Feminism – Feminism and Religion

The Legacy of Carol P. Christ: Patriarchy As An Integral System of Male Dominance Created at the Intersection of the Control of Women, Private Property, and War, Part 3

Part 2 was posted yesterday. You can read it here, or the original in the link below.

Patriarchy is a system of male dominance, rooted in the ethos of war which legitimates violence, sanctified by religious symbols, in which men dominate women through the control of female sexuality, with the intent of passing property to male heirs, and in which men who are heroes of war are told to kill men, and are permitted to rape women, to seize land and treasures, to exploit resources, and to own or otherwise dominate conquered people.

As the discussion of patriarchy* I began last week and the week before shows, patriarchy is not simply the domination of women by men. Patriarchy is an integral system in which men’s control of women’s sexuality, private property, and war (including violence, conquest, rape, and slavery) each play a part. These different elements are so intertwined that it is impossible to separate one as the cause of the others. Patriarchy is an integral system of interlocking oppressions, enforced through violence, and legitimated by religions.

The model of patriarchy I have proposed argues that the control of female sexuality is fundamental to the patriarchal system. This explains why there is so much controversy about the “simple matter” of access to birth control and abortion in the US today. It also explains why so much vicious anger is directed at single mothers by politicians and commentators. Any woman who dares to control her own sexuality is questioning the foundations of the patriarchal system.

Legacy of Carol P. Christ: Patriarchy as a System of Male Dominance Created at the Intersection of the Control of Women, Private Property, and War, Part 1

Moderator’s Note: This three part series was originally posted in 2013 near the start-up of FAR. Because of its seminal nature, wee have re-posted it several times since then. This piece not only set FAR off on its ground-breaking direction but Carol also educated many of us about the roots, the patterns and experiences of patriarchy. This knowledge and understanding is so important to understanding where our culture is and what is happening now that we have decided to post it each year starting on the anniversary of Carol’s death, July 14th, 2021 and continuing for the 3 days.

Recently feminist scholar Vicki Noble commented that this is the best definition of patriarchy she has read–but she hadn’t read it earlier. I am reposting it now in the hopes that all of you will share it with your social media so that it will be more widely known.

Patriarchy is often defined as a system of male dominance. This definition does not illuminate, but rather obscures, the complex set of factors that function together in the patriarchal system. We need more complex definition if we are to understand and challenge the the patriarchal system in all of its aspects.

Marx and Engels said that the patriarchal family, private property, and the state arose together. Though their understanding of the societies that preceded “patriarchy” was flawed, their intuition that patriarchy is connected to private property and to domination in the name of the state was correct. It has long seemed to me that patriarchy cannot be separated from war and the kings who take power in the wake of war. Many years ago I was stunned by Merlin Stone’s allegation that in matrilineal societies there are no illegitimate children, because all children have mothers. Lately, I have been trying to figure out why the Roman Catholic and other churches and the American Republican party are so strongly opposed to women’s right to control our own bodies and are trying to prevent access to birth control and abortion. In the above definition of patriarchy, I bring all of these lines of thought together in a definition which describes the origins of patriarchy and the interconnections between patriarchy, the control of female sexuality, private property, violence, war, conquest, rape in war, and slavery.

The Legacy of Carol P. Christ: Anger is Not a Panacea: The “Next Stage” after Rage

This was originally posted August 18, 2104.

In a recent post Xochitl Alvizo cited Beverly Harrison’s much-loved essay “Anger as a Work of Love.” Harrison captured feelings that were in the air at the time of its writing several decades ago. Women were laying claim to the right to be angry at the silencing of our voices, the double standard, the media portrayal of women, income inequality, lack of access to good jobs, failure to prosecute rape and domestic violence, and a host of other injustices.

Most of all we were protesting the cultural stereotype that the “good woman” (understood to be white, Christian, and married or hoping to be) would not protest loudly or at all, would turn the other cheek, and would think about others rather than herself. (Jewish women and black women had to strive doubly hard to “live up” to this standard, as it was assumed that Jewish women were “overly assertive” and that black women were “too strong” and often “angry.”)

In this context Harrison’s essay and Mary Daly’s epithet “rage is not a stage” gave women—especially white women–permission to get in touch with our feelings of anger and to express them. We understood that “good women” had been hiding and repressing their feelings for centuries if not millennia with the result that the structures of injustice remained intact.

Burning Woman, by Lucy H. Pearce, 10th Anniversary Edition, Book Review by Beth Bartlett

As someone who came into feminism in the late 1970s early 1980s, reading Lucy Pearce’s Burning Woman was re-entering the power and promise of women-centered feminism – the heyday of Adrienne Rich, Audre Lorde, Mary Daly, Clarissa Pinkola Estes, Andrea Dworkin, Charlotte Bunch, China Galland, Riane Eisler, Carol Christ, Gloria Anzaldúa, Susan Griffin, Starhawk, Sara Ruddick.[i] It was the era of reclaiming the Feminine from its patriarchal definitions and women defining themselves outside of patriarchy – celebrating women’s spirituality, art, music, language, bodies, sexuality, birthing, voices, and power – when feminism was about transforming patriarchy rather than fitting into it — when Meg Christian proudly sang Betsy Rose’s “Glad to Be a Woman.”

