Legacy of Carol P. Christ: TWO MEANINGS OF ANTHROPOMORPHISM

This was originally posted on May 26, 2014

carol christ

“The error of anthropomorphism” is defined as the fallacy of attributing human or human-like qualities to divinity. Recent conversations with friends have provoked me to ask in what sense anthropomorphism is an error.

The Greek philosophers may have been the first to name anthropomorphism as a philosophical error in thinking about God. Embarrassed by stories of the exploits of Zeus and other Gods and Goddesses, they drew a distinction between myth, which they considered to be fanciful and false, and the true understanding of divinity provided by rational contemplation or philosophical thought. For Plato “God” was the self-sufficient transcendent One who had no body and was not constituted by relationship to anything. For Aristotle, God was the unmoved mover.

Jewish and Christian theologians adopted the distinction between mythical and philosophical thinking in order to explain or explain away the contradictions they perceived between the portrayal of God in the Bible and their own philosophical understandings of divine power. While some philosophers would have preferred to abolish myth, Jewish and Christian thinkers could not do away with the Bible nor did they wish to prohibit its use in liturgy.

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How to Talk to a War Goddess: A Poetic Lesson From Sekhmet by Annie Finch

Consensus decision making, according to the mother of matriarchal studies Heidi Goettner-Abendroth, is woven into the definition of matriarchal societies. In these cultures, the respect, empathy, kindness, maturity, and belief in sustainable relationships that consensus implies are foundational.  War, as the inimitable Yael Deckelberg sings to us, is “not a woman’s game”; any society that truly hears women will not play it.  Overseen through the caring wisdom of circles of elder women in what Genevieve Vaughan calls the Maternal Gift Economy, matriarchal societies have less than no use for such a cruel, stupid, wasteful custom.  As my great-aunt Jessie Wallace Hughan, founder of the War Resisters League, used to say, someday humanity will consider war as absurd as we now consider the custom of dueling. But we won’t see the end of this integral outrage in our lifetimes; that day will likely arrive only after we’ve all come to our matriarchal senses.

Meanwhile, here we are again.

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Legacy of Carol P. Christ: IS EVIL PART OF THE NATURE OF REALITY AND DIVINITY?

This was originally posted on March 31, 2014. We are posting this on Sunday instead of Carol’s usual Monday in order to accommodate other scheduled posts this week.

carol-christ

 What is the origin of evil? Is it innate in human nature or even in the nature of the universe? Judith Plaskow and I discuss this question in our forthcoming book Goddess and God in the World and this is a chance to listen in our conversation.

I am responding to Judith’s allegation that in imagining Goddess as loving and good I am fantasizing an ideal deity who exists apart from the evil-and-good world that we know. Judith speaks of an “evil impulse” in human beings which she considers to be innate in human beings and in the nature of reality. Judith says that my “defense” of the goodness of God comes down to “the traditional free will defense.” She also questions my view that human beings can 

I argue that it does not because the traditional free will defense imagines an omnipotent God who existed before the creation of the world. Then I continue:

I think what you meant to say is that like those who invoke the traditional free will defense of the omnipotent God, I attribute humanly chosen evil entirely to human beings—and not to Goddess or God.

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Legacy of Carol P. Christ: COMPLICATIONS AND CONFUSIONS IN DISCUSSIONS OF THE GODDESS

This was originally posted on May 12, 2014

carol christ

Although writing in patriarchal Greece from a patriarchal perspective, Hesiod said in his Theogony or Birth of the Gods that Gaia or Earth alone was the mother of the Mountains, Sky, and Sea. With the male Sky she gave birth to the next generation of deities known as the “Titans,” who were overthrown by Zeus. Hesiod’s was a “tale with a point of view” in which “it was necessary” for the “forces of civilization”–for him represented by warrior God and rapist Zeus–to violently overthrow and replace earlier conceptions of the origin life on earth and presumably also to overthrow and replace the people and societies that created them.

