This month more than most, I feel like I have so much to say that I don’t really know where to begin. It doesn’t help that next door they are remodelling an apartment and, outside my window, there is a crew drilling up the sidewalk and another roofing the house across the street. The noise and its echoing are overwhelming on Prague’s narrow streets.
Perhaps the best place to start is with a similarly loud occurrence. On June 27th, Prague commemorated the 70th anniversary of the execution of Milada Horáková using the city-wide intercom system. Minute-long excerpts from her trial and execution were broadcast throughout the day. Horáková, the only woman to be executed during the Communist regime in Czechoslovakia, was a long-time proponent of democracy and women’s rights. In the field of women’s rights, she focused on the status of women and children, spending considerable effort on women in the workplace and reconciling their work with family responsibilities. She was also an outspoken critic of the Nazi Regime, having spent time as a political prisoner in Terezin. When the war ended, she joined parliament, but resigned right after the communist take-over. After continuing to speak out against the Communists, she was arrested in September of 1949 and charged with attempting to overthrown the government. She along with 12 others were interrogated and tried. Four of them, including Horáková were sentenced to death. She was publicly hanged on the 27th of June 1950. Eighteen long years later, she was posthumously exonerated, and in 2000, the Czech Republic unveiled a commemorative tombstone for her in the National Cemetery at Vyšehrad Castle. In 2017, a film was made about her life and legacy. Continue reading “Listening to the Noise: The Connections between Milada Horáková, Anti-Semitism, and the Black Lives Matter Movement by Ivy Helman.”
Pelišky was one of the first movies I watched in the Czech Republic. It takes place in the year (maybe years) before the Soviet Occupation. It follows the lives and struggles of ordinary families. One of the best and funniest scenes takes place at a small post-wedding dinner. The couple receives some new-fangled plastic spoons as a wedding present. The gift-giver is very proud of the fact that they were made in Eastern Germany. One of the characters stirs her tea with the spoon and is about to lick it but as she takes it out of the hot tea it bends as if it was made of rubber. Soon the scene dissolves into arguments, frustrations and disappointments.
Feminism and Religion 