And then everything changed. Just as women were coming into our own beyond patriarchy, women-centered feminism came to a halt due to pressures both from within feminism and without – with a whole school of deconstructionist feminists[ii] now critiquing women-defined women as “essentialists,” and moving back to minimizing rather than maximizing the differences between the sexes,[iii] with an emphasis on abolishing the gender binary, welcoming trans and non-binary folk, and questioning the whole concept of “women.” Indeed, one of my Women’s Studies, now Gender Studies, students asked me privately if it was okay to call herself a “woman” because the term had become so forbidden among many of the students. At this time, feminist theorist Nancy Hartsock raised the important question, “Why is that just at the moment when so many of us who have been silenced begin to demand the right to name ourselves, to act as subjects rather than objects of history, that just then the concept of subjecthood becomes problematic?”[iv]

A Transgender Man’s Perspective on Purity Culture Got This Cisgender Woman Thinking by Liz Cooledge Jenkins

“Ewww, there’s been a boy in our cabin!” One of my cabinmates squealed. We were at sixth grade camp. Others chimed in quickly: “Gross!”

The evidence? A pair of boys’ cargo shorts, held gingerly between a thumb and forefinger as if they had cooties.

“Ew!” “Weird!” “How’d he get in here?”

The shorts were mine. But I did not admit this.

As a kid, I sometimes wore hand-me-down clothing from my older brother. It made sense. I didn’t have strong opinions about fashion, and the clothes felt just as comfortable and fit just as well as the girl clothes my parents bought for me.

My elementary school classmates didn’t seem to notice or care. But this was sixth grade. This was the first year of middle school. Things were changing, and I hadn’t quite realized the full extent of these changes. Showing up at sixth grade camp with hand-me-down boys’ shorts was taboo.

Herstory Profiles: Honoring the wisdom and work that took us to the moon in 2026 By Anjeanette LeBoeuf

In honor of the enormous success and moon joy of the Artemis II project I wanted to use this month’s Herstory Profiles to focus on three extraordinary women who helped make this possible, even if it was over 70 years ago. These three women have just recently in the last nine years been brought to the forefront due public recognition and the Hollywood film Hidden Figures. The film not only inspired by the 2016 non-fiction book written by Margot Lee Shetterly but by the actual women themselves.

Pictures the Hollywood actress who portrayed the real life extraordinary figures of Katherine, Mary, and Dorothy

In Defense of the Queen by Arianne MacBean

I read FAR’s repost of Carol Christ’s 2016 essay, Maiden, Mother, Crone: Ancient Tradition or New Creative Synthesis, with great interest and was struck by this sentence, “It has been suggested that we need a fourth stage, Queen, to celebrate the years between menopause and old age. Since I reject hierarchy of every kind, I don’t want to be a Queen.” Christ rejected the Queen archetype while acknowledging that in her fifties, she felt no connection to Mother or Crone. I believe, the Queen archetype offers middle-aged women who live after the veil of estrogen has lifted, a realm that no longer prioritizes the relational over self – a vital sacred space.

In my work as a somatic psychotherapist, I often encounter women grappling with the time between motherhood (or choosing not to mother) and cronehood. While the Mother archetype symbolizes a universal pattern of nurturing, protection, and sustaining growth and regeneration, the Crone embodies wisdom, intuition, and spiritual power. Many women between the age of 50 – 65 simply do not connect with either of these personifications and I am one of them.

From the Archives, Herstory Profiles: Irish Women of Faith, Activism and Politics by Anjeanette LeBoeuf

As it is March, and March is a month for me that is always devoted to celebrating my Irish roots and women, my Herstory Profiles will be on a few exemplary women from Ireland: Brigid (Irish Goddess and Catholic Saint), Margaret O’ Carroll of Éile (Paragon of Leadership, Strength, and Compassion), and Mary Robinson (Historic Leader, Activist, and Humanitarian.)

We look first to one of the most known religious, divine females in Ireland – Brigid. She plays a fascinating role as she is both in the Celtic Religion (Predates Christianity and can be considered part of the indigenous religion of the Celtic Isles) and as a Christian monastic/saint. She has many variations of names and celebrations but she is first and foremost crucial and important enough to last through the ages and changes in religious traditions.

Brig, Brigid, Brigit – the Celtic Goddess of wisdom, poetry, healing, protection, smithing, and domesticated animals. There is evidence that she was considered at times, a triple deity; Brigid the Poet, Brigid the healer, and Brigid the Smith.

Legacy of Carol P. Christ: Maiden, Mother, Crone: Ancient Tradition or New Creative Synthesis?

This was originally posted on August 8, 2016

Carol P. Christ by Michael Bakas high resoultion

The image of the Goddess as Maiden, Mother, Crone is widespread in contemporary Goddess Spirituality. The Triple Goddess honors three ages of women, in contrast to the wider culture that: affirms young women as sex objects while shaming them as sluts; celebrates mothers on Mother’s Day, while providing few legal and economic protections for mothers; and ignores older women.

Though Goddess feminists have created rituals for menstruation and birth, I suspect that a greater number of rituals have celebrated “croning.” The reasons for this are twofold. One is that women have time and space to reflect on the meaning of life in middle age. The other is that aging women are not honored and respected in the wider culture–creating a need for rituals that do just that. Many women I know have spoken of the empowerment they felt in their croning rituals.

On the other hand, many women I know have not been particularly interested in a croning ritual.

From the Archives: Fireless Altars and Crone Encounters By Barbara Ardinger

This was originally posted on Nov 10, 2021

We’ve just entered November, the beginning of winter, the season of darkness. Twenty-odd years ago, I led a group of students through the Wheel of the Year in a class I called Practicing the Presence of the Goddess. (I also wrote a book with the same title.

At Imbolc (February 1), we held a divination party at Louise’s house. At Beltane (May 1), we met at Rose’s house, painted our faces, created wreaths of fresh flowers to embody our summer wishes, and then carried our wreaths of flowers through the streets of Huntington Beach to the ocean, where we cast them into the tide. At Lammas (August 1), we harvested our gardens and cooked a feast in my kitchen.