My recent discovery of Marija Gimbutas on Youtube rekindled my admiration for her work. In her slide-lecture “The World of the Goddess” Marija Gimbutas allows us to follow the line of reasoning she used to decipher the “language of the Goddess” in Old Europe.
Careful attention to her lecture shows that Gimbutas did not close her eyes, dream, and then attach her own ideas and intuitions to the artifacts she later discussed. Rather, she catalogued groups of images with similar symbolism and used her knowledge of nature (what does a water bird or an owl look like?) and folklore (she collected thousands of songs connected to the agricultural and life cycles in her native Lithuania in the 1930s) to unlock the meaning of ancient symbols.
Marija Gimbutas, in her book Language of the Goddess, mentions only one goddess figurine from what was, at the time of her writing, Czechoslovakia (pages 31-32). That figurine comes from Předmosti, in the very eastern part of what is now the Czech Republic. However, there are more, and I would like to introduce you to the one that I encountered during a visit to another part of the Czech Republic several weeks ago.
Meet what Czechs refer to as the Venus of Dolní Věstonice. There is not a lot of information about her, so I have pieced together what I can find. Said to be the oldest known fired terracotta figurine (some 29,000 years old), she was first unearthed in 1925. She was found broken into two pieces at the site of the Stone Age settlement known as Dolní Věstonice, in the southeastern part of the Czech Republic. This settlement, according to Archeo Park Pavlov, was part of the Pavlovian culture, a Stone Age culture local to the area.
Author’s photograph of a replica of the Venus on display at Archeo Park Pavlov.
Where is the humanity? Why are my sisters and brothers continuously subjected to persecution? Who will help and stop this madness?
I am a member of the human race. Collectively I identify with those who need help and are oppressed. I do not identify with the oppressors, for they are like Pharaoh whose heart was hardened. In identifying with this group, I will provide a label of humanity; for the oppressors do not show care or love but evil and sin towards my people – they cannot be part of this group. As my people flee the boarders from the oppressors, the world has opened their gates to let them in. The world has not turned their back on them. However the oppressors continue to mar their homeland, destroy their culture, and attempt to erase their history, their identity, their footprint on this earth. They are not oppressors but are in fact committing cultural genocide. They are committing genocide against humanity, against anyone who does not follow their ideology, their way of life.
Why should we care? Should we care? For this I say yes. My people need protection and help, but like the Israelites in the story of the Exodus, they yearn for their homeland – a place they were forcibly exiled from. They yearn for food and clean water. They yearn for safety and protection. While you may think that my people were not forcibly exiled – they were. They fled for their own lives – for their own people, and the community’s hearts became hardened to their pleas for help.
The Syrian crisis is one that we have allowed to repeat over and over again. According to World Vision, nearly 12 million Syrians have been forced from their homes – half of which are children. At least 7.6 million have been displaced within Syria and more than 4 million have fled the country. Children affected by this crisis are at risk of becoming ill, malnourished, abused, or exploited. Save the Children produced a video that shows what happens to a girl after three years of conflict:
The data came as somewhat of a shock to me. I stumbled across it one day in The Civilization of the Goddess, a mammoth book by the late Lithuanian-American archaeologist Marija Gimbutas about what Gimbutas dubbed “Old Europe” – a culture area in southeastern Neolithic Europe that she maintains was centered around female deity.
Until she had the temerity to suggest that people at some point in the past might have worshipped goddesses rather than gods, Gimbutas had a sterling reputation among academics, even being hired to teach at two of the most prestigious of all American archaeology departments, Harvard’s and UCLA’s. After presenting her goddess theory of Old Europe, however, Gimbutas came under attack by a few powerful male archaeologists, after which her reputation among academics began to plummet (see Spretnak 2011 for a good accounting of Gimbutas’ fall from grace).
Marija Gimbutas
Before I get to the data that so startled me, I need to tell you a bit about archaeologists. Like the members of many academic disciplines, they disagree with each other – sometimes vehemently (and perhaps even somewhat more vehemently than scholars in other disciplines). One thing however they all agree on is this: the higher the quality and quantity of grave goods buried with an individual, the higher that individual’s status in her or his society. Continue reading “When Baby Girls and Old Crones Ruled by Jeri Studebaker”
My recent discovery of Marija Gimbutas on Youtube rekindled my admiration for her work. In her slide-lecture “The World of the Goddess” Marija Gimbutas allows us to follow the line of reasoning she used to decipher the “language of the Goddess” in Old Europe.
Careful attention to her lecture shows that Gimbutas did not close her eyes, dream, and then attach her own ideas and intuitions to the artifacts she later discussed. Rather, she catalogued groups of images with similar symbolism and used her knowledge of nature (what does a water bird or an owl look like?) and folklore (she collected thousands of songs connected to the agricultural and life cycles in her native Lithuania in the 1930s) to unlock the meaning of ancient symbols.
I suspect that most of the critics of Gimbutas lack the knowledge she gained through her wide curiosity about life. Do other archeologists as a group know what specific species of water birds or owls really look like? Do they have the same kind of knowledge of folklore and folk traditions that Gimbutas had? Continue reading “Curiosity About Everything and the Language of the Goddess by Carol P. Christ”
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