Hymns – Feminism and Religion

Even though I realized at least 17 years ago that it makes no theological sense to limit our symbols of the Divine to male symbols – Lord, God, Father – it took several years for this idea to embed itself into my subconscious. Over time, male language moved from ‘unnoticed’ to ‘noticed’ to ‘distracting’ to, eventually, ‘oppressively violent when used exclusively, without female images to balance out millennia of the idolatry of maleness.’

One of my favorite ways to dislodge this subconscious, internalized patriarchy has involved rewriting favorite old hymns. I usually try to incorporate a combination of images, to represent the incarnate divinity of all genders and all Creation. But let’s be honest: female terms for the Divine remain startling in many religious and secular, cultural contexts. In my own Methodist tradition, even though progressive Methodists sign up on paper to the idea that “God” (there we go again with the male terms) is bigger than any symbol or gender, I’ve as yet only ever been to one Christian church that used balanced gender images of the Divine, and that was a queer welcoming Methodist ministry with intentionally inclusive theology and liturgy.

I think that church saved my life. Some days, I also think it ruined my life. It showed us all what Methodism can be; and then, its time ended, and we alums drifted into the diaspora to try to take the hope and healing we experienced there into our own journeys. Some of us remain within Methodism and continue to work for the vision of welcome, of the kin-dom, that we sought together there. Personally, I love being Methodist. Grace, the journey, grace, the quadrilateral, grace.

Continue reading “The Lady Be With You – A Closer Look at Liturgical Idolatry by Tallessyn Zawn Grenfell-Lee”

Miriam of Nazareth, the fiery and courageous Jewish prophet who single-handedly enabled the incarnation of God/dess, is a profoundly ambivalent figure for Catholic feminists. Her racist and patriarchal deformation as a sexless European Barbie has often been used to club and control other women. Yet she refuses to be silenced or appropriated by oppressors, carrying the lost image of God/dess through the centuries and empowering women to know the sacredness of their own physical and spiritual life–giving labors in Her image. I composed this hymn to celebrate the feast of the brown and pregnant Guadalupe/Tonantzin, and to mark the Marian feastdays of the Assumption (Aug. 15) and Queenship of Mary (August 22). It reflects a long journey of exorcising the false misogynist Mary from my own mind and heart and claiming her as role model and mentor in my own call as thealogian, mother of four, and spiritual director. It may be used in ritual or republished with the inclusion of author and copyright information (Laura M. Grimes, copyright 2010).

Image from: http://www.fisheaters.com/images/marialactans160020.jpg

My original inspiration, after the birth of my younger daughter, was the traditional Litany of Loreto. I came to love its eloquent images when I was studying in Rome and prayed it daily with the old Italian women who had the last liturgical word by leading it, in Latin and from memory, after each day’s mass. It also includes key scriptural passages about Mary and many of the traditional mysteries of the rosary. But the work’s gestation was incomplete until I became involved in an interfaith women’s spirituality church, the Goddess Temple of Orange County, and encountered the fourfold Goddess for the first time. Rev. Ava Park, Presiding Priestess, has been a leader in the recent movement to add the missing image of the wise and loving Queen to the traditional Maiden, Mother, and Crone as a celebration of midlife and a model for women’s leadership. The second through fifth verses of the hymn highlight Mary’s experience in each stage of women’s life and affirm every woman’s power and beauty as an icon of these four aspects of the Divine. The title will be recognized by many as a reference to Elizabeth Johnson’s groundbreaking book on Mary—criticized by traditionalists for a cover depicting her scripturally as the mother of a large family!
Continue reading “Truly Our Sister by Laura Grimes”