Very early in Henri Bosco’s 1948 novel Malicroix, a young man, Martial de Mégremut, living placidly amid fruitful orchards in a tame Provençal village, receives a letter informing him he has inherited “some marshland, a few livestock, a ramshackle house” from a reclusive great-uncle, Cornélius de Malicroix. Against his family’s strenuous objections–with alarm they speak of “marshes, mosquitoes, miasmas”–Mégremut resolves to travel alone to the remote Camargue to claim his “wild” Malicroix inheritance. The house is on an island, and to reach it Mégremut must cross a rough river, at night, in a frail wooden boat piloted by a taciturn old man who meets him at dusk in the middle of a vast plain.
So begins a deeply internal quest narrative, an initiatory journey that forces Mégremut to come to terms with himself and with the elements–earth, water, wind, and fire–that are ever-present, sometimes terrifyingly so, on the island. For once he arrives, he learns that he must remain there alone for a full three months if he wishes to obtain the inheritance. Torn about whether to stay or leave, he finds that the decision to stay is made of its “own accord,” unconsciously.
Moderator’s note: This marvelous FAR site has been running for 10 years and has had more than 3,600 posts in that time. There are so many treasures that have been posted in this decade. They tend to get lost in the archives. We are beginning this column so that we can all revisit some of these gems. Today’s blogpost was originally posted October 1, 2017. You can visit it here to see the original comments.This post is the 3rd and final of a series which has been posted for the past 2 days. They were curated by Barbara Ardinger to stand together for their relevancy, now, 5 years later.
Members of this community (and others) have been feeling that the world is out of balance since the 2016 election. There’s a feeling that people are becoming less kind and that some men (following the model that lives and tweets in the White House when he’s not at one of his golf resorts) are more misogynistic. I’ve heard that Orwell’s novel Nineteen Eight-Four is more popular than ever before. We seem to be living in a new dystopia. It’s very sad and very scary.
I’ve recently reread three novels written by women that I think may be both prophetic and inspiring. I’m hoping that if you read them, too, you’ll inspired by their brave heras to keep on resisting. The novels are Gibbon’s Decline and Fall (1996) by Sheri S. Tepper, Woman on the Edge of Time (1976) by Marge Piercy, and The Fifth Sacred Thing (1993) by Starhawk.
Starhawk (Miriam Simos) was probably the most famous “out” witch in the last quarter of the 20th century. Her book The Spiral Dance (1979) introduced uncountable numbers of people to the Goddess, Paganism, and Witchcraft. Nowadays, she’s teaching “Regenerative Culture, Earth-based spirituality, and Permaculture.” She is no doubt working up to the Uprising described in The Fifth Sacred Thing that separated northern and southern California—a generally bucolic San Francisco filled with Pagans and an eclectic mix of every other religion with free healthcare for all and a City of Angels (Los Angeles) filled with Stewards, ruins, and sex slaves.
The Fifth Sacred Thing opens in 2048 with Maya, a 98-year-old Orthodox (sic.!) Pagan climbing a mountain. At the Lammas (August 1) ritual, she tells how the Uprising began. Global warming has happened, and during the drought of 2028, four old women (remember Tepper’s bag ladies?) went with pickaxes to a major thoroughfare in San Francisco, dug up the pavement, and planted seeds in the earth. The Uprising was led by people who had participated in the Summer of Love (1967) and demonstrated against the Vietnam War.
In the next chapter we begin to meet the Stewards, who in 2028 canceled the elections and took control. Now “the Corporation,” which banished women from every profession but the oldest one, owns the Southlands and apparently most of the U.S. Although Starhawk wrote this novel in 1993, the Stewards look like Trump’s cabinet and true believers exponentially multiplied. The Steward are allied with the Millennialists, who have suppressed every religion but their own and whose Creed reads in part, “…we abhor the earth, the Devil’s playground, and the flesh, Satan’s instrument. We abhor the false…gods…who tempt us to wallow in the worship of demons, whether they be called Goddesses, Saints, Lucifer, or the so-called Virgin Mary. For we know that Our Lord never lowered Himself to take on loathly flesh….” Maya’s grandson, Bird, has been their prisoner for ten years. He’s been drugged (like Connie), but now he’s beginning to feel his magical powers returning.
Another protagonist is Madrone, a healer and midwife. As we read through a long Council meeting (they’ve got Councils for everything), we see the similarities between San Francisco is 2048 and Piercy’s free future of 2137. The values are much the same, although Starhawk’s future is determinedly Pagan and Witchy (and very PC). Madrone has lost a patient to a mysterious fever that morning. In the council meeting, one character says they’re still living in the “toxic stew” of pollution in the Bay. Is this fever becoming an epidemic? Is it biological warfare?
Bird summons the best magic he can and escapes with two other prisoners. As he travels up the California coast, sometimes along what was once the Pacific Coast Highway, sometimes along what was Interstate 5, he learns what happened to him ten years ago. When he and some other Witches destroyed an atomic reactor (probably in Santa Barbara County), his friends were killed by the Stewards and he was captured. Now he’s regaining his memory and his powers as he’s meeting other outlaws.
