society – Feminism and Religion

This summer I traveled quite a lot domestically. While I was in airports, on trains, waiting in lines, and going about my summer I kept coming across certain patterns and experiences which were becoming all too common and too significant to ignore; a mixture of overt and subtle sexism.

First it started out with one of my airport shuttle drivers wondering why I was traveling alone. While there is always room for small talk, I was struck with how – if I was male – that question would not have been asked. It reached the pinnacle when I was told by an older man to give up my seat for an elderly woman so he didn’t have to give up his seat – this was after he had stared at me for over 10 minutes when I first sat down using his eyes to voice his displeasure over me taking up two seats. Regardless of the fact that he, himself, was taking up 3.

Continue reading “Traveling Sexism by Anjeanette LeBoeuf”

Public Art Sculptures

Borrego Springs, CA

Artist: Ricardo Breceda

Photo: Jessica Bowman

Public Art displays like the image above, a dragon that appears to be moving through the sand dunes of Borrego Springs, California offer tremendous insight into the time and era of the society when it was created, the surrounding community, the patron of the work and of course, the artist. In the case of this artwork and several other similar sculptures found in the barren but beautiful landscape within the Anza-Borrego Desert State Park the subject matter supports the wildness of the region and invites the viewer to consider the area before the impacts of modern civilization. In this case, it isn’t difficult to imagine such an untamed time as there are miles and miles of sandstone, treeless mountains and desert brush with very few people anywhere to be found. Also in this case, the artwork is absolutely appropriate for the environment in which it is placed.

“If private art suggests an intimate exchange, public art gathers a congregation. While I have observed that all art is to some degree public, pubic art merits its name in virtue of the fact that the creation of a public is its point of departure. Public art presupposes the public sphere and produces a public in relation to that concept. Unlike popular or mass art, it does not assume a preexistent generic audience to be entertained or instructed but sets out to forge a specific public by means of an aesthetic interaction.” (Hein, pg. 49)

Continue reading “Public Art and Personal Transformation by Jessica Bowman”