With the triumph of Christianity in the age of Constantine in the 4th century AD, Christus Victor replaced Zeus in the cities, while the religion of Mother Earth continued to be practiced in the countryside. Over time, many of the attributes of Mother Earth were assimilated into the image of Mary, and priests began to perform rituals earlier dedicated to Mother Earth, such as blessing the fields and the seeds before planting. In the Middle Ages “the Goddess” re-emerged within Western Christianity in devotion to the Virgin Mary, the female saints, and figures such as Lady Wisdom, at the same time that the history of the Goddess was being erased.

In the middle of the 19th century, in Das Mutterrecht (The Mother Right), J. J. Bachofen stunned the scholarly world with his theory that matrilineal kinship, matrilineal inheritance, and reverence for the Great Mother were to be found at the origins of civilization. Bachofen challenged the view that patriarchy and the worship of male Gods had existed “from the beginning .”

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Mother/Meter: Reclaiming Poetry’s Sacred Goddess Languages by Annie Finch

Enheduanna poem to Inanna on tablet

Those of us on the paths of the Divine Feminine can go to great lengths to approach Her.  We might read and study hard-to-find books, invest time and money to visit temples and museums, and seek out Goddesses-related power spots around the world. We might acquire ceremonial jewelry and devotional artworks, attend conferences, track down Goddesses-inspired music, and apprentice with teachers from spiritual traditions that may be far removed from our own heritage. We might invest in supplies and training to craft devotional music, art, sculpture, and apparel, and create or attend performances, healings, and rituals honoring the Feminine Sacred.

Yet there is one important ritual activity that we routinely forget and ignore, one that we know was key to Goddess worship whenever we have written prayers, from Demeter to Inanna, Isis to Freyja, Hekate to Sarasvati. This time-honored practice is simple to learn, costs nothing to use, and quickly, safely, and legally creates an altered state of mind that brilliantly and efficiently connects us with our spirits, the natural world, the Divine Feminine, and each other. And furthermore, this ancient sacred craft is not limited to indigenous or ancient cultures but is already part of the familiar heritage of anyone who speaks English, so there is no danger of cultural appropriation in using it.

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Legacy of Carol P. Christ: Maiden, Mother, Crone: Ancient Tradition or New Creative Synthesis?

This was originally posted on August 8, 2016

Carol P. Christ by Michael Bakas high resoultion

The image of the Goddess as Maiden, Mother, Crone is widespread in contemporary Goddess Spirituality. The Triple Goddess honors three ages of women, in contrast to the wider culture that: affirms young women as sex objects while shaming them as sluts; celebrates mothers on Mother’s Day, while providing few legal and economic protections for mothers; and ignores older women.

Though Goddess feminists have created rituals for menstruation and birth, I suspect that a greater number of rituals have celebrated “croning.” The reasons for this are twofold. One is that women have time and space to reflect on the meaning of life in middle age. The other is that aging women are not honored and respected in the wider culture–creating a need for rituals that do just that. Many women I know have spoken of the empowerment they felt in their croning rituals.

On the other hand, many women I know have not been particularly interested in a croning ritual.

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The Legacy of Carol P. Christ: The Feast Day of St. Brigid

This was originally posted on 1/30/12 and then again on 1/29/24. Moderator’s Note: We are posting Carol’s legacy post on Sunday this week rather than Monday because today is the Feast Day of St. Brigid. We also feel this is an important message in these difficult times.

May we remember Brigid on her day in the fullness of her connection to bountiful and life-giving earth by setting a bowl of milk on an altar or special place in the garden on her holy day.  Who knows, a snake just might come to drink from it.

The Christian Feast Day of St. Brigid of Kildare, one of the two patron saints of Ireland, is held on February 1, the pre-Christian holiday known as Imbloc.  It is well known that St. Brigid has the same name as a pre-Christian Goddess of Ireland, variously known as Brighid (pronounced “Breed”), Brigid, Brigit, Bride, or Bridie.  The name Brigid is from the Celtic “Brig” meaning “High One” or “Exalted One.”  Brigid like other Irish Goddesses was originally associated with a Mountain Mother, protectress of the people who lived within sight of her and of the flocks nurtured on her slopes.

