GoddessCircle 2: How You Can Have a Goddessful Mind (and Why You Need One!) by Annie Finch

In the first post in this series, I paid homage to Carol Christ’s 1978 clarion call “Why Women Need the Goddess,” which explains how the Goddess helps women overcome the profound wounds of patriarchy. And I began laying out my view of the five ways Goddessness can help ALL of us—not only women—to navigate the death-throes of patriarchy we are currently enduring.

 My thoughts in these posts are based in Five Directions, a Goddess-centered approach to living that has been refined through my lifetime of writing and research, healing work, teaching, and witchy ritual practice.  Whether used in ceremony or as a template for thought, the GoddessCircle starts in the South, direction of the Will, and turns counterclockwise (widdershins), in the feminine direction. Like Sacred Circles in traditional cultures worldwide, the GoddessCircle involves correspondences with many aspects of the world— including the potent ceremonial tool of poetic meters. The GoddessCircle’s Five Directions (South, East, North, West, and Center) and Five Elements (Fire, Air, Earth, Water, and Matrix) hold space for Will, Mind, Body, Heart, and Spirit—honoring all these parts of us equally and guiding us to cultivate the parts we have overlooked or forgotten.  

The Five Directions. Art by Ailee Turcotte. Copyright Annie Finch
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The Legacy of Carol P. Christ: Dance of the Bees: Reading the Language of the Goddess

This was originally posted on Dec 1, 2014 and then reposted on July 11, 2022

bee women dancing cropped

The image from an ancient Cretan bowl (c.1700 BCE) from the Sacred Center of Phaistos pictured here has often been interpreted as an early depiction of Persephone’s descent or rising. But are clues from later Greek mythology pointing in the right direction in this case?

Recently, my colleague Mika Scott posted the Phaistos bowl image on our Goddess Pilgrimage Facebook site in conjunction with the bee pendant from Mallia. This juxtaposition led me to think again about the importance of bees and pollination in agricultural societies and to offer an alternative reading of the symbolism on the bowl.

In her important work The Language of the Goddess, Marjia Gimbutas taught us to “read” the language of the Goddess in the artifacts of Old Europe through a process of careful comparison of imagery and motifs, making use of what she called the archaeo-mythological method. This method finds that clues in later mythology and folklore can unlock the symbolism of ancient artifacts. Another possibly more important part of the method involves careful attention to plants and animals and their cycles of birth, death, and regeneration, which are portrayed on the artifacts.

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A CALL TO CELEBRATE TREES by Janet M Rudolph

Olive Tree from the studio of Judith Shaw. Judith has a special offer to purchase this artwork as a giclee print through August 24th. Details below.

With the trees burning around the world, in Canada and the US as well as in Europe and Africa, Asia, South America and more, it seems to be an especially important time to be with the trees, to recognize our kinship, and to celebrate them.  

To see just how bad the fires are around the world, below are the links to two maps that are kept in real time.
NASA Greenpeace

I don’t know when and where the initial hatred of trees began, but I would tag the Bible as an early and influential proponent of destroying trees.

The viciousness against trees appears to have grown out of a desire to erase Goddess worship in Biblical lands. The terms for Goddess groves were Asherot and Ashereem named after the Goddess Ashera. An individual tree was called an Ashera. The charge given to the people was to cut down everyone. 

And ye shall overthrow their altars, and break their pillars, and burn their groves (Ashereem) with fire; and ye shall hew down the graven images of their gods, and destroy the names of them out of that place.
Deuteronomy 12:3 KJV

But ye shall destroy their altars, break their images, and cut down their groves:
Exodus 34:13 KJV

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Nine Goddesses Every Woman Should Know by Annie Finch

Are you a woman (or man) who has lost touch with yourself spiritually — or

has never gotten in touch with yourself spiritually — or who just wants more joy in each day? If so, you may want to try entwining more goddess energy into your life. Many anthropologists believe that human societies were originally goddess-centered, and goddesses are still worshipped on every continent. Whatever your desire — strength, wisdom, compassion, fertility, creativity, sexuality — there is a goddess who can help you. Connecting with the goddesses who call to you — in the form of jewelry or art, words and music, or simply your thoughts — can sweeten and enhance your days with bright threads of unity, wonder, and female power.

But how to begin? The number and diversity of goddesses loved, worshipped, and celebrated throughout time and into the present, in every corner of the earth, is so breathtakingly large that trying to keep track of them can feel like counting the stars. To start you off, here are nine of my own favorite goddesses, chosen from among the most popular female divinities celebrated today (please note that many of them may also be known by different names or spellings).

Durga. The great Hindu mother goddess Durga is really nine goddesses in one. Durga’s nine manifestations — embodying qualities from courage to piety to blissful joy — are celebrated in India during a huge nine-day festival called Navarati. Durga is often pictured as a fierce goddess with many arms riding a lion. I have revered her ever since I found an ancient and powerful stone carving of her in the Asian wing of the Museum of Fine Arts in Boston. You can call on Durga’s invincible spirit when you need to be strong to your core!

Me (5th from right) with friends at a Durga Puja Celebration in Kolkata, India, many-armed Sculpture of Durga in background
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Inanna and Me: Transformation by Judith Shaw

In this world of opposites, transformation is constant. Every moment the cells of our bodies are dying and being reborn. Matter, which flows from consciousness, dies but is reborn through the process of birth, death and rebirth. Some changes are fast and some are slow; stars live billions of years and butterflies live only a few days.

