Tag: gender and writing

Legacy of Carol P. Christ: Gender, Friendship, Collaboration, and Unacknowledged Authorship

This was originally posted on April 20, 2015 and was updated by Carol on August 23, 2019

In recent weeks Judith Plaskow and I have been revising the manuscript of our new book Goddess and God in the World in preparation for sending it to the publisher. Yes, we have a publisher. We signed a contract with Fortress Press a short time ago. The book should be out in 2016.

We have been hard—and I mean very hard—at work revising the four chapters in the book that are jointly written. The versions have been going back and forth and forth and back as we revision what we want to say and revise each other’s revisions of the drafts we have. We both want the final manuscript to say things just right and it is very hard not to make one more set of (alleged) improvements.

In the process we have realized that while we often disagree on words and wording, we have come to think alike on a wide variety of issues to the point that it becomes hard to say who had the ideas first. In addition we have both become so familiar with each other’s positions that we can each easily articulate both sides of our dialogue on the issues on which we disagree.

Continue reading “Legacy of Carol P. Christ: Gender, Friendship, Collaboration, and Unacknowledged Authorship”

I Hope “This Changes Everything” by Elise M. Edwards

elise-edwardsLast week, I attended a film festival in Waco, Texas that showed the 2019 documentary This Changes Everything. Spending Friday evening at a film festival seemed like an enjoyable and appropriate way to kick off a weekend that would culminate with the Academy Awards (the Oscars).  I had no idea that this film would inform the way I viewed the movie industry and its most celebrated awards show.  It did change everything for me.

This Changes Everything is about the representation of women in film, particularly their underrepresentation and misrepresentation on screen and in the film- and television-making process.  It is not the first time this theme has been explored in a documentary. What struck me at this viewing, though, was the way the film portrayed patterns that resonated with my experiences in academia and in religious communities.  There are parallels between the way sexism manifests in entertainment and  I, along with other members in the (predominantly female) audience, couldn’t help but see parallels in Hollywood’s patterns of exclusion and the discriminatory conditions we confront in numerous other industries and professions.  What were these patterns?

Continue reading “I Hope “This Changes Everything” by Elise M. Edwards”

Gender, Friendship, Collaboration, and Unacknowledged Authorship by Carol P. Christ

Carol in Crete croppedIn recent weeks Judith Plaskow and I have been revising the manuscript of our new book Goddess and God in the World in preparation for sending it to the publisher. Yes, we have a publisher. We signed a contract with Fortress Press a short time ago. The book should be out in 2016.

We have been hard—and I mean very hard—at work revising the four chapters in the book that are jointly written. The versions have been going back and forth and forth and back as we revision what we want to say and revise each other’s revisions of the drafts we have. We both want the final manuscript to say things just right and it is very hard not to make one more set of (alleged) improvements.

In the process we have realized that while we often disagree on words and wording, we have come to think alike on a wide variety of issues to the point that it becomes hard to say who had the ideas first. In addition we have both become so familiar with each other’s positions that we can each easily articulate both sides of our dialogue on the issues on which we disagree.

All of this has gotten me to thinking again about authorship and co-authorship and original and shared ideas. This train of thought led me back to the subject of Judith’s and my first essay together originally titled “Against My Wife” but published as “For the Advancement of My Career: A Form Critical Study in the Art of Acknowledgement.”  We discussed 5 formulaic tropes used in acknowledgements to wives in academic books, ending with “the wife as unacknowledged co-author.” Continue reading “Gender, Friendship, Collaboration, and Unacknowledged Authorship by Carol P. Christ”