weaving – Feminism and Religion

Women’s Woven Voices at the Parliament of the World’s Religions by Brecia Kralovic-Logan

Imagine walking into a space surrounded by the woven stories of 1,000 women from around the globe and feeling you are at home. The Women’s Village at the Parliament of the World’s Religions conference in Chicago in August of 2023 offered a place where women could feel welcomed, safe, understood, honored, and inspired. It was surrounded by the color and texture of the Women’s Woven Voices project tapestry.

I am the founder of the international, collaborative, art project- Women’s Woven Voices- that supports women in claiming their powerful voices through writing, weaving, and sharing their stories. For six years I had been inviting women to reflect on their lives, write about their strengths, challenges, joys and what made them feel whole, and then, weave a strip of cloth to represent their story. I collected the woven “Story Cloths” and stitched them together into a collective tapestry. Having stitched over 1,000 stories into the tapestry from women from 10 different countries, I applied to participate in the Parliament as an art installation and then joined the Women’s Task Force to create a very special space for the thousands of women who would be attending the Parliament.

Vayak’hel-Pekudei: On the Contributions and Gifts of Women by Ivy Helman.

This week’s Torah portion is a double one, Vayak’hel-Pekudei (Exodus 35:1 – 40:38 and Exodus 12:1-20). Vayak’hel covers the construction of the Mishkan, or the temple that traveled with the Israelites while in the desert, and Pekudel outlines the requirements for Pesach, particularly the sacrificial lamb, the blood on the doorposts, and the requirement to eat unleavened bread. For this post I will focus on Vayak’hel as it is the only portion that makes direct mention of women. It reminds us of the ways in which religion and religious institutions would not be possible without the contributions of women.

Vayak’hel centers on the construction of the Mishkan beginning with the general assumption that everyone (here men and women) will donate the items needed to construct the Mishkan. The text also contains verses in which women are specifically mentioned. They donate their gold jewelry (35:22) and mirrors (38:8) as well as spin wool and linen into yarn to be used for the Mishkan’s copious amounts of curtains (35:25-26).

Passionflower: Women and Plants, and a Crown of Thorns by Sara Wright

I have always had a relationship with plants. All the women in my family were gardeners and I had my first garden when I was about four year old. But it wasn’t until mid-life that I began to sense that this woman-plant relationship might be more complicated than I realized. Blurred boundaries. Intimacy. Weavings underground. My dreams were full of vines that hugged the earth and spiraled like serpents sliding on bellies through deep green forests. I could grow plants that others could not. Was it the attention I gave plants? Love? I saw them as friends, as equals. I loved touching and caring for them.

When I saw my first passionflower blossom at a neighbor’s house I practically swooned. I fell in love with the flower and its scent. Not the generous type, I had to beg for a cutting for two whole years before this woman finally relented. Thrilled, I brought the cutting home. It was spring. I put it in water. To my joy it rooted in a few weeks warmed by the April sun, and within three months I was able to pot the cutting.