LQBTQ+ – Feminism and Religion

The Ones You Love, Poetry and Prose 1968-2024 by Harriet Ann Ellenberger (aka Harriet Desmoines), Book Review by Carolyn Lee Boyd

The Ones You Love, Poetry and Prose 1968-2024 is a half-century retrospective love letter from Harriet Ann Ellenberger to friends, family, and lovers; lesbian and overall feminism; lesbian feminist literature and theater; Nature; and those who have been victimized by war. Infusing the book is her overarching love of freedom, not only for herself, but for women, for humanity, and for the Earth. Harriet has been using her authorial and editorial gifts for her entire adult life to move our planet away from extinction into new ways of being, and has now collected her best writings, both prose and poetry, into a single volume. The book is both a brilliant, truthful, unglossed portrait of herself as well as a glimpse into feminism, and lesbian feminism in particular, over decades through one woman’s experience. She often notes in introductions to various pieces that she no longer completely agrees with what she wrote so long ago, but she does not edit out these views, (speaking of her “younger fiery-feminist self,” she says “I’m proud of her courage and proud of the work she undertook” (11)) which offers us a better understanding of both her own progression of thoughts and ideas as well as what issues and points of view were of concern at the time.

Of her most well-known achievement, she writes, “On July 4, 1976, the 200th anniversary of the American Revolution, Catherine Nicholson and I published the first issue of Sinister Wisdom, which has since become the longest-lived lesbian literature and arts journal in the world” (11). She explains the journal’s expansive perspective: “We exist in the interface between a death culture and the faint beginnings of a culture of — not humans — but life-lovers, a culture that embraces animals, plants, stars and those women who choose the future at the risk of their ‘sanity’ and security” (17). This is a vision she has carried with her ever since.

Why I Wrote Queering the American Dream by Rev. Dr. Angela Yarber

Like most authors, I had grand plans for Queering the American Dream. Heeding the wisdom of the venerable black, queer writer, Pauli Murray—“One person plus one typewriter constitutes a movement”—I committed, not simply to writing and publishing a book, but creating a movement. With my modern-day typewriter (laptop) in hand, I dreamed of readers throwing off the shackles of an ill-suited dream, galvanizing retreats, coaching to help other marginalized creatives queer their own iterations of the so-called American dream.

I tried learning about book marketing and pitching companion essays and creating a launch team and all those things small-time authors without expensive publicists on retainer do. I tried so hard.

Prophetic Publishing, Feminist Publishing: 2024 Goals by Dr. Angela Yarber

Queer Chicana feminist author, Gloria Anzaldúa, once claimed, “The world I create in my writing compensates for what the real world does not give me.” I’ve long connected with the revolutionary Anzaldúa, believing in the prophetic power of the written word to create new worlds, worlds big and wide and just and beautiful enough for all people. Worlds where the perspectives of the marginalized are brought to the center.

This is what I aim to do as a publisher and writer myself. It was a meandering path to get here, but on the cusp of a new year, I find myself finally in place with my calling and vocation where all my skills as an activist, writer, professor, artist, and pastoral presence are coming together.

The Fifth Wound by Aurora Mattia, Book Review by Janet Maika’i Rudolph

Dreams are a confluence of lifefragments, swelling and dissolving in waves, perpetually on the verge of meanings. What in Physics is called ‘potential energy,’ I refer to as ‘potential meaning,’ the maximum of which is dreaming.

The Fifth Wound, pg 34

There is so much to like about this book even as it is painful to witness Mattia’s journey. It is also confusing at times which might be by design because life, itself, is so confusing. The prepublication material describes this book as a love story between Aurora and Ezekiel. Both Ezekiel and Aurora begin by describing themselves as “fairies.” Ezekiel remains so, Aurora transitions. She calls herself a tgirl or a transgirl.

Mattia leads a life that refuses to be boxed into any “norm.” The vulnerable wounds that she collects as she navigates this challenging path are both internal and external. Ezekiel and Aurora know and love each other both before and after Mattia’s gender confirmation surgery. It takes some work to understand the hardships of those who don’t fit into societies’ norms; these are norms that too often float through our consciousness often without our even being aware. I believe that wrestling with such issues expands our humanity and for this (but not this alone), The Fifth Wound is an important book.