When Bird arrives in San Francisco, not much has changed: there’s still a lot of free love and arguing and they all still work collectively. Madrone recently went into “the ch’i worlds” to search for the virus, caught it, and almost died, but now she’s mostly recovered. They hold a meeting in which they discuss nonviolent resistance. After much argument about how best to resist, Madrone finally decides to travel south to find out if the Stewards are really planning an invasion. As she retraces Bird’s trail and meets the people who helped him, she gives them free healings and teaches them Witchy powers. The book thus turns into what is essentially a handbook of resistance and Witchy powers. When Madrone goes to Hollywood to take part in raid on a drug warehouse, we learn that in the Southlands only the rich have water, medicine, fresh vegetables, cars, access to education, healthcare, and any kind of technology (which is mostly built by prisoners).
Yes, there is a war in this novel. Just think of any superhero-action-adventure movie and add Nazis, and you’re seeing it. The Stewards’ army invades San Francisco, and nonviolent resistance seems to wither under bullets. Although she finds pockets of rebellion and resistance, Madrone nearly dies in Los Angeles. She finally gets home and learns that Bird has been captured again. But the Witches are also learning how to get soldiers to desert.
The novel has a sort of happy ending. Is it prophetic? I hope not! I live in the Southlands. But anyone who is paying attention to the daily news sees that we’re already on the path to a world run by the Stewards and the Millennialists. Starhawk has written a sequel, City of Refuge (2015), around the three major characters to tell what happens next in the North and the Southlands. I have not read the new novel.
But I know that Witches can prophesy. And so can writers, and so we have in these three novels four protagonists—Carolyn Crespin, Consuelo Ramos, and Maya and Madrona—who can teach us a great deal about resistance. The four sacred things are earth, air, fire, and water. The fifth is spirit. Blessed be.
BIO:Barbara Ardinger, Ph.D. (barbaraardinger.com), is the author of Secret Lives, a novel about crones and other magical folks, Pagan Every Day, a unique daybook of daily meditations, and other books. She really enjoys writing her monthly blogs for FAR. Her work has also been published in devotionals to Isis, Athena, and Brigid. Barbara’s day job is freelance editing for people who have good ideas but don’t want to embarrass themselves in print. To date, she has edited more than 400 books, both fiction and nonfiction, on a wide range of topics. She lives in Long Beach, California, with her rescued calico cat, Schroedinger.
Moderator’s note: This marvelous FAR site has been running for 10 years and has had more than 3,600 posts in that time. There are so many treasures that have been posted in this decade. They tend to get lost in the archives. We are beginning this column so that we can all revisit some of these gems. Today’s blogpost was originally posted August 6, 2017. You can visit it here to see the original comments.This post along with those which will be posted in next two days were curated by Barbara Ardinger to stand together for their relevancy now, 5 years later.
Members of this community (and others) have been feeling that the world is out of balance since the 2016 election. There’s a feeling that people are becoming less kind and that some men (following the model that lives and tweets in the White House when he’s not at one of his golf resorts) are more misogynistic. I’ve heard that Orwell’s novel Nineteen Eight-Four is more popular than ever before. We seem to be living in a new, dystopic society. It’s very sad and very scary.
I’ve recently reread three novels written by women that I think may be both prophetic and inspiring. I’m hoping that if you read them, too, you’ll inspired by their brave heras to keep on resisting. The novels are Gibbon’s Decline and Fall (1996) by Sheri S. Tepper, Woman on the Edge of Time (1976) by Marge Piercy, and The Fifth Sacred Thing (1993) by Starhawk.
Long a fan of Surrealist artist Leonora Carrington, I was initially hesitant when the New York Review of Books reissued her 1974 novel, The Hearing Trumpet. I didn’t know what to expect when this extraordinary painter picked up a pen.
To my delight and surprise, Carrington shows the same artistry and whimsy in her writing that she does in her painting. She also reveals herself to be an astute feminist and aficionado of the Goddess, well-versed in arcane lore, with which she accents her fantastical world. The Hearing Trumpet is full of British humor and eccentricity, set in a finely spun, other-worldly landscape.
The World of the Maya
Her heroine Marian Leatherby is a 92-year-old, who lacks teeth, is hard of hearing, and sports a beard–a whimsical, endearing character who loves cats. She has been given a hearing trumpet by her great friend Carmella, and thereby learns that her son and his wife plan to send her away to an old folks’ home run by a Dr. Gambit and the Well of Light Brotherhood.
She’s been called a “national treasure” by Bruce Feiler and lauded by Erica Jong as “one of the women by whom our age will be known in times to come” … And yet Rosemary Daniell is not as well-known as she deserves to be–perhaps because she is a fiercely feminist Southern woman.
