RACHEL KADISH:  TRANSCENDENCE AND TEXT, part 2 by Theresa C. Dintino

THE SYMBOL OF THE GENIZAH

Being a non-Jew, the first word I had to look up while reading The Weight of Ink was  genizah—a hiding place or the act of hiding sacred texts until they can receive proper burial in the earth. In Jewish tradition this is a required honoring of the written word, especially if it is writing about God. It can also mean depository or treasure; something hidden away in time with hope for more welcome in the future that finds it.

Genizah was the perfect word for me to have etched into my mind with regard to The Weight of Ink as it set the stage and opened a space in my heart for a novel which concerns itself with the power of writing and words through time. The story is centered around human lives engaged in passionate intellectual pursuits, the love of books and learning, and imaginations set afire by the academic.

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RACHEL KADISH:  TRANSCENDENCE AND TEXT, part 1 by Theresa C. Dintino

Moderator’s Note: This post is presented as part of FAR’s co-operation with The Nasty Women Writers Project, a site dedicated to highlighting and amplifying the voices and visions of powerful women. The site was founded by sisters Theresa and Maria Dintino. This was posted on their site on November 7, 2023

I love recognizing Toni Morrison’s influence on a writer as I am reading a book. Reading Rachel Kadish’s novel, The Weight of Ink, immediately sunk into Jewish reality, life, and experience without any explanation or apology, I sniffed a familiar point of view, a ghost of novels prior, detected the faint fingerprints of a giant. I liked it and when I recognized it for what it was, I thought to myself, Good for her.

Kadish had taken Toni Morrison’s advice to black writers that says you don’t have to explain yourself to white readers and applied it to not explaining herself to non-Jewish readers.

Why not?

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