Lisa Galek – Feminism and Religion

Unless you have been living in grim, dystopian world for the past few months, you’ve no doubt seen or heard something about The Hunger Games. The movie, which is based on the first in a best-selling trilogy of novels by Suzanne Collins, debuted several weeks ago to mass acclaim. It has already had the biggest opening weekend ever for a non-sequel and its advanced ticket sales eclipsed that of the most recent installment in the Twilight Saga.

Feminists can rejoice a little in the fact that this movie, which tells the story of strong, female protagonist, Katniss Everdeen, has surpassed the Twilight movies in ticket sales. Unlike the Twilight movies, the plot of The Hunger Games does not revolve entirely around a romantic love triangle. Though two suitors do vie for Katniss’s attentions, the heroine has much more pressing concerns – like whether or not she will be able to survive until morning.

But, aside from the good news that tough, well-drawn female characters can perform well at the box office, the movie has also spawned some interesting discussions about government and politics. In fact, both liberal and conservative commentators have claimed The Hunger Games supports their personal viewpoints (See “Liberal, conservatives embrace ‘Hunger Games’ for very different reasons”). For me, the books and movie fall more squarely onto the liberal side of the fence for one reason – they call into question wealth and power and those who are unwilling to change existing structures of oppression. Continue reading “Power and Wealth in The Hunger Games by Lisa Galek”

The following is a guest post by Lisa Galek, a professional writer and editor who earned her masters degree Religious Studies from John Carroll University. In her spare time, she loves to read and write young adult fiction. She is currently hard at work on several novels, none of which involve vampires.

It would be easy to write a post bashing Twilight. As we await the release of Breaking Dawn: Part 1, the penultimate chapter in the Twilight movie saga, countless feminist critics, reviewers, and bloggers have weighed in the troubling messages in the series. The books are poorly-written. They reinforce antiquated, patriarchal gender norms. They have a not-so-thinly-veiled abstinence message.

I read all four books over the course of a week and I can tell you, every single one of these criticisms is dead on. I can also tell you
that, upon finishing the last book in the series, Breaking Dawn, I stumbled dizzily into my local bookstore, my head spinning with thoughts of sexy, sparkly vampires, and breathlessly asked the clerk, “Do you have anything else like Twilight?” Continue reading “Engaging Twilight By Lisa Galek”