Helene Cixous – Feminism and Religion

From the Archives: Writing Through the Body: Betty Smith’s A TREE GROWS IN BROOKLYN by Joyce Zonana

This was originally posted on April 29, 2017

In her 1975 manifesto, “The Laugh of the Medusa,” French feminist Hélène Cixous urges women to write: “Writing is for you, you are for you; your body is yours, take it. . . . Women must write through their bodies, they must invent the impregnable language that will wreck partitions, classes, and rhetorics, regulations and codes . . .”

“The Laugh of the Medusa” remains a thrilling essay, challenging and inspiring women to “return to the body” and to language. “Woman must write woman,” Cixous insists, “for, with a few rare exceptions there has not yet been any writing that inscribes femininity.”

Mother-Love: A Review of Rosemary Daniell’s THE MURDEROUS SKY: POEMS OF MADNESS AND MERCY by Joyce Zonana

She’s been called a “national treasure” by Bruce Feiler and lauded by Erica Jong as “one of the women by whom our age will be known in times to come” … And yet Rosemary Daniell is not as well-known as she deserves to be–perhaps because she is a fiercely feminist Southern woman.

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She’s been called a “national treasure” by Bruce Feiler and lauded by Erica Jong as “one of the women by whom our age will be known in times to come.” The author of three books of poetry, a novel, several memoirs, and several books of nonfiction, she is the founder of the revolutionary “Zona Rosa” writing workshops and retreats that have helped hundreds of participants—mostly women—become published authors. For many years she led writing workshops in women’s prisons in Georgia and Wyoming, and served as program director for Georgia’s Poetry in the Schools. Her work has been featured in numerous magazines and newspapers. And yet Rosemary Daniell is not as well-known as she deserves to be—perhaps because she is a fiercely feminist Southern woman who unabashedly celebrates her own sexuality while also bringing her formidable intellect, wit, charm, and compassion to bear on her approach to writing.

Continue reading “Mother-Love: A Review of Rosemary Daniell’s THE MURDEROUS SKY: POEMS OF MADNESS AND MERCY by Joyce Zonana”

Writing Through the Body: Betty Smith’s A TREE GROWS IN BROOKLYN by Joyce Zonana

TreeGrowsInBrooklyn In her 1975 manifesto, “The Laugh of the Medusa,” French feminist Hélène Cixous urges women to write: “Writing is for you, you are for you; your body is yours, take it. . . . Women must write through their bodies, they must invent the impregnable language that will wreck partitions, classes, and rhetorics, regulations and codes . . .”

Although Cixous may not have been aware of it, Betty Smith’s beloved, perennially popular 1943 novel, A Tree Grows in Brooklyn is one of those “rare exceptions” that “inscribes femininity” in precisely the way she advocates. This autobiographical novel, so often dismissed as sentimental or as a children’s book, is actually written through the female body—which may explain its lasting popularity and power. Continue reading “Writing Through the Body: Betty Smith’s A TREE GROWS IN BROOKLYN by Joyce Zonana”