Spirituality – Feminism and Religion

From the Archives: Why are We Drawn to the Black Madonna? by Judith Shaw

This was originally posted on Oct 25, 2012

Once the opportunity came my way to spend two weeks with my sister in Paris, I knew I had to visit the Black Madonnas at Chartres. I had been to Chartres many years ago, before I knew about the Black Madonnas scattered throughout Europe. I felt the power of the site at that time, but had little understanding of where that power came from.

History of the Black Madonna

The indigenous goddess worship of Europe, was influenced by Phoenician traders who introduced statues of dark skinned African and Middle Eastern goddesses such as Isis, Inanna, and others to the European continent from 1550BC to about 300BCE. The worship of these goddesses continued with The Roman invasion of Gaul (France) and other parts of Europe.

Once Christianity took hold in Europe, churches were built on top of sacred pagan sites. But old ways die hard; many of these dark skinned goddesses were incorporated into the newly built Christian churches. Today there are more than 500 known Black Madonna statues and paintings throughout the world, the majority in France.

Autumn Lessons, by Molly M. Remer

Keep it simple and sacred
whisper the trees,
let go with grace
and trust the turning,
watch how the leaf
rides the air
all the way to the ground.
Let life astonish you,
mess and magic all entwined.
Be patient with yourself.
Feel the mask slip away
as the mist rises
and mystery
invites you
in.

I have now been writing for Feminism and Religion for 14 years. Last summer, I compiled a post with 13 summer lessons from 13 years of posts here at FAR. I bookended that post with a Winter Lessons post as well. And, then a Spring Lessons post. Now, finally, I am rounding out the series with thirteen lessons from Autumn:

How I Have Been Influenced by Poet Ellen Bass by Charlotte Donlon

“When You Return” by Ellen Bass

Fallen leaves will climb back into trees.
Shards of the shattered vase will rise
and reassemble on the table.
Plastic raincoats will refold
into their flat envelopes. The egg,
bald yolk and its transparent halo,
slide back in the thin, calcium shell.
Curses will pour back into mouths,
letters un-write themselves, words
siphoned up into the pen. My gray hair
will darken and become the feathers
of a black swan. Bullets will snap
back into their chambers, the powder
tamped tight in brass casings. Borders
will disappear from maps. Rust
revert to oxygen and time. The fire
return to the log, the log to the tree,
the white root curled up
in the un-split seed. Birdsong will fly
into the lark’s lungs, answers
become questions again.
When you return, sweaters will unravel
and wool grow on the sheep.
Rock will go home to mountain, gold
to vein. Wine crushed into the grape,
oil pressed into the olive. Silk reeled in
to the spider’s belly. Night moths
tucked close into cocoons, ink drained
from the indigo tattoo. Diamonds
will be returned to coal, coal
to rotting ferns, rain to clouds, light
to stars sucked back and back
into one timeless point, the way it was
before the world was born,
that fresh, that whole, nothing
broken, nothing torn apart.

This poem appears in Ellen Bass’s book “Like a Beggar” published by Copper Canyon Press in 2014 For more information on Ellen Bass and her poetry go to her website https://www.ellenbass.com/ Poem posted here under “fair use” guidance.

While warming up beside an enormous stone fireplace with a dozen other writing workshop participants in western North Carolina, I listened to an instructor read the poem “When You Return” by Ellen Bass. I had come to the retreat wrung out from church trauma and the ache of not knowing where I fit in anymore. As the flames crackled and spit, the reader spoke words that singed the edges of longings I hadn’t yet noticed—longings for crooked paths to be made straight, for broken things to be made whole. I was crying by the time he recited the last few lines— “the way it was / before the world was born, / that fresh, that whole, nothing / broken, nothing torn apart.” The tears surprised me; a snowmelt after years of frozen longing that finally began to thaw.

