This was originally posted on April 3, 2012 and serves as a nice follow up to my recent posts, and to the Christian holy days being celebrated this week.
Being passive spectators of violence and injustice, even if mournfully so, is not just a thing of Panem, it is our everyday reality.
In The Hunger Games Suzanne Collins takes the reality of an unjust society and gives it an imaginative makeover. In Panem, most people are kept at such extreme levels of hunger that even when they do eat they cannot fill the hollowness that has settled in their stomachs, while others are deciding on the next cosmetic alteration they will undertake – whiskers, jewel implants, or green-tone skin color? The disparate conditions between the rich and the poor, the few and the many are absurdly and starkly portrayed but done so in a way that we can still recognize our world in theirs. And at the center of this world is the state imposed ritual of punishment and control, the yearly Hunger Games – a nationally televised competition that all the people of Panem are required to watch. The 12 districts watch mournfully as two kids from each of their districts compete to the death, and the wealthy watch gleefully, for the games are the height of their excesses and entertainment. The yearly Games conclude when one kid, the lone ‘victor’, is left standing. All while the nation watches.
Continue reading “From the Archives: The Hunger Games, Holy Week, and Re-imaging Ritual by Xochitl Alvizo”