Young Adult Fantasy provides a new realm for exploring feminism and religion. It provides an avenue to which female characters can achieve and influence change. What is Young Adult Fantasy within literature? YA fantasy is a sub-genre of Young Adult Fiction, which is a category of literature whose audience can range from 12-18 years. Recently studies and publishing houses believe that now, YA can consist of an audience from 12-45. The majority of YA readers are female. Interestingly enough, females also are the majority of authors. It is a booming enterprise. Continue reading “Entering the World of Young Adult Literature by Anjeanette LeBoeuf”
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Dystopian Fiction Inspiration and Religious Lessons by Ivy Helman
We live in a dystopia. This world is filled to the brim in dichotomies: poverty and extreme excess, hunger and mountains of food, disease and cutting-edge medicine, materialism and an immense environmental crisis, and hour-long walks for water and hour-long luxurious baths. There are so many parts of our world that are not just unfair, unequal, broken and undesirable, but violent, traumatic and deadly. And, sometimes it feels like it is only getting worse, or at least, again teetering on the edge of yet another catastrophe.
Most of the world’s religious traditions agree that this is not the way the world should be. My own religious tradition, Judaism, traces this separation between the Creator’s utopia, the Garden of Eden, and our current situation all the way back to the beginning of humankind. The actions of the first two humans resulted in exile from the Garden: enter the world diametrically opposed: dystopia. Nonetheless, the Jewish religious tradition’s call for tikkun olam (repairing the world) suggests that it is possible to lift the veil between the Divine and us and consequently recreate the utopian Eden once again. One could say it is why we are here.
That being said, while the dystopian genre has been around for many decades, I have noticed a recent rise in the popularity of dystopian fiction. While I have always had a keen interest in science fiction, from Star Trek to FireFly and beyond, I myself have, as of late, become an avid reader of dystopian novels. I blasted through the Divergent series by Veronica Roth, have reread The Fifth Sacred Thing by Starhawk more times than I can count and just began my dip (25 pages) into The Mandibles by Lionel Shriver – not so action-packed as the others. I’ve also been, one could say, addicted to dystopian films (yes many were books first) like The Hunger Games, Maze Runner, Gattaca, The Fifth Element and Serenity to name just a few.
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Ignoring Isn’t The Same As Ignorance by Darla Graves Palmer
My book club recently read The Handmaid’s Tale by Margaret Atwood, a futuristic novel wherein women’s reproductive rights, as well as the women themselves, are controlled entirely by those in power. I’ve wanted to read it for a long time and appreciated this opportunity, though I ended up quite disturbed—not just by the tale, but by our obliviousness at times to the possibilities of what could potentially become us. During our club discussion, one of the women commented that she couldn’t understand the point or purpose of writing such a book as she felt it was too far-fetched. I was startled by her remark because I easily viewed it as a cautionary story, one that had presented what could happen if we ignore history and current events.
One pivotal passage for me in the novel was this:
“Is that how we lived, then? But we lived as usual. Everyone does, most of the time. Whatever is going on is as usual. Even this is as usual, now.
We lived, as usual, by ignoring. Ignoring isn’t the same as ignorance, you have to work at it.
Nothing changes instantaneously: in a gradually heating bathtub you’d be boiled to death before you knew it. There were stories in the newspapers, of course, corpses in ditches or the woods, bludgeoned to death or mutilated, interfered with, as they used to say, but they were about other women, and the men who did such things were other men. None of them were the men we knew. The newspaper stories were like dreams to us, bad dreams dreamt by others. How awful, we would say, and they were, but they were awful without being believable. They were too melodramatic, they had a dimension that was not the dimension of our lives.
We were the people who were not in the papers. We lived in the blank white spaces at the edges of print. It gave us more freedom.
We lived in the gaps between the stories.” (56-57)
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You Are What You Read by Martha Cecilia Ovadia
When it comes to my family, I’ve always felt different. One of my earliest memories from when I was really young was being told that I felt things too passionately—that I felt too much. What was never said but was implied was that I felt dissent too much, too often, too vocally. It made people uncomfortable. It made my family uncomfortable. When it came to understanding my faith/religious path, my family and I started diverging early on, never really meeting again—at least not for now.
When I was about five, I remember asking why women could not be priests. My mother brushed it aside and said we could be nuns. She was blind to the inherent misogyny behind the same Church that so many of her female family members had built (we come from a long line of nuns and Jesuits). I thought maybe someday I could be a woman priest. I would change it all. I would be Pope Joan.
When I was thirteen, I started noticing the wealth involved in the Roman Catholic Church, the opulence of the lived Catholic life. When I asked my parents why the Church did not lead in example and live in poverty using its wealth to actively live the gospel, I was told, “ This wealth is a gift to humanity. It is there for all of us, a patrimony to those who open their hearts.” I wasn’t talking about art, I was talking about the RCC’s gold assets—valued in the billions —but it didn’t matter. I’ve seen my family donate to Church building funds my entire life—buildings that were then sold off to pay for the Church’s offenses later on. Still, I thought if I became more involved, with the “right kind of Catholics”, I would be able to change the Church from within. Continue reading “You Are What You Read by Martha Cecilia Ovadia”
