith. In fact, Smith and Addams considered themselves married. Is any of this brief information about Addams new to you? It certainly was to me. Continue reading “Painting Jane Addams by Angela Yarber”

Coloring Holy Women by Angela Yarber

Coloring is a fast growing trend among over-stressed adults. “Soothing coloring pages” are a top Google search item. There are coloring books featuring mandalas, garden scenes, inspirational quotes, and even curse words written in fancy calligraphy sprouting branches, flowers, and swirls eager to be illuminated with colored pencils toted by hipsters, young professionals, retirees, clergy, and other adults searching for artistic ways to tap their creative spirit and sooth their jangled nerves. Articles—popular and academic—whose authors range from psychologist to spiritual director purport the power of coloring to calm anxiety, relieve stress, and provide a creative and spiritual outlet. Is this a feminist issue? I’d say so.

There are, indeed, feminist coloring books and goddess coloring books, though I’ve seen very little that fuses together both feminism and religion. In order to fill this gap, while also seeking to expand my own creative expression, I have finally completed the drawings for my forthcoming Holy Women Icons Contemplative Coloring Book. Continue reading “Coloring Holy Women by Angela Yarber”

Painting Marys, Welcoming Refugees by Angela Yarber

angela This holiday season, in the midst of our ever-repeating mass shootings and debates about the welcoming of Syrian refugees, I have seen a meme, a pithy quote, a bumper sticker time and time again amidst my fellow liberals:

“If only we had a seasonally appropriate story about Middle Eastern people seeking refuge being turned away by the heartless.”

Similarly, many have posted pictures of nativity scenes with a tongue-in-cheek quip, “I’m so glad people are placing these lawn ornaments in their yards to indicate that they welcome refugees into their homes.”

Myriad articles have been published encouraging Christians to remember our calling to welcome the refugee, and as an ordained clergywoman, I affirm these thoughts. I believe it is our responsibility, as Christians and particularly as feminist Christians, to welcome the marginalized, the oppressed, the refugee. I am also a strong believer in the separation of church and state, a distinctive imperative both to my Baptist tradition and to my home country of the United States. So, in many ways, it doesn’t really matter politically that my faith tradition teaches me to welcome the refugee because my country is not a Christian nation, but it does matter that the primary symbol of my country—the Statue of Liberty—proclaims boldly and without apology: “Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse of your teeming shore. Send these, the homeless, tempest-tossed to me, I lift my lamp beside the golden door!” Continue reading “Painting Marys, Welcoming Refugees by Angela Yarber”

Microaggressions and the Grimké Sisters: Between Painting and Writing by Angela Yarber

angela As an artist and author, my time is often divided between painting and writing, with my interests in religion, gender/sexuality, and justice being the connection between the two. Painting teaches me something unique about writing, at the same time that writing brings clarity to my painting. For me, the two go hand-in-hand. Such is most certainly the case with my painting of the revolutionary Grimké sisters and in the writing of my most recent book, Microaggressions in Ministry: Confronting the Violence of Everyday Church, co-authored with Cody Sanders. Now that the painting, one of my newest Holy Women Icons with a folk feminist twist, has toured parts the East Coast and Microaggressions in Ministry is officially available for purchase, I’ve had an opportunity to reflect on these seemingly disparate projects and mediums, only to realize how mutually informing they truly are.

The Grimké Sisters: Sarah (1792-1873) and Angelina (1805-1879)

Though these revolutionary sisters have always been famous in feminist-preaching-justice-antiracism-vegetarian circles, their name recognition bolstered with the stirring novel by Sue Monk Kidd, The Invention of Wings. The Grimké sisters were Southern American Quakers, writers, public speakers, and the first American women advocates for both abolition and women’s rights. Born to a wealthy plantation owner with hundreds of slaves, who held that women were strictly subordinate to men, these daring daughters experienced the evils of slavery first-hand. In fact, at age five, Sarah witnessed a slave being whipped and tried to escape South Carolina on a steam ship to a “place where there was no slavery.” In violation of the law, she taught several slaves to read during her adolescence.

Thirteen years her junior, Angelina was more of a daughter than sister to Sarah, as Sarah begged her parents to make her Angelina’s godmother. Together, the sisters left the South, became Quakers, committed themselves to pacifism and vegetarianism, and dedicated their lives to abolitionism. They gave countless public lectures—at first in “parlor meetings” for only women, but expanding to include men—decrying the evils of slavery. Not only did they preach abolition based on their interpretations of scripture, but they also held that black and white people are equal and should be treated as such. This latter belief was considered completely radical, even in abolitionist circles. In giving public lectures, they were attacked for their anti-slavery stance. In fact, they were forced to leave the Quaker church because of their views. But their radical abolitionism was not the only reason for critique; they were also condemned for stepping into the male sphere of public speaking. In the midst of such critique, the sisters were forced to grapple with their views of gender, inadvertently becoming feminists and women’s rights activists, as well. After much thought, prayer, and study, Sarah and Angelina also determined that women’s equality was rooted in scripture.

Continue reading “Microaggressions and the Grimké Sisters: Between Painting and Writing by Angela Yarber”

Holy Women Icons: Arts and Spirituality on Retreat by Angela Yarber

angela I’ve noticed some growing trends in feminist spirituality. Recently, I’ve encountered several feminists who have attended “virtual retreats” from the comfort of their homes. I’ve also been overwhelmed by the number of clergy, scholars, and feminists who have begun coloring. Psychologists claim that coloring can soften stress, relieve anxiety, and be source of playful meditation for adults in an otherwise chaotic world. Similarly, doctors have long pointed to the emotional and physical importance of meditation, spirituality, or prayer in remaining balanced, relieving stress and anxiety. As feminists dwelling in a cisheteropatriarchal world, the need for such balance is even more important. It is these noticings that have led me to write this post.

A fabulous church that cares deeply about inclusion, social justice, and the arts is hosting an exhibition of my Holy Women Icons with a folk feminist twist for the month of October and throughout the month, I’m leading several retreats. While planning these retreats, I couldn’t help but think of the Feminism and Religion community. We are spread throughout the world, offering encouragement and challenge online every day. We have different struggles, spiritual paths, and backgrounds, but we gather on this blog to reconcile two seemingly paradoxical parts of our beings: feminism and religion. I have yet to develop these thoughts fully and I’d like to rely on you to share your input and ideas in the comments section about how we can “retreat” together virtually. With this in mind, I’d like share a bit about the Holy Women Icons Arts and Spirituality retreat I’m leading and invite you to participate at home. The entire retreat takes about 3 hours, or you can break it into 4 sections for shorter periods of time. So, if you’d like, play some music to set the mood, light a candle, and get out some paper, scissors, writing utensils, and crayons/markers, and let’s “retreat” together…