Shelly Rambo – Feminism and Religion

Tomorrow is Good Friday on the western Christian calendar, the day when western Christians remember Jesus’ death on the cross. The day is often memorialized in ways that recall Jesus’ last moments, from his final steps to his final words, with great specificity. For as many traditions to observe the day, there are theologies to interpret just what, if anything, the cross “means.” In the past few years, I have found myself moving further and further away from identifying this day as one that saves. If I am honest, it has been, and continues to be, an exercise and practice in theological freedom. For me it started with the moment in my first year of theology class when my professor spoke about Anselm and Abelard, of transactions, of debt satisfaction. Something about seeing this formula within its feudal context – of seeing it for the first time as a deeply contextual rather than eternal or primordial or absolute theology – struck a chord and disrupted some sediments I considered unshakeable.

This fissure and subsequent reimagining has continued as over the years I’ve engaged the work of womanist and feminist theologians. There was sister FAR contributor Xochitl Alvizo’s post last year disrupting the spectacle of Good Friday, of re-imaging new rituals that do not dwell on death. There is the work of JoAnne Terrell, the books Proverbs of Ashes and Saving Paradise by feminists Rebecca Parker and Rita Nakashima Brock, and my professor Shelly Rambo’s work on spirit and trauma. I suppose if I am anywhere on the topic, I am just no longer sure that Jesus paid a debt he did not owe because I owe a debt I cannot pay. I am unconvinced that suffering redeems, that blood atones, that the death of a son – of anyone’s daughter or son – brings satisfaction. Certainly feminists and womanists hold diverse beliefs, but here is where I can stand, for now.

Continue reading “Reflections on Good Friday by Kathryn House”

What does it mean to be created through the scars of a (m)other? And what does it mean to be made new—to be recreated—by them?

It is my first Easter without my mother. My sister Jody reminded me of how much my mother loved religious holidays, especially Easter. One of my striking last moments with my mother was in the hospital operating room when the nurse was preparing her for a surgical procedure. As the nurse opened up the back of the hospital gown, she exclaimed: “What beautiful markings you have.” She was referring to the scars on my mother’s back from a previous heart surgery. “It’s like a work of art.” My mother never viewed them like that. Instead, she often kept her multiple scars hidden from us. But there were moments, as a young girl, when I would glimpse them, those in the front between the buttons of her tightly starched blouses, and those on her back when she’d be ironing her Sunday dress in her satin slip. I was both intrigued and scared by these tracks on my mother’s body, just as I was by the ticking of her mechanical heart valve that I could hear when I stood next to her, the traffic in the house at a standstill. Both were reminders to us that her life was sustained yet fragile.

Much of Western literature tells the stories of fathers and son. And the dominant Christian storyline has also been patrilineal. Continue reading “Resurrecting Scars by Shelly Rambo”