Nine Goddesses Every Woman Should Know by Annie Finch

Are you a woman (or man) who has lost touch with yourself spiritually — or

has never gotten in touch with yourself spiritually — or who just wants more joy in each day? If so, you may want to try entwining more goddess energy into your life. Many anthropologists believe that human societies were originally goddess-centered, and goddesses are still worshipped on every continent. Whatever your desire — strength, wisdom, compassion, fertility, creativity, sexuality — there is a goddess who can help you. Connecting with the goddesses who call to you — in the form of jewelry or art, words and music, or simply your thoughts — can sweeten and enhance your days with bright threads of unity, wonder, and female power.

But how to begin? The number and diversity of goddesses loved, worshipped, and celebrated throughout time and into the present, in every corner of the earth, is so breathtakingly large that trying to keep track of them can feel like counting the stars. To start you off, here are nine of my own favorite goddesses, chosen from among the most popular female divinities celebrated today (please note that many of them may also be known by different names or spellings).

Durga. The great Hindu mother goddess Durga is really nine goddesses in one. Durga’s nine manifestations — embodying qualities from courage to piety to blissful joy — are celebrated in India during a huge nine-day festival called Navarati. Durga is often pictured as a fierce goddess with many arms riding a lion. I have revered her ever since I found an ancient and powerful stone carving of her in the Asian wing of the Museum of Fine Arts in Boston. You can call on Durga’s invincible spirit when you need to be strong to your core!

Me (5^th from right) with friends at a Durga Puja Celebration in Kolkata, India, many-armed Sculpture of Durga in background

Inanna and Me: Transformation by Judith Shaw

In this world of opposites, transformation is constant. Every moment the cells of our bodies are dying and being reborn. Matter, which flows from consciousness, dies but is reborn through the process of birth, death and rebirth. Some changes are fast and some are slow; stars live billions of years and butterflies live only a few days.

Ever since our collective experience during the COVID-19 pandemic, we both feel and are told that our world is transforming. Leaders—political and spiritual—talk about the need for transformation. Some want us to transform ourselves back to some imagined golden age, whereas other have eyes on the future, speaking of transformations we can’t yet imagine.

My own life has been one of continual transformation, an ever recurring experience of letting go of the old. I was told by an astrologer long ago that I came into this life determined to wipe the slate clean and transform myself. Admittedly it has not been an easy path, but my internal transformations have been a rich source for my paintings. Much of my art has been and continues to be about transformation.

Notes from the Cauldron of Change, by Molly Remer

Mirabai Starr writes that to be a mystic is to “harvest the bounty of your own soul garden,” a place that is “both wild and tended,” sometimes lush and sometimes arid.

As summer’s heat presses in
and the clamor of growth and change
rises to a peak of abundance and urgency,
we may begin to hear a summons
from deep within.
The cauldron call begins,
at first a whisper
and then an irresistible song
that leads us away from the to-do list
and into a mystical realm
in which dreams and desire meet
and begin to bubble into possibility.
May we grant ourselves space
for descent,
even in the middle of all that
is hot and bright and beautiful.
May we listen to the yearning we feel
to explore the depths,
stepping out of the light
and into the cool shadows
that beckons us to steep.
Right here,
right now,
in the middle of all that swirls,
is when we are invited to stop,
to put our ears back down
to our souls
and listen hard.
It is now that we are invited
to step into the cauldron of change,
to sink down
and in
and let everything we are carrying
soften and melt away
while we remember how it feels
to simmer in everything
we have made,
all that we love to taste
and serve.

For years now, August has been my “Cauldron Month,” a dedicated time in which I take my life into the metaphorical cauldron of being, to reflect, to re-collect, to reconnect, to consider what I’m “simmering” in, what is bubbling and brewing in my days, and what needs to be scooped out of the pot. It is time in which I review the year to date and consider where I’m going, what I’m savoring, and what I’m dishing up to serve.

Legacy of Carol P. Christ: Has the Phaistos Disk Been Cracked?

This was originally posted on November 10, 2014

Recent headlines in the international press announced that the enigmatic language of the ancient Cretan “Phaistos Disk” has been translated—in part—by the Welch-Cretan scholar Gareth Owens. Owens states that the Phaistos Disk records an ancient hymn to a Mother Goddess. More specifically he claims that one side is dedicated to a Pregnant Goddess and the other to a Birth-Giving Goddess.