She’s been called a “national treasure” by Bruce Feiler and lauded by Erica Jong as “one of the women by whom our age will be known in times to come.” The author of three books of poetry, a novel, several memoirs, and several books of nonfiction, she is the founder of the revolutionary “Zona Rosa” writing workshops and retreats that have helped hundreds of participants—mostly women—become published authors. For many years she led writing workshops in women’s prisons in Georgia and Wyoming, and served as program director for Georgia’s Poetry in the Schools. Her work has been featured in numerous magazines and newspapers. And yet Rosemary Daniell is not as well-known as she deserves to be—perhaps because she is a fiercely feminist Southern woman who unabashedly celebrates her own sexuality while also bringing her formidable intellect, wit, charm, and compassion to bear on her approach to writing.
One of my former students recommended UNFOLLOW to me, a memoir written by Megan Phelps-Roper, granddaughter of Fred Phelps (1929 – 2014), the (in)famous pastor of Westboro Baptist Church, Topeka, Kansas.
Some people may not be aware that Fred Phelps began his career as a civil rights attorney—someone who, in the 1960s, took on racial discrimination cases no other lawyer would touch. Today, he is best remembered as a preacher who vociferously opposed homosexuality, spreading his message “God Hates Fags” both in the pulpit and while picketing in public spaces. He and his followers also picketed the funerals of fallen soldiers with signs that read “Thank God for Dead Soldiers.” Phelps believed soldiers’ deaths (as well as natural disasters) to be God’s punishment for the country’s “bankrupt values,” especially the “sin” of homosexuality. Hence, God unleashes calamity and catastrophe on the United States, a nation in dire need of repentance.
Sigmund Freud (1856–1939), well-known Austrian neurologist and founder of psychoanalysis, “…said once to Marie Bonaparte: ‘The great question that has never been answered, and which I have not yet been able to answer, despite my thirty years of research into the feminine soul is, ‘What does a woman want?’” (“Was will das Weib?”) ― Sigmund Freud: Life and Work (Hogarth Press, 1953) by Ernest Jones.
I don’t believe Freud ever answered the question posed here satisfactorily. Women’s desire—even today—hovers in the taboo category. After all, in our hierarchal, patriarchal society women’s wants/desires are mediated through social structures and institutions that favor men. It’s easy to overlook since we all are spawned and then swim in those patriarchal waters.
Authors: Irie Lynne Session, Kamilah Hall Sharp and Jann Aldredge-Clanton
Publisher: Wipf & Stock, 2020
Womanist theology is a form of theological reflection that centers on Black women’s experience, sensitive to issues of race, class and gender. It originated in the United States in the mid-1980s and has grown in scope, sophistication and influence, but until recently there has been no expressly womanist church. This book charts the founding and development of a womanist church from the perspectives not only of its pastors (Irie Lynne Session and Kamilah Hall Sharp) but also of its ministry partners (Jann Aldredge-Clanton and others). Continue reading “The Gathering: A Womanist Church BOOK REVIEW by Mary Ann Beavis”
First of all, I’m grateful to Bridgerton for providing several spirited conversations between my friends and me, not to mention the POVs penned recently in these pages. It was fun to take part in exchanges that did not highlight or veer off into either politics or the COVID-19 epidemic.
What first drew me to Bridgerton was the fun of it – the blatant over the top spoofery and satire so like the Commedia dell’arte it so brilliantly imitates. The Commedia got away with its mockery of society because it disguised it beneath a froth of opulent, frippery, and coarse buffoonery that distracted the rich (but not the poor) from its real message about the foolishness and vanity of the ruling class. So does Bridgerton, but in this case, the culture being satirized and unveiled is ours. Unlike those earlier dramatists, in our age we fortunately and so far, at least in this country, still enjoy much greater leeway in making mockery. “Huzzah!” I say. Continue reading “About Bridgerton: A Different Feminist Perspective by Christine Irving”
The current pandemic has kicked our collective butt by putting a huge dent in our ability to maintain relationships so necessary for keeping our social gears greased and running smoothly. Grabbing coffee with a friend or meeting up for lunch in order to “catch up” with one another are activities that in times past we took for granted. Meetings nowadays (both work related and social) are done primarily via Zoom. Even a doctor’s visit can be accomplished electronically—a mode that, in my opinion, leaves much to be desired.
Besides feeing socially deprived over the past year, I’ve experienced a number of other losses. I’ll mention a few of them, but am not prepared to write about the ones that sting the most. I gave up my house in Richmond, Virginia, and moved to a high-rise condominium just down the road. I’ve yet to make it “home.” Halfway through the Spring semester, all classes at the university where I taught went online. The Fall semester followed suit, delivering classes (mainly) online. I didn’t want to box myself in on a screen. I find classroom interaction meaningful in a way that I cannot replicate on Zoom. I gave up teaching. In August, I drove to Las Cruces, New Mexico, and have been here ever since except for a brief visit in September to New Jersey for my brother’s funeral—another loss. Continue reading “Good(?) Grief by Esther Nelson”
Nearly a century later, d’Arbaud’s words still have the power to startle and delight, vividly evoking Earth’s sacredness.