Imbolc marked the day that cows and ewes give birth and begin to produce milk.  It was also said to be the day when hibernating snakes (like groundhogs) first come out of their holes.  In northern countries, Imbolc signals the beginning of the ending of winter.  The days have begun to lengthen perceptibly after the winter solstice when the sun stands still and it seems that winter will never end.  At Imbloc spring is not yet in full blossom.  But if hibernating snakes come out of their holes, it is a sure sign that the processes of transformation will continue and warmer days will not be far off.  As Marija Gimbutas says, “The awakening of the snakes meant the awakening of all of nature, the beginning of the life of the new year.”  

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Goddess Architectures: How Cultures Shape Sacred Feminine Power

In this essay, I address a gap in goddess spirituality, between a rhetoric of celebrating the body, and lack of truly embodied practice. I reflect on the archetypal language commonly used in goddess spirituality, tracing its roots in Greek mythology and depth psychology while questioning its cultural limits.

By introducing the notion of “goddess architectures”, I explore how ecological, social and cosmological contexts shape symbolic structures, and how sacred feminine power can be named, distributed, embodied or obscured across cultures. Finally, I propose movement as a way back to lived experience beyond symbolic and linguistic frameworks.

Goddess Spirituality into the Lived Body

Over the past thirty years of researching and practising goddess spirituality, I noticed a persistent discrepancy. While this field speaks about honouring the body as sacred, in practice it often feels like rhetorical lip service. The language of embodiment is present, but remains disconnected from the body on many levels. 

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Sedna, Inuit Mother of the Sea by Judith Shaw


During the depths of winter, the tension between sacrifice and the joy of rebirth peaks. From Pagan celebrations of the Winter Solstice to Christian festivities marking Christ’s birth, this darkest time of year in the Northern Hemisphere is recognized as a moment when darkness nurtures light, promising the arrival of spring. It’s the perfect time to explore the story of the Inuit Sea Goddess, Sedna, whose tale encompasses sacrifice, transformation, and metamorphosis.

Sedan, Mother of the Sea, gouache on paper, by Judith Shaw
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Winter Lessons, by Molly M. Remer

Yes, it is December
already and again.
Let yourself notice the milkweed pods,
how they have split their sides
and are sending silky white seed fluffs
into the waiting air.
Witness the trees,
bare and gray and patient.

Yes, it is December
already and again.
Let yourself notice the milkweed pods,
how they have split their sides
and are sending silky white seed fluffs
into the waiting air.
Witness the trees,
bare and gray and patient.
Watch the squirrels,
tails puffed against the chill,
stored nuts in their cheeks.
Listen to the wind
how it whispers and rattles
through the empty branches.
Watch the clouds,
slow-moving white billows
in a pale blue sky.
Be patient with yourself.
Grant yourself grace.
Remember the three invitations
of the solstice season:
to listen,
to wonder,
to be content.
Remember your promise
to keep company with joy.
Remember your vow
to be in devotion
to your own life.
Think about everything
there is to do.
Open your hands.
Feel that thin, whispering
winter wind
skim over your palms.
Take a deep breath.
Allow yourself to marvel
at all this year
has held.
Bless it.
Thank it.
Cup your hands
around your own face.
Say: thank you.
Here you are in the center
of your own life’s unfolding.
There is nowhere else to be.
Be gentle with yourself.
Invite the winter crone to tea.
Look into her eyes.
See yourself reflected there,
your own winter eyes open
to the possibility
of both clarity and delight.

I have been writing for Feminism and Religion for 13 years. In the summer, I compiled a post with 13 summer lessons from 13 years of posts here at FAR. I decided to bookend that post with a Winter Lessons post as well. Here are thirteen lessons to share from past winter posts:

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