All of this is very exciting, but is he right?

I have been leading Goddess Pilgrimages to Crete for that past twenty years, in the course of which I have developed an intimate and scholarly knowledge of the religion and culture of ancient Crete. Participants on my tours sent me the news reports about the Phaistos Disk, assuming I would be thrilled to have confirmation of my understanding that the ancient Cretans worshipped the Goddess as the Source of Life, or as Marija Gimbutas says, as the powers of birth, death, and regeneration in all of life.

Reading the news reports, I noted that archaeologist-translator of the disk, Gareth Owens, identified the Goddess of ancient Crete as a “Mother Goddess” and more specifically as a Pregnant Goddess and a Birth Goddess . This raised a red flag for me. The most well-known Goddesses of ancient Crete, the bare-breasted Snake Goddesses, are neither pregnant nor giving birth. Other Goddesses pour liquids from the breasts, but again are not visibly pregnant or giving birth.

Legacy of Carol P. Christ: In the Face of Despair, Choose Life

This was originally posted on Sept 8th 2014

Yesterday I had a delightful swim with a friend in the cool Aegean Sea. In in the evening I met two dear friends at an open air restaurant for a delicious meal and good conversation. Last night a beautiful moon rose over the sea and a soft breeze caressed my skin. All of this made me very happy. However, the state of the world does not.

Michael Brown. Trayvon Martin. The Ferguson police. Hold your ground laws. Bombing in Gaza. War in Ukraine. War in Iraq. War in Afghanistan. War in Syria. Wars that are not on my radar. Rape as a part of war. Joe Biden threatening to chase ISIL “to the gates of hell.” Citizens United. A rash of laws restricting voting rights. A rash of laws restricting abortion rights. Police brutality. Police brutality that is racially motivated. Young men being sentenced to prision for minor drug offenses. The brutality of the prison system. A woman with children being paid $8.50 an hour working at McDonalds and not even knowing when she will be called in to work. Open carry laws allowing Americans to walk the streets with loaded weapons. And that’s just off the top of my head this morning.

Earthprayer, by Molly M. Remer

Sometimes I describe my work and writing as “a love song to the Ozarks.” I am deeply embedded, body and soul, in this land that I come from, my bloodland, the place where I belong. Seven generations of my family have called these wooded hillsides and stony ridgetops home. This is my mystery school, where I explore hundreds of ways to kneel and kiss the earth.

The Earth is my teacher
I shall always want
I witness her still meadows
She leadeth me to green pastures
She restoreth my soul
On tree covered hills
She reminds me I am home
and, yea, I walk in her valleys
and I fear no suffering
She is with me
Her mountains and rolling rivers
they comfort me joy bubbles through my veins
and enlivens my footsteps
my cup runneth over
truly I stand
in mysterious awareness
all the days of my life
and She holds me
in the palm of her hand
forever.

Spring Lessons, by Molly M. Remer

Let us trust the cycles
of retreat and renewal
alive in both the land
and in our hearts right now
as the melody of belonging
continues to serenade us
and we follow April’s determination
to create and shape
this world anew.

And, so,
April arrives
all at once
to enliven the land,
trailing cool breezes
and the first blush of pollen possibility
across fields and forests,
fence rows and farms.
She blankets open spaces
with purple clover and violets,
with chickweed and dandelion.
When we pause to listen,
we can hear the laughter of awakening rippling behind her.
She brings an invitation into healing,
into extending outward and reaching up.
She offers wild promise
and tender hope
and the sweet, fresh breath of change.
Let us soften into spring,
into this invitation,
into restoration and reclamation.
It is now that we choose.
Let us be content to be here,
witnessing the changes,
leaning into the wind,
and savoring the blooming.
Let us trust the cycles
of retreat and renewal
alive in both the land
and in our hearts right now
as the melody of belonging
continues to serenade us
and we follow April’s determination
to create and shape
this world anew.

I have been writing for Feminism and Religion for 13 years. This past summer, I compiled a post with 13 summer lessons from 13 years of posts here at FAR. I bookended that post with a Winter Lessons post as well. Now, here are thirteen lessons to share from past spring posts: