Each month I am writing an article that discusses one of my Holy Women Icons, which are an array of icons painted with a folk feminist twist. These Holy Women Icons are comprised of biblical women, such as the Shulamite, feminist scholars, such as Mary Daly, artists, dancers, and women from mythology and literature. This month, I’d like to focus on a holy woman whose preaching embodied eschatological imagination and whose dance liberated broken bodies. This holy woman cannot be found within the confines of scripture or met in the flesh. Rather, her preaching and dancing are found within the pages of Toni Morrison’s novel, Beloved. If ever there was a holy woman who preached on behalf of all those broken and bound it was Morrison’s stunning character, Baby Suggs, holy.
Eschatological imagination is a communal foretaste of resurrection that does not suppress the social conflicts and injustices of racism, poverty, slavery, and privilege. Through the preaching and dancing of Baby Suggs, enslaved bodies are redeemed and transformed into resurrected bodies. A slave herself, Baby Suggs leads all the black men, women, and children to a clearing each week for worship. After inviting men to dance, children to laugh, and women to cry, she offers up one of the most beautiful sermons on behalf of her enslaved community. Morrison describes the efficacy of Baby Suggs’ message, saying:
She did not tell them to clean up their lives or to go and sin no more. She did not tell them they were blessed of the earth, its inheriting meek or its glory-bound pure. She told them the only grace they could have was the grace they could imagine. That if they could not see it, they would not have it. Continue reading “Painting Baby Suggs by Angela Yarber”
Feminism and Religion 