Early in Jóusè d’Arbaud’s 1926 Provençal novella, The Beast of Vacarés, the narrator, a 15th century gardian or bull herder, describes how in summer la Vièio ié danso—the Old Dancer—“can be glimpsed on the dazzling salt flats” that surround the Vacarés lagoon in the Camargue region of Southern France.
In a note, d’Arbaud explains that la Vièio is how locals refer to mirages in this liminal landscape where earth, sea, and sky merge. “Mirages are common in the Camargue,” he tells us:
They begin with a vibration in the air, a trembling that runs along the ground and seems to make the images dance; it spreads into the distance in great waves that reflect the dark thickets. How not to see in this mysterious Vièio, dancing in the desert sun, a folk memory of the untouchable wild goddess, ancient power, spirit of solitude, once considered divine, that remains the soul of this great wild land?
“The untouchable wild goddess . . . once considered divine . . .”
Nearly a century later, d’Arbaud’s words still have the power to startle and move us, vividly evoking Earth’s sacredness. Here is a man, himself a bull herder in the region he so lovingly describes, who seems to have been a devotee of the Goddess, the “ancient power” he venerates and bring to life for his readers. Indeed, in an early poem, “Esperit de la Terro” — “Spirit of the Earth”— d’Arbaud explicitly dedicates himself to the old gods sleeping below the earth, vowing to “defend” and “aid” them. How extraordinary to discover this writer making such a commitment, well before the rise of our recent feminist spirituality and ecofeminist movements. D’Arbaud speaks directly to our current environmental, theological, social, and political concerns.
Friends, it has been a few months since I’ve posted in this community. I’m amazed at how much our world has changed since then. Here in the northern hemisphere, spring came and went. It felt like a tide of turmoil rolled in, leaving debris all along the shore and now we are trying to clean it up while keeping our eyes on the sea for more dangerous waves that are coming.
The issues we now face began before March, but for many of us, that was when the COVID-19 pandemic began to alter our patterns of daily existence. In-person instruction at my university and most schools was suspended and spring semester courses shifted online. In March and April, we quarantined, self-isolated, and sheltered in place. While a gradual re-opening of businesses and services has occurred in the months since then, I don’t know anyone who has resumed daily life as it was before. The virus continues to spread and the death toll rises.
“Learning entails more than the gathering of information. Learning changes the learner. Like dwarf pines whose form develop with winter’s design, the learner is shaped by what he learns.”
All along, I’ve believed that Malicroix had something important to offer English-speaking readers: an embrace of solitude, a profound connection with nature, a bold exploration of dream-states. And right now it seems to resonate with our current moment of introspection and reassessment of priorities.
Very early in Henri Bosco’s 1948 novel Malicroix, a young man, Martial de Mégremut, living placidly amid fruitful orchards in a tame Provençal village, receives a letter informing him he has inherited “some marshland, a few livestock, a ramshackle house” from a reclusive great-uncle, Cornélius de Malicroix. Against his family’s strenuous objections–with alarm they speak of “marshes, mosquitoes, miasmas”–Mégremut resolves to travel alone to the remote Camargue to claim his “wild” Malicroix inheritance. The house is on an island, and to reach it Mégremut must cross a rough river, at night, in a frail wooden boat piloted by a taciturn old man who meets him at dusk in the middle of a vast plain.
So begins a deeply internal quest narrative, an initiatory journey that forces Mégremut to come to terms with himself and with the elements–earth, water, wind, and fire–that are ever-present, sometimes terrifyingly so, on the island. For once he arrives, he learns that he must remain there alone for a full three months if he wishes to obtain the inheritance. Torn about whether to stay or leave, he finds that the decision to stay is made of its “own accord,” unconsciously.
As usual, I’m writing my post a couple weeks before you’ll be able to read it. I bet we’re all wondering in mid-December if 2020 is really gonna happen. Will we still be living in a civilization? Will there still be wild animals (outside of zoos)? Will trees and other plants still be growing? Well, my friends, if we all woke up last Wednesday and opened our eyes and it’s all still here……hooray!
Way back in 1998 I wrote a book called Goddess Meditations. It was the first-ever book devoted to guided meditations centered only on goddesses. No gods. No empty minds or asanas. Goddesses, some well known, others obscure, from many pantheons. One chapter in the book is “Chakra Goddesses,” in which I assigned a goddess to each of the seven major chakras. The goddess of the throat chakra—which rules clear communication, self-expression, and creativity—is Sarasvati. Here (with comments that pop out of my mind and into my fingers as I type) is part of what I wrote about communication.
