In the second season of the television show Buffy, the Vampire Slayer [spoiler alert!], Buffy is faced with an agonizing dilemma. She is condemned to save the world “again.” Buffy’s former lover is the evil Angelus. Angelus – once the good Angel – has awoken a demon that will swallow up the whole world into an eternity of suffering. In what follows, I read Buffy as God the Father. Angelus represents sinful humanity, Angel is Jesus, and the Spirit is the sword in Buffy’s hand. Buffy attempts to destroy Angelus. But at the moment that she is about to kill Angelus, his soul is returned to him. Unfortunately, only Angel’s blood will close the gaping mouth of the demon. The shift from Angelus to Angel gives a vivid representation of the shifting positions of the first and second Adam in the Christian narrative of redemption. Angelus is evil. Angel carries the weight of Angelus’s guilt without any of the responsibility belonging, strictly speaking, to him. Yet finally, the innocent Angel must bear the consequences of Angelus’s evil for the salvation of the world.
The gender dynamics of this scene complicate and illuminate traditional readings of the involvement of the Father in the crucifixion. Gender subordination and the subordination of the Son to the Father go together, and are ultimately justified by the same theological logic. Reading the Father as an 18-year old girl helps to mark the inadequacy of language to capture God. The evident implausibility, even absurdity, of the image, makes visible the theological truth that God is not a father among other fathers. Continue reading “God the Father or Buffy the Vampire Slayer? by Linn Marie Tonstad”
Feminism and Religion 