Sitting in front of the computer, I slowly and intentionally insert earbuds, click to start my favorite writing playlist, and open up Microsoft Word. I feel the tips of my fingers resting lightly on the keys, and notice the slight give of each printed square, glossy in the middle from months of 80 words per minute. I lightly tap my fingers on the keys, not pressing enough to type a letter, body motionless except my fingers, watching the absolute stillness of the screen, exploring the edge between pressure and performance with slow, shallow breaths, finally noticing the moment when the edge is breached, the key catches, and a letter appears on my screen, taking it in with satisfaction.
This is how all my writing starts, with a ritual of simple pleasure and partial attempt at channeling. My partner recognizes this move when he sees it. It’s one I repeat throughout the writing process, as I’m waiting (hoping) for the next words to come to me. I’ll stop, lift my head and close my eyes, and allow my fingers to wiggle lightly over the keyboard as if inviting the unseen to move through me and write my piece. If that still doesn’t produce words, I might run my hands from thigh to knee, fingers pressing with increasing depth into denim-covered flesh. Or I might bring my hands up to my face, fingers resting on my hairline, palms lightly covering my eyes, as I experience the instant soothing of darkness and warming effect over closed eyelids, connecting to the me-within so she can help me bring forth missing concepts. Continue reading “Pleasure, Touch, and Spirituality by Chris Ash”


Over the past 20 years, I’ve been blessed with many moments in which fully aware or embodied presence has intersected spiritual transformation, both in my own life and in the lives of others. In my work on a crisis hotline, I’ve held space for strangers to open up and speak freely about pain, grief, and despair. In my work as a minister, I’ve held a couple’s hands as I blessed their marriage, and I’ve held space with the dying and their loved ones.