Isabella Ides’ White Monkey Chronicles is my lectio divina, the wisdom, humor, and wonder of her story savored daily. (For an overview, see BJ Austin’s review.) Although the titular white monkey is at the heart of the chronicles, and his charge, foundling/avatar Conrad Eppler, is a boy, I have never encountered a more vivid evocation of goddess—multi-dimensional, earthy, transcendent, fierce, compassionate. No one knows Godma better than the Sisters of the Joyous Mysteries, an order of rogue nuns, the focus of this interview with the author.
Give us a thumbnail sketch of the three remaining members of the order, Sister Mary Subordinary, Sister Merry Berry, and Mother Mary Extraordinary.
Mother Mary Extraordinary is ancient, icy white, her soul as scuffed as an old shoe. Extraordinary’s veil hides long white hair that reaches to her ankles. Sister Merry Berry is youthful, dark as an espresso truffle, her hair a disarray of dreadlocks. She ditches her veil, crochets a Rastafarian beret, and adopts a pair of florescent orange running shoes. Nun on the run. The orderly Sister Mary Subordinary is almost without physical detail. She is selfless, a giver, a maker of bread and soup. She is porous. Sometimes her soul escapes her. Mary Subordinary has visitations; the monkey god, for one, slips in. Subordinary herself can enter other minds, although she tries not to snoop.
Have you encountered rogue nuns in your own life?
Author with Sr. Mary Agnus, Blessed Sacrament School
I spent my first-communion year at a Catholic school in Hollywood, on Sunset Boulevard. One day on the playground, Sister Mary Agnus asked if I wanted to see the bones of a saint. Yes, I did! She reached into her deep pocket and fetched out a small gold case with red velvet lining and a glass portal. Forget Mary Poppins. I was enthralled. Yet in my secret life, I did not believe in her god. I was a seven-year-old redactor, appalled by the vision of an ocean of children drowning as the ark of animals sails on.
Then years of public school in the suburbs drained the world of mystery. I jumped at the chance to enroll in an all-girls Catholic high school. My notions about nuns changed irrevocably the day I wore a faux zebra coat over my school uniform. Sister Mary Malua asked to try it on. Her Sister friends giggled like girls. And with a shock, I was made aware that they were girls. Like me. These young Sisters, fresh off the boat. Irish – they spoke Gaelic when ruffled — upper-class girls, smart, some of them brilliant, but not very pretty, and not necessarily traditionally gendered.
And none of them as rogue as my creations. Indignant on their behalf, I stepped into the role of fairy Godmother to the Sister Cinderellas — working for no pay, made to obey their priest confessors, denied agency, denied priesthood, doomed to be brides of an indifferent god. Waving my writer’s wand, I de-colonized their minds, redressed them, and sent them invitations to a spiritual ball, the likes of which they had never known.
Toni Morrison said that she wrote the novels she wanted to read. I wrote the world I wanted for my beloveds.
Their mysterious foundling, Conrad Eppler, is home-schooled by the sisters who have widely and wildly varied approaches to his education. Give us a brief description of their curricula.
Author costumed as Shakespeare’s Helena with Sr. Mary Joseph, Louisville High School
Paraphrasing Marx, from each according to her gifts. Sister Subordinary, mindful of Conrad’s origins, reads to him from the Ramayana, stories of the monkey god, Lord Hanuman, and the story of Guha, her idea of a perfect devotee. Guha’s practice is to faithfully kick the statue of Shiva that the Brahman priests have brought to his forest. She passes to Conrad the spiritual gifts of discernment and doubt.
Merry Berry gives Conrad the childhood that she never had. This is one of the fascinations of motherhood and mentorhood, how the child/student changes the teacher. Motherhood is actually one of the deep themes of the Chronicles, that and redemption. How we transform and are transformed by what we create, what we give birth to in the world.
Mothering a child, a planet, a poem, a prayer, a god.
Mother Mary Extraordinary teaches Conrad astral travel. She is a visionary, come to grief over dead and dying dreams. She is cranky, reluctant to crank up further investments in the material world that betrayed her. Her most potent gift comes late in the novel. She is the difficult parent. The dark side of the moon.
The sisters have a highly original approach to prayer, which lands them in mortal trouble with the Great Church. Tell us a little about the flowering of the heretical practices.
The Great Church cast out its rebel brides for ordaining sister priests. Unbound, all holy mayhem broke loose at the convent. New sacraments were invented, Sisters married each other, created scrumptious communion breads, and each sister wrote a personal mass, worshiping the gods as she imagined them. Then disaster. The prayer eaters came and licked the pages of the prayer books clean. When a Sister’s prayer book went blank, death soon followed. And then there were three. Mary Extraordinary. Mary Subordinary. Merry Berry.
When the sky-blue baby deity is delivered to the convent, the three survivors crack open one of the old prayer books to enter his name in the litany of infants. Theirs is a radical hospitality. All gods are welcome. Well. Almost. This hospitality doesn’t quite extend to those gods who deny that they have mothers, or that claim one-and-only status, or label their progeny the only begotten. In the Sisters’ theology every child is a coming, and a godsend.