Ever since our collective experience during the COVID-19 pandemic, we both feel and are told that our world is transforming. Leaders—political and spiritual—talk about the need for transformation. Some want us to transform ourselves back to some imagined golden age, whereas other have eyes on the future, speaking of transformations we can’t yet imagine. 

My own life has been one of continual transformation, an ever recurring experience of letting go of the old. I was told by an astrologer long ago that I came into this life determined to wipe the slate clean and transform myself. Admittedly it has not been an easy path, but my internal transformations have been a rich source for my paintings. Much of my art has been and continues to be about transformation.

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Legacy of Carol P. Christ: Has the Phaistos Disk Been Cracked?

This was originally posted on November 10, 2014

Carol Christ in Lesbos

Recent headlines in the international press announced that the enigmatic language of the ancient Cretan “Phaistos Disk” has been translated—in part—by the Welch-Cretan scholar Gareth Owens. Owens states that the Phaistos Disk records an ancient hymn to a Mother Goddess. More specifically he claims that one side is dedicated to a Pregnant Goddess and the other to a Birth-Giving Goddess.

All of this is very exciting, but is he right?

I have been leading Goddess Pilgrimages to Crete for that past twenty years, in the course of which I have developed an intimate and scholarly knowledge of the religion and culture of ancient Crete. Participants on my tours sent me the news reports about the Phaistos Disk, assuming I would be thrilled to have confirmation of my understanding that the ancient Cretans worshipped the Goddess as the Source of Life, or as Marija Gimbutas says, as the powers of birth, death, and regeneration in all of life.

snake goddess blue background

Reading the news reports, I noted that archaeologist-translator of the disk, Gareth Owens, identified the Goddess of ancient Crete as a “Mother Goddess” and more specifically as a Pregnant Goddess and a Birth Goddess . This raised a red flag for me. The most well-known Goddesses of ancient Crete, the bare-breasted Snake Goddesses, are neither pregnant nor giving birth. Other Goddesses pour liquids from the breasts, but again are not visibly pregnant or giving birth.

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How We ALL Need the Goddesses Now . . . by Annie Finch

Carol Christ, in her 1978 clarion call “Why Women Need the Goddess,” summarized four powerful, foundational ways that the Sacred Feminine urgently matters for women crawling out from under patriarchy.  Each way helps to heal the psychic damage of our upbringings and surmount the profound losses of our violated herstory.  Christ shows how Goddess belief and worship affirms the legitimacy of our power, the sacredness of our bodies, the honoring of our will—and the centrality of our connections with our foremothers and each other.

All this is still so true. All so important.

AND . . . Christ’s framing of Goddessness as a precious path of women’s transformation is not enough anymore.

Times have changed in the forty years since Christ published her essay.  Today’s world has been fast plummeting into an even more blatantly hellish (no, I don’t want to insult the source of that word, Goddess Hel, guardian of life and death—so I will change the adjective!) into an even more blatantly patriarchal state of affairs.

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Legacy of Carol P. Christ: Facing Depression by Carol P. Christ

This was originally posted on August 25, 2014

carol mitzi sarah

The suicide death of Robin Williams prompted me to reflect again on my own experience with depression and to share my story in the hope that it can help others.

In my twenties, thirties, and forties, I suffered severe intermittent depressions. My life in those days was a series of ups and downs. When I feel in love and was having good sex, I was in love with the world and could literally feel energy radiating from my body connecting it to the world. When I was dumped, the energy retreated, and I crawled into a dark hole of despair and self-pity from which there seemed to be no escape. In the in-between times, I carried on my life with neither the highs or the lows.

In recent days, a number of people have tried to describe what depression feels like. Here is what it felt like to me.

It was as if my mind had a single track on which were repeated a few deadly words: “No one loves me. No one will ever love me. I might as well die.” I could not erase the track or jump to another one. The words repeated themselves relentlessly in my mind.

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From the Archives: A Poem for Our Abortion Rights by Marie Cartier

This was originally posted on June 24, 2022

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Fecundity: the ability to produce an abundance of new growth, but also the ability to produce new ideas

And now in the hour of our discontent, we are asked to worry about

fecundity. I suppose we can call it that—have we made enough babies yet?

As a people. A people ruled by patriarchy. No small thing. “A social system in which males dominate and hold primary power.”

Oh my god—am I sick of it? Anyone with a brain is sick of it…I want to think.

But they have brains, right? The afore mentioned patriarchs? Who are

creating this new social system?

A meme goes out on social media—I’m not pro-murder I’m pro-Ellen, thirteen years old and pregnant by her father

I’m pro-Margaret, with five kids and I cannot to afford to feed another

I’m pro-Eliza, pregnant with a baby known to have serious birth defects

I’m pro– you get the idea.

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From the Archives: Epona – Goddess of the Land by Deanne Quarrie

This was originally posted on June 29, 2016

celtic-horse
Deanne Quarrie

This week I bought a pendant that caught my attention.  It is Celtic knot work of horses, meant to represent Epona.  This triggered my interest in Epona and off I went to learn more.

Epona is a goddess from Gaul.  Sadly, any information about her from those early days of worship are lost to us. This is the case of the most ancient deities from that region and time in history. It is thought that she was picked up in Gaul by the conscripted soldiers of the Roman Army who saw a depiction of her upon her horse and they adopted her. Since this army rode across the land on horseback, she was the perfect deity to pay homage to and so, she traveled with them. She soon made it to Rome and is one of only a few deities, not originally Roman, to be worshiped in the Roman Empire.

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