Hekate – Feminism and Religion

I always approach the Dark Goddesses with trepidation, preferring to focus on the bright, life affirming aspects of the Goddess. Yet now I find that the difficult break-downs and violent conditions of these days are calling me to explore the terrifying aspects of the ones called “Dark Goddesses.”

But who are the Dark Goddesses and why are they called dark? That question is one of controversy within the Goddess community. Carol Christ has written that the Dark Goddess only exists as a projection of patriarchal values onto the Goddess, turning the Goddess into a force of war and terror, in particular the War Goddesses found in various cultures. Christ views war as an abnormal desire for the Goddess. Whereas others view the Dark Goddess as a part of the one Great Goddess, who encompasses all.

A painting I did in 2013 inspired by Kali and in response to the destruction caused by oil drilling. “Gaia Wields Her Sword of Justice”

Deanne Quarrie

Let me share with you the Goddess most honored as the Goddess of liminal time and space. It is our beloved Hekate, Great Goddess of the Three Ways, bridging Earth, Sea and Sky as we travel between worlds.

In modern times, She is seen by many as a “hag” or old witch stirring the cauldron. This idea was popularized by Roberts Graves’ book, The White Goddess. In early writings, however, she is portrayed as a beautiful and powerful maiden goddess.

“I come, a virgin of varied forms, wandering through the heavens, bull-faced, three-headed, ruthless, with golden arrows; chaste Phoebe bringing light to mortals, Eileithyia; bearing the three synthemata [sacred signs] of a triple nature. In the Aether I appear in fiery forms and in the air, I sit in a silver chariot.” (Chaldean Oracles)

She was the only one of the ancient Titans that Zeus allowed to retain her power after the Olympians seized control. She shared with Zeus, the awesome power of granting all wishes to humanity (or withholding, if she chose).

Continue reading “Hekate, Goddess of Liminality and Intermediary by Deanne Quarrie”