We’ll close with an excerpt from one of the sisters’ prayers:
Litany of the Infants
The infants come
on fresh beds of hay
on sterile hospital sheets
down dark Calcutta streets
on the back seats of taxi-cabs
on the beds of Mack trucks
they come
in woodshed and chateau
in barn and bordello
on the snow belt
and bible belt
on the green veldt
and parched plains of Africa
they huddle
in refugee camps
in quarantined villages
they set sail in Moses-baskets
afloat on the Nile
launched
from Bodrum
from the shores of Vietnam
from the banks of the Rio Grande
let them come
with halo hair
and soft eyes shining
Divine Mother, Sweet Protectoress
shelter each foundling
in the house of your infinite kindness
in the womb of your joyous mystery
Holy of Holies, Mary Mother of God
teach us thy trade.
Isabella Ides was born under the Hollywood sign and attended a Catholic School on Sunset Boulevard. Her father ran search lights for movie openings. Thus she was bent towards stage lights and spirit lights from the get go. A poet and playwright, she considers her debut novel, White Monkey Chronicles, the mother lode. Everything leads to it. And away.
Elizabeth Cunningham is best known as the author of The Maeve Chronicles, a series of award winning novels featuring a feisty Celtic Magdalen. Her novels The Wild Mother and The Return of the Goddess have both been released in 25th anniversary editions. She is also the author of Murder at the Rummage Sale. The sequel, All the Perils of this Night, will be published in 2020. Tell Me the Story Again, her fourth collection of poems, is now in print. An interfaith minister, Cunningham is in private practice as a counselor. She is also a fellow emeritus of Black Earth Institute.
At the end of Anita Diamant’s novel, THE RED TENT, Dinah—the same young woman who is only briefly mentioned in the biblical account (Genesis 34)—dies after a long and full life. The biblical text tells us that Dinah “went out to visit the women of the region” and that “Schechem son of Hamor the Hivite, prince of the region, saw her…seized her and lay with her by force” (vss. 1-2). The passage is often titled “The Rape of Dinah.”
In Diamant’s version of the story, Dinah and King Hamor’s son engage in consensual sex. In keeping with the biblical account, the king then attempts to negotiate a bride price with Jacob (Dinah’s father), but Jacob and his sons are reluctant to agree to the marriage. They demand soon thereafter that all the men in Hamor’s kingdom undergo circumcision as a bride price. On the third day after surgery, the sons steal into the city and kill the men.
After just a mere mention of Dinah’s “rape” in Genesis 34, she disappears from the story. In THE RED TENT, Diamant not only gives Dinah a powerful voice, she also weaves a wonderful tale of mothers, daughters, heartache, betrayal, loss, love, and joy. Dinah gives birth to her lover’s son in Egypt, develops a strong bond and working relationship with the midwife, Meryt, and eventually falls in love with Benia, a master carpenter.
I binge-read White Monkey Chronicles The Complete Trilogy. The first time. It’s like Douglas Adams, Kurt Vonnegut, J.K. Rowling and Gloria Steinem got drunk one night and decided to write a book.A second, slower read was even sweeter.
The first paragraph of the Prologue tipped me headfirst and wide-eyed into this mind-bending, myth-busting, topsy-turvy tale. Its innocuous, traditional “Once Upon” opening was immediately blown up by the explosive words “infant deity abandoned,”, “famous bachelor Jew,”, and “A-list Hindu”. Wait. Whaaat? The stage was set for a rebellious, revolutionary saga destined to be voted “Most Popular” at a fundamentalist book burning!
A white monkey (part-time Plush toy, full-time guardian of an off-the-record baby boy deity) sets the book’s roller coaster ride in motion on a snowy night in Humbolt County, USA. There, at the withered and weathered Sisters of Immaculate Conceptions convent, we meet the three remaining Sister-resisters of The Great Church’s preening patriarchy. (Lets just say the clergy is strictly for the birds — in dress and demeanor.) Getting a whiff of the unauthorized deity’s arrival, a conclave of Cardinals swoop in to confirm (and possibly kidnap) the threatening newborn from the kind, caring, and radical hands of the rogue nuns. Not so fast. Continue reading “White Monkey Chronicles: Myth-busting in Eden BOOK REVIEW by BJ Austin”
In 2015 Kira Schlesinger wrote piece for Ministry Matters about how her own pro-choice stance on abortion had become more complicated the more she explored the issue of abortion. The article was widely read and shared, as well as hotly debated by many. You can read this article and the many comments here. Out of the response to this article grew Schlesinger’s Pro-Choice and Christian: Reconciling Faith, Politics, and Justice.
The book does a great job of walking the fine line of being both academically engaging and an easy enough read to engage a book or Bible study group as well. Schlesinger uses the first couple of chapters to dig into the history of abortion, listing recorded examples of the process as early as 1300 BCE. From there she briefly walks the reader through the roughly 100 years (Comstock Act in 1873 until Roe v. Wade in 1973) during which abortion was illegal in the United States. Finally, she wraps up this beginning historical section with details about the generations after Roe v. Wade up to our current reality.
