
Spruce towers
over weeping hemlock
balsam and pine.
Pale peach clouds
paint the sky circling
fringed spires.
Trees
our first cathedrals…
Some still gather
under these boughs.
Her Voice
is being Silenced.
The Spirit of
the Forest
Departs…

Spruce towers
over weeping hemlock
balsam and pine.
Pale peach clouds
paint the sky circling
fringed spires.
Trees
our first cathedrals…
Some still gather
under these boughs.
Her Voice
is being Silenced.
The Spirit of
the Forest
Departs…

I left seed for you.
A pomegranate too.
Would you come
Christmas day?
The veil was thin
last night.
This morning
Madonna’ s
Feathered Body
Spoke.
When you ran across
the snow
I remembered
the song
from long ago…
Continue reading “A Christmas Grouse by Sara Wright”
My deeply devout French- Italian Catholic Grandmother held my hand as we walked into the village at dusk. We were going to see the crèche. I recall feeling very excited. I loved the story that she had just told me about Mary birthing Jesus in a manger surrounded by animals and doves while Joseph looked on.
I was eight years old. Until this Christmas I had never spent any time with my paternal grandmother. This year things were different. My parents were in Europe for a year and I had also been separated from my little brother who was staying with my maternal grandparents while I attended school in the east. My grandparents had sent me back to stay with my great aunts because they didn’t want me to go to Catholic school in California. I missed my little brother so much it hurt. My grandmother’s sisters were kind to me, but I was in a state of perpetual longing… How I ended up staying with this unknown grandmother remains a mystery to this day.
Continue reading “A Christmas Story by Sara Wright”
Lupita (Mary Guadalupe Tree of Life)
Your steel points of light
Your branches of Light (Asherah)
glow in grave darkness.
Hecate’s second moon is Red.
The raven slices the sky into shards.
The river catches shivering stars.
We remember the First Mother…
Patiently, painfully,
we return the parts to the Whole.
See the Wolf who hides
behind the Tree,
the door?
Welcome him in.
Only then can we begin…
Lupita,
Your needled points of light
glow in grave darkness.
This kind of prayer is said during the dark months when shadows are feared and the nights are long. I use it at the solstice or the full moon before the winter solstice, a fire festival. But it can be used any time during the dark months. There are good reasons for this kind of prayer. It is so important to acknowledge our shadow and to invite him/her in as a friend, not as an enemy. Otherwise harmful projections occur as we place undesirable qualities that we can’t own onto others.
In Indigenous traditions there are always masked personages that act out these shadow qualities in sometimes very humorous or scary ways. The Tewa have a masked dancer who uses a whip to strike the ground. In central Europe masked dancers walk the streets creating havoc in rural areas even today. These figures are acting out the shadow in us all, keeping it present so this energy does not go underground where it can become quite deadly.

Sara is a naturalist, ethologist (a person who studies animals in their natural habitats) (former) Jungian Pattern Analyst, and a writer. She publishes her work regularly in a number of different venues and is presently living in Maine.
Every November I begin to create stories inside. Except for going into the woods to tip balsam and making wreaths I never know what else I might decide to do, but by the time I have finished I know what the images are saying! This is a poem about the stories I created this year. With the silence of winter soothing me I begin this kind of play without awareness and without a goal…I love this idea of story being told through image.

Moderator’s note: This marvelous FAR site has been running for 10 years and has had more than 3,600 posts in that time. There are so many treasures that have been posted in this decade that they tend to get lost in the archives. We have created this column so that we can all revisit some of these gems. Today’s blogpost was originally posted December 23, 2020. You can visit it here to see the original comments.

This morning I was kneeling in front of my new wood stove kindling a fire from hot coals when I felt the presence of the Greek Goddess Hestia, Lady of the Hearth moving through the house. The goddess manifests as a crackling wood fire, and when I kneel before my wood stove to coax coals into flames I feel as if I am paying homage to her.
I have spent two winters without a wood stove, and have missed this ritual fall lighting of the fire, and the knowing that I am participating in ancient practice that extends back far beyond the Patriarchal Greeks to the dawn of humankind.
Today I felt her presence in a visceral way as I looked out the window at the first flakes of white snow disappearing into wet ground, and felt the hearth warming beneath my feet.
Continue reading “From the Archives: Paying Homage to Hestia by Sara Wright”
Doors
are thresholds that
if opened, become
Gates to the Unknown.
If invited in
for further instruction.
by kindly Spirits
we tread lightly,
always listening
Symbols and signs
Continue reading “The Door by Sara Wright”
Preface:
I would like to think that there are not many women out there who have had a mother like mine, but I am sure there are more. It is often hard to break the silence of abuse, especially when it is so severe. After I finished this poem I felt guilty – like I had done something wrong… a wonderful aspect of aging is that we begin to see through the ruses and I knew my feelings were temporary.
The Woman Who Birthed Me Was Not My Mother
Dedicated to the Abandoned Child in Myself, a child that suffered what Indigenous peoples call Susto or Soul Loss. This state occurs when abuse is so severe the soul of a baby cannot incarnate in its own body, but hovers around it in a disembodied state. The only way to heal this wound is to be embraced and loved by family…
Continue reading “Mama Partridge by Sara Wright”
What does this little narrative have to do with feminism you ask? Why everything! It speaks to the journey of one woman from young adulthood into old age, a woman who learns along the way that Nature/ Earth/Immanence is also the Way of the Goddess, and that living a life of meaning (in a finite loving body) is the path the goddess set her upon at birth…
It is the day before thanksgiving. For too many years, this was a time of great sorrowing – a day on which a young motherless woman said goodbye to her grandmother… a grandmother she couldn’t afford to lose, and later, much later, a grandmother she couldn’t become….
Continue reading “Reflection: Winter Light by Sara Wright”{Part 1 was posted yesterday. You can see it here}

Soon after I began to create little traditions that I follow to this day. November is the month I begin to celebrate my love for every evergreen tree on the earth. The leaves of broadleaf trees have become nature’s mulch, yet forest green stays with us until spring, thanks to the conifers. Thanksgiving week is the time I choose to go into the forest to tip balsam boughs thanking the trees for being, always choosing a mild day when I can enjoy being outdoors. Then I weave fragrant wreaths sitting on my living room floor listening to choral music sung in Latin, a language I don’t understand, thankfully (!) This year my indoor Norfolk Island pines are already lit with rice lights for a few hours each evening lending a festive glow to the soothing cloak of darkness.
Recently I decided to include a dinner for this week of Wintergreen Tree Celebration and it turned out that the foods I wanted to cook were some of the favorite foods I prepared during those exhausting and meaningless thanksgivings, cooking that I did for others, including my children at my own expense. At first this idea of cooking a feast for myself, (after all the trees couldn’t join me) seemed silly until I recalled how much I loved my own food! I am an excellent cook and I can conjure up just about anything without a recipe.
Continue reading “A Different Type of Thanksgiving, part 2 by Sara Wright”