Mother Earth – Feminism and Religion

A CALL TO CELEBRATE TREES by Janet M Rudolph

Olive Tree from the studio of Judith Shaw. Judith has a special offer to purchase this artwork as a giclee print through August 24th. Details below.

With the trees burning around the world, in Canada and the US as well as in Europe and Africa, Asia, South America and more, it seems to be an especially important time to be with the trees, to recognize our kinship, and to celebrate them.

To see just how bad the fires are around the world, below are the links to two maps that are kept in real time.
NASA Greenpeace

I don’t know when and where the initial hatred of trees began, but I would tag the Bible as an early and influential proponent of destroying trees.

The viciousness against trees appears to have grown out of a desire to erase Goddess worship in Biblical lands. The terms for Goddess groves were Asherot and Ashereem named after the Goddess Ashera. An individual tree was called an Ashera. The charge given to the people was to cut down everyone.

And ye shall overthrow their altars, and break their pillars, and burn their groves (Ashereem) with fire; and ye shall hew down the graven images of their gods, and destroy the names of them out of that place.
Deuteronomy 12:3 KJV

But ye shall destroy their altars, break their images, and cut down their groves:
Exodus 34:13 KJV

Seasons and Circles of Time by Sara Wright

Bright red tomatoes, fresh garlic, luscious blueberries, ripening seeds, a melon, one tincture and an ear of corn are spread over the kitchen table to mark this first celebration of the Harvest. At this fifth Turning of the seasonal Wheel, the Pueblo and Hopi Indigenous peoples celebrate the Corn Mother’s Abundance and I follow suit. Cedar stands watch in my mother’s vase etched with spinning wheels in blue.

The Sunstar is on the wane. The days are shorter as we move towards the darker months of the year. Yet look around – most of the wildflowers, bushes and fruit trees are seeding up and ripened berries disappear the moment they are tasty. The birds are watching and so are the bears.

With all this abundance I am struggling to bear witness to the fact that Earth is on Fire – that whole forests are being incinerated, that animals and people are dying. Here, smoke- filled air turn once blue skies into a sickly yellow soup. I plan my days around bad air, keeping Coalie and I inside when headaches and burning eyes strike and the worst of the smoke is entering our lungs and bloodstreams with irreversible consequences. All warnings have gone unheeded. Summers have become a threat to all; those that know, those who won’t.

How to re-dress imbalance is presently beyond my comprehension. We must surrender our lives to Earth’s wisdom which may be harsh. Consequences are the result of refusing to take appropriate action.

The Turning of the Wheel by Sara Wright

Today Grace enters. The air is clear, the window open. One hummingbird hovers at my window. Every twig is covered with lush green leaves and every time I gaze into the green, I feel that gratitude pulsing through me – the wonder of being alive. A brilliant green frog inhabits my toad pond. Last night a Datura blossom literally opened before my eyes etched with pale lavender – a moonflower of exquisite fragrance and beauty. If anything, I appreciate these moon blossoms more than I did in the desert.

My bee garden is humming, saturated with crimson, deep orange, yellow, pink, a cacophony of color and sound. I say sound because I also imagine that I can hear the flowers singing their song of abundance, gratitude, and praise to all there is…

The first lemon lily pods are ripening, green apples bend the trees low, grapevines are heavy with new fruit, and columbine spikes are bursting with seed that I scatter between the cracks of stones. Diminutive pale pink poppies keep popping out of a tangle of ajuga runners and fledglings hug the cabin. The forest birds have quieted. Some will soon be migrating but stillness blotted out the forest trills when the deadly smoke first filtered in. Little gold birds flit back and forth, sunbursts singing up the dawn. The Mourning Dove waits for me at twilight…

She Changes Everything She Touches: A Reflection on Love and Loss, part 2 by Sara Wright

part 1 was posted last week, you can read it here.

How much I like clipping by hand. Surprised by this realization I feel satisfaction rising. I was bored by this task as a child. I am delighted to meet a bevy of fat nubbly toads who appear out of the overgrown ground covers and in between sun warmed stones. Both child and ‘old woman’ feel happy that none will get mowed down by a polluting gas guzzling machine. The Peace of this Land that we belong to steals over us. Less is more. I’ll tackle the patch of bracken later, or maybe not until tomorrow. In this weather accomplishing one simple chore a day is enough.

Well not quite. I am creating a serpentine path of fieldstone that stretches from my front door to meet the path that climbs the hill. My original intention was to have someone ‘more professional’ do the work, but they were too busy so here I am, an almost eighty-one-year-old woman, creating a mosaic out of cracked stone! ‘I am the artist’ I say, as I carry a few more irregular rocks down from the huge pile sitting in front of the garage eyeing the mosaic for the perfect fit. Illumination strikes when wind hits the stones. Blowing seeds, withered crabapple bits, pine needles and leaves into the cracks I see what is happening. Small plants like violets, creeping charlie, ground ivy, and catmint will find niches in the soil that is being created before my eyes. Mosses will follow in the shade. Ah, Nature is going to help me craft a unique and imaginative fieldstone floor. Each time it rains the stones flatten out becoming more stable. That same feeling of satisfaction steals over me again. Vaguely I think that I may be doing something else besides laying stones in an artistic way and trusting that Nature will fill in the cracks, but I am not clear just what this might be. All I know is that it doesn’t matter how long this project takes. Process has taken precedence. This much feels just right.

She Changes Everything She Touches: A Reflection on Love and Loss, part 1 by Sara Wright

I reflect upon this year as the sun star rises in a northeastern sky. ‘He’ has reached the end of his northeastern journey.