The Women of Amphissa, 1887, by Lawrence Alma-Tadema
Since I began writing for FAR in July 2012, I have written about Mary Magdalen, or excerpted a passage from one of my novels, near or on her July 22 Feast Day. For why I made the controversial choice to depict her as a prostitute, see last year’s post. The below excerpt is from The Passion of Mary Magdalen. I made this selection in remembrance of all the refugees in the world today. In this passage, Judith, a Jewish widow whose family was driven from the land by tax collectors, returns to the place where Maeve (my fictional Celtic Magdalen) and her friends have recently founded a Temple to Isis on the outskirts of Magdala. Maeve has just invited Judith to join them. (Edited for brevity.)
She stared at me, her eyes full of anger and longing.
“I will not be a slave and a whore where I was once a wife, the one who made the challah bread, who said the Sabbath prayers over it. This was our place, my husband’s and mine. We brought the best we had to the temple, the finest oil and wine, the unblemished kid—”
“Goats? You kept goats? You know how to make cheese?”
She sat quietly for a moment before she answered. “How can I live here with you?” she wondered. “I don’t understand.”
Even though I’ve traveled and lived throughout much of the world, I’ve never thought of any one place or geographic location as home. I have always felt a little envious of people who claim to have a strong, visceral connection to a particular house, garden, village, landscape, or city in a specific, geographic area.
We often use the word home to indicate a space where we feel accepted, safe, nurtured, loved, and at peace. Although I’ve never sunk deep roots anywhere I’ve lived—or even visited—I feel most grounded when standing on a sandy beach anywhere in the world, overlooking an expansive view of the ocean. Perhaps the cowboys in American folklore and legend felt “home, home on the range where the deer and the antelope play,” but I don’t. I am much more at ease with home, home on the beach where the wind swirls the water and sand.
I often hear the beach calling me. Sometimes I listen and allow myself to fall under her spell and into her fluid embrace.
There might be lots of lessons to consider. These lessons might have holes, for I’m not a wise sage, and I’m not really even a mother. As I am a couple of years from 40, I think about what lessons I would teach my daughter if I had one, lessons to honor her physicality, lessons to create space for her soul. What do you think of these lessons? Would I be a bad mother?
Be self-sufficient, and work hard and do it early.
I think there is much to say about a woman making her own money so that she can be in relationships that honor her tendencies and desires and contribute in those relationships financially. I’m not sure why it is, but I still feel that we are in a time where most men are more given the idea they should be self-sufficient and work hard and early to do it and many women, although perhaps a hint of this, would not have this as the core of who they are. A woman should have her own money so that she can be free.
Find a spirituality and a community that allows you to be confident in your internal wisdom and body and support learning about life skills.
I served as general editor for the recently published Encyclopedia of Women in World Religions: Faith and Culture Across History (2018/19 ABC-CLIO). It was an honor and a pleasure to work with a hundred and thirty wonderful scholars, many with expertise in female divinities. In working with a publishing house on this project, I negotiated for the capitalization of Goddess and other terms for the Female Divine.
I caution myself to be critical and nuanced. I’m sorry, folks. I just haven’t had such dazzling hope or remote interest in politics since. . . well, since I was a puppet junior high evangelist for an independent candidate my Dad liked, and I don’t want to try to remember who it was. But I was 13. And I’m 38 now. What hath made this cold, indifferent, anxious millennial’s soul to warm?
I am into mindfulness, contemplative studies, Eckhart Tolle, Don Miguel Ruiz, Nhat Thich Hanh, the kind of comparative religious studies scholar who has eastern spirituality leanings, so when I heard Marianne Williamson was a presidential candidate, I got curious. I’ve not read A Course in Miracles (although I think I’ve avoided it for the same assumptions Williamson says she initially made) or actually any of her books. Williamson is Jewish and has a pluralistic perspective when it comes to noting the basic underlying wisdom of all religious and spiritual beliefs (I realize we have discussed this before when I called them “wisdom traditions” – is any tradition actually wise/can you separate the violence, oppressions, and misogynies of them?).
She speaks in cool, rushing waters and has a platform that still sounds “political”/political (she breaks down what this word actually means in her latest CNN Town Hall) and is spiritual and based in a rhetoric of love. After the complete loss of hope in what [T . .] represents, and the not-yet healed wounds from [B. . .], she sounds like a reasonable adult, much like Obama did during his years. I wonder if they are friends? They should be.
Note: This story was originally posted early in 2016. I’m posting it again because, thanks to the state of UNkindness the Abuser-in-chief has pasted all over the semi-civilized Semi-United States, we need lessons in kindness more than ever before. I bet you agree with me!
“Curses on that grasshopper!” exclaimed the ever-busy Madame Fourmi. “All he ever does is play. He’ll be sorry when winter comes.”
And so it went. Every day, Mme. Fourmi spent the morning scrubbing her front steps. And Monsieur Cigale?
