Mothers and Dragon-ing by Sara Frykenberg

But what if there was a space for the danger of dragon-ing? What if society expected it, welcomed it, and made room for our, women’s, subsequent growth? It might still be hard and risky, as is all growth and change. But as I believe Barnhill is trying to suggest, it might also be less traumatic, less splitting, and give us so much more space to be.

Knowing that I like dragons and feminism, a friend of mine recently recommended the book, When Women Were Dragons (2022) by Kelly Barnhill. I have been reading it (okay listening to it on audiobook, but that counts right?) all week. The premise of the book is that women dragon, as an act, and can do so by choice or spontaneously; and in the “Mass Dragon-ing of 1955” over 600,000 women flew away from American homes, “wives and mothers all” (Barnhill, 2022). But despite the destruction, eaten husbands and bosses, and destroyed homes that dragons leave in their wake, society, the government, and individual families do everything they can to forget it happened. The history is repressed. Individual memory is policed and repressed. The dragon-ing goes on.

 Beginning this book the week before Mother’s Day, I found the recommendation timely, or even fateful, because with every chapter and hour that I listen, I find myself thinking of my mother. And I wonder if or when she would have dragon-ed if given the chance.

Continue reading “Mothers and Dragon-ing by Sara Frykenberg”

Review of “The Book of Mormon” by Ivy Helman

IMG_5998My friend and I won two tickets to “The Book of Mormon” showing as part of Broadway in Boston.  Having known nothing about the musical, we were curious and excited to be going.  Nearly two weeks later, we are still discussing how we feel about the production.  We agree that overall we like it and there are some very funny parts, but we are also troubled and disgusted by it on a number of levels.  Moreover, the fact that we like it makes us quite uncomfortable.

As a Broadway production, the cast was amazing!  The songs were creative.  Characters were dynamic and showed marked growth.  “Spooky Mormon Hell Dream” was outright brilliant with its use of humor, satire and fear to explain the Mormon preoccupation with hell as punishment for immorality and/or disbelief. Continue reading “Review of “The Book of Mormon” by Ivy Helman”