consumer culture – Feminism and Religion

Hanukah and Enough Already by Winifred Nathan

As I prepare for the Hanukah celebration this year, the word that resonates with me is “enough.” I will light candles for eight nights, recalling that in the beginning, there was not enough oil to rededicate the temple after the victory of the Maccabees over the Syrian Greeks, but then there was enough.

How much is enough? The dictionary tells us that enough means having as much or as many of something as required.

During the government shutdown when SNAP was at risk, we learned that one in eight Americans qualify for the program, revealing how many people are food-insecure in our country. The one in eight includes the working poor, disabled, and children. Their issue is quantitative: the amount of food they can afford does not provide adequate nourishment. On the spectrum of enough, they are on the shortage end. Just as the temple needed more oil to be rededicated, they need more food to sustain themselves.

Feeding the Birds by Sara Wright

In most cultures white is the color of death. No wonder brides wear white.

When I finally stepped into my life at 39, I entered a mythic world. I married myself to the serpent of life, a creature who is now wrapping itself (both male and female) around the earth four times and squeezing the life out of Her, according to Mythologist Martin Shaw (see Emergence magazine). The serpent, once life bringer for feminists now courts death.

I will always remember Marion Woodman, a Jungian analyst (and personal friend), who stated that every symbol carries both light and dark, and one side of the symbol will always shift into the other… She was speaking metaphorically but my mythic education and life experience as a naturalist have taught me/and continue to teach me that symbols like the serpent that were once holy beings are also living beings that were worshipped by Pre-Christian cultures, and then demonized by Christianity, recovered, and reverenced by feminists. Until now. Today the dark side of serpent has risen again and is swallowing us whole.

The Wedding Dress by Natalie Weaver

Natalie Weaver edited A few weeks back, I was digging around for a picture, and in the process of looking for one picture I uncovered decades worth of memories. Here I was by the pool one Thanksgiving at my old apartment in California. That was where I cooked my first turkey. Here, in another photo, it was Christmas Eve at my mom’s house. I was with my best friend, wearing matching Santa hats. She was so beautiful as a girl. I have become accustomed to her as a woman and had forgotten how much I loved and admired her then as well. Weren’t we supposed to take off and travel the world together? And, then, here were the wedding photos of our Christmas wedding.

I noticed that it was an intimate party. At one point in the service, my father-in-law was holding my flowers since my sister was fixing my veil. He was chided the rest of the night for being my flower girl. I remembered that I did not have my hair professionally coiffed when I saw the backstage image of myself taking out bobby-pinned curls in lingerie before I dressed. Did I look like that? Who took that picture? The flowers were white roses, accented with holly berries and leaves, and my bouquet was a solid bundle of red roses. Oh yes, and, here was our friend from Chicago… with his hair dyed blond? Why was he hanging out with my girlfriends in my room the night before I was married? And, didn’t my mom inadvertently catch his shirt on fire with some incense? Yes, that’s right. Very innocently, smilingly, moving casually, she patted out the near tragedy sparking on his back side, saying in her best southern accent, “Oh, my! We put a little hole in you, didn’t we?” A little disgruntled, he muttered, “That was a new shirt.”

The one great indulgence of the wedding was the dress itself. It was ivory with blush colored roses embroidered on the tulle overlay of the big skirt. I was not concerned that people would think me a non-virgin in ivory, but it was mentioned to me as a consideration. I loved the bustle in the back that was gathered from the generous material of the gown’s train so that I could walk and dance at the reception. The friendly ladies who sold me the dress came to the wedding specifically to make sure the bustle was perfectly drawn. The bodice had a gentle piping, which made the top sort of stand on its own. The same ladies also insisted that I have some extra padding in the top. Come to think of it, they seemed to have been globally concerned with the success of the garment and me in it. I wore a white silk wrap around my shoulders, which made me feel like Grace Kelly. The covering was my favorite part, which I added at the last minute. The photos prompted me to get out the dress once again, for I had not looked at it in the nearly fifteen years since I had it hermetically preserved following the wedding. So far, it had not yellowed. I was surprised to see how funerary it looked through the peep window, sealed up as it was in a box around cardboard shaped like my torso. It made me think that perhaps I should be buried in it some day. This thought has discomfited me with a complexity of sacramentality, morbidity, practicality, humor, despair, love and sorrow that I have yet to comprehend or shirk. Continue reading “The Wedding Dress by Natalie Weaver”