“Partaaaaayyyyy!” Every day, he sped by on his skateboard. “Hey, Auntie Ant, stop cleaning the concrete and come and play with us. We’re gonna start a band!”
“Not on your life,” muttered this grandmother, most of whose conversations with her many daughters and granddaughters consisted of instructions on how to properly clean their homes and hills and how to prepare and store food for the winter. “Life is serious business, it is, it is. We need to plan ahead.”
Happy Valentine’s Day! I know, I know… so many of us do not like this holiday. It’s too commercialized, we say. We don’t need card-makers or florists to tell us how or when to show affection. Some of us don’t like Valentine’s Day because it reminds us of loves we have lost or never found. I get it. This day can seem shallow, overhyped, and falsely sentimental. It can be lonely. And yet, I won’t let today pass without celebrating and honoring love. Love is too important to concede to commercial interests.
Love, in its many forms, keep us alive and able to endure. Love is powerful because it is expansive, growing in unexpected places and ways. We tend to separate our celebrations of romantic love, friendship, familial love, self-love, and religious devotion. We make distinctions between our valentines and “galentines.” Rarely do we shout for joy in ecstatic worship while also celebrating the passionate longings of our innermost desires. But occasionally, in my religious tradition, we let our disparate loves come together. We unite them on holy feast days, enjoying the sensual pleasures of good food and company to mark spiritual occasions. So that’s my inspiration. Today, I’m celebrating love by reflecting on various forms of love merged together and sharing insight from poets and mystics about the power and beauty experienced in love.
The poems below are excerpted from my new (I hope forthcoming) collection, Tell Me the Story Again. Ancient dreamer’s voice is one among many voices including sorrow singer, temple sweeper, sword woman, morose fool, merry drunk, grey cat and mouse, stone mountain, skeleton woman, mother rain and many more. The voices speak from a time perhaps just after (or long before) our time, in a real and magical world.
I chose to excerpt ancient dreamer’s poems because winter is the time, in Celtic lore, of the Cailleach, the old one, the divine hag. When I began writing the poems in 2014, my mother-in-law, then age 101, was in the last stages of her life. She slept and dreamed most of the time, and I would sit and daydream with her. She died two months before her 102nd birthday. When I took up the collection again in 2018 to complete it, ancient dreamer remained a strong presence and has the last word.
What does it mean to approach the idea of a Godma, a mother-of-all, as an act of the imagination, as a pure act of speculation? I particularly love the word speculator: one who is mining for the diamond, one who is going off the map, a voyager, a voyeur, a seer. A spiritual adventurer. A gambler, a trader in divine currencies.
I am a writer of fictions—speculative fictions. I am a poet-philosopher. Acts of the imagination and divine currencies are my trade.
I like this phrase: In the beginning was an of the imagination, a movement of mind. Or better—an act of procreation, a giving of birth. I love how words lead an idea deeper into the woods. A chance to get lost in variations and find new places to hide and seek. Perchance to meet an angel. Or a wolf. Or yourself in disguise. Continue reading “Creatrix Mundi: Speculating The Godma by Isabella Ides”
During the last year I have been struggling with the catastrophic effects of Climate Change like never before as I witness the continuation of a drought that is withering plants, starving tree roots, shriveling our wildflowers and wild grasses, leaving our mountains barren of snow, and changing the face of the high desert for the foreseeable future. With forest fires leaving me literally breathless from plumes of thick smoke that turn the sun into a ball of orange flames at dawn, unable to cope with 100 plus degree heat, my body forces me to surrender: I will not be able to make my permanent home here. Instead I will migrate like the birds do – from south to north and back again.
Coming to terms with the ravages of Climate Change brought me to my knees; it has been one of the most difficult adjustments I have ever had to make. I mourn the death of the trees, plants, the loss of precious frogs and toads, insects, birds, lizards – every plant and creature is under attack and few of us can thrive (let alone survive) in such an unforgiving climate. Continue reading “When “The Storm Left No Flowers” – A Review by Sara Wright”
Lately I’ve been reading a few Paulo Coelho books. I won’t say they are beyond feminist criticism, but it’s not what I’m going to focus on this post; but as always, feel free to say in the comments why/if you find them problematic. I expect and welcome it because it might be another layer of this conversation that I don’t have time or am not yet emotionally ready for myself.
What I want to focus on is the solution the author seems to advance in each of his books, at least those I’ve read, to our perpetual unhappiness despite the evidence that everything is fine, better than might otherwise be.
Adultery: I never finished this one, actually. I had to take it back to the library the last time I had to leave Ireland, but I’m sure I will find it again and read the rest of it soon. So I can’t say what the ending revealed, but what sticks in my mind was the predicament of the main character. She, from her perspective, had it all: wealth, an interesting career she liked, an attractive husband who was attentive and kind, a family, health. This was why she was so confused that she was unhappy. This is the premise of many of his books: the person who doesn’t know why they are unhappy. Also, the observation that no one is really happy.