Wave after wave – oceans of grief break over me at dawn – tempered by the same cycle during which I have been graced by a most powerful love in the form of a young canine companion. Love and Loss are such intimate companions.

‘She changes everything she touches, changes…’ during cycles of grief S/he changes nothing at all.

As the solstice bears down on us under a hard blue dome so does the fire. It is hard to believe that three weeks ago temperatures hovered in the 40’s. I resist the stifling heat of June coupled with days of torrential rain, cold, and wind that are presently drowning a field of lilies, wild lupine and roses. Fire and Ice. On good days there is the increased noise flow of man-made machines. Slow down please, I plead. Let me listen to the wood thrush, experience this space in between without bouncing between extremes.

I am feeling resentful, cross over the loss of spring and the relentless rains that destroy every flower just as it begins to bloom. I must honor the child who is heartbroken or I will make things worse. Wildflowers bring her the greatest joy and most have been under perpetual siege by inclement weather. Many plants were not pollinated. Too cold for bees.

Legacy of Carol P. Christ: Has the Phaistos Disk Been Cracked?

This was originally posted on November 10, 2014

Recent headlines in the international press announced that the enigmatic language of the ancient Cretan “Phaistos Disk” has been translated—in part—by the Welch-Cretan scholar Gareth Owens. Owens states that the Phaistos Disk records an ancient hymn to a Mother Goddess. More specifically he claims that one side is dedicated to a Pregnant Goddess and the other to a Birth-Giving Goddess.

All of this is very exciting, but is he right?

I have been leading Goddess Pilgrimages to Crete for that past twenty years, in the course of which I have developed an intimate and scholarly knowledge of the religion and culture of ancient Crete. Participants on my tours sent me the news reports about the Phaistos Disk, assuming I would be thrilled to have confirmation of my understanding that the ancient Cretans worshipped the Goddess as the Source of Life, or as Marija Gimbutas says, as the powers of birth, death, and regeneration in all of life.

Reading the news reports, I noted that archaeologist-translator of the disk, Gareth Owens, identified the Goddess of ancient Crete as a “Mother Goddess” and more specifically as a Pregnant Goddess and a Birth Goddess . This raised a red flag for me. The most well-known Goddesses of ancient Crete, the bare-breasted Snake Goddesses, are neither pregnant nor giving birth. Other Goddesses pour liquids from the breasts, but again are not visibly pregnant or giving birth.

What is a Glorian? Almost a Review of Terry Tempest’s book by Sara Wright

There is something deeper than hope that is calling us writes Terry Tempest Williams internationally acclaimed naturalist, environmentalist, and author in The Glorians. When we focus our attention on what she calls the ‘holy ordinary’ we are transported into a new way of being.

A Glorian can be a life changing dream like the one Terry had that inspired the title of this book. “Your vow is to create the Epic Documentation of the Glorians,” she was told as she reached the top of a tower by way of a spiral staircase. “What the hell is a Glorian” her father asked. A Glorian can be a moment, memory, an animal, plant, root, eclipse, an encounter with self or with others, an ordinary or non -ordinary experience that pulls us into the Now when the cloak of linear time falls away, and presence is all there is.

Terry shares her experiences with Glorians throughout the book but refuses to define who or what they might be believing that each person’s perceptions are different.

Our Children by Annelinde Metzner

How do we bring our children along? How do we share with them all that is best about being human? All too often, I hear of events in children’s lives that no one should ever experience. Children are being subjected to trauma that will reverberate through all our lives. We are all one people, and all children are our own. These poems are just a few simple meditations on how to bring children along with the best we have to give. My own son passed on in 2004, and I honor all that we taught each other.

The Poet Walks the Woods

“That’s what I’m here for!” says the poet
to the young family,
gazing downward beside the trail.
“The Trillium- they’re called ephemerals
because they don’t last long!
They bloom in spring
just before the leaves are on the trees.
Three petals, three leaves, three everything.
So, Trillium.”
The littlest girl stows away a note
in some memory pocket.
“…When I’m an old woman,
I’ll walk the woods
looking for Trillium…”

Falling into Spring by Sara Wright

The glorious
white stars
waited in vain
for rain
for miner
sweat
mason
or bumblebee
to feast
on pollen
sacred to All
after three days
petals
drooped
golden
eyes shut
pearled
almonds
fell
one by one
next year’s
compost
soaked in
unshed
tears.
Perhaps
Bee Goddess
has a plan
Changing Woman
transforms
Sky Woman
holds the
seeds …
clasping
bloodroot
spears
and
buds
wrapped in
gray shawls
she may
yet
choose
to
intervene.

Missing Trees by Beth Bartlett

The gap in the trees is a painful reminder of the one that is missing. This past winter an ice and wind storm late in the season brought down the aspen that had sheltered our deck. Its absence is more than a hole in the canopy – it is a hole in the heart. I miss its friendly presence, its shelter, its shade. I suspect I never fully appreciated it until now. It is just the latest in a long line of missing trees – trees lost to disease, insects, climate change.

The paper birch were the first to go. When my dad first bought our family cottage in 1964, paper birch trees arched delicately over the cottage, framing it in white branches against the blue sky. Another large birch stood as a landmark on the top of the hill, and another by the lake was the centerpiece of the circular bench built around it. Several more lined the path down to the lake and dotted the hillside.

When we bought our home in Duluth, paper birches graced the yard on all sides. In the woods out back I’d befriended several of the birches, naming them according to their distinctive shapes – there was the “Mama” birch with its bulging pregnant belly, the three then four-clump birches that I’d named after our music group – “Wild By Nature,” and the glorious “Tree of Life” – a magnificent clump birch of at least twenty connected trunks that served as a talisman for me during the most difficult days of my illness and for many years after my transplant.