Dark Goddess – Feminism and Religion

In Defense of the Queen by Arianne MacBean

I read FAR’s repost of Carol Christ’s 2016 essay, Maiden, Mother, Crone: Ancient Tradition or New Creative Synthesis, with great interest and was struck by this sentence, “It has been suggested that we need a fourth stage, Queen, to celebrate the years between menopause and old age. Since I reject hierarchy of every kind, I don’t want to be a Queen.” Christ rejected the Queen archetype while acknowledging that in her fifties, she felt no connection to Mother or Crone. I believe, the Queen archetype offers middle-aged women who live after the veil of estrogen has lifted, a realm that no longer prioritizes the relational over self – a vital sacred space.

In my work as a somatic psychotherapist, I often encounter women grappling with the time between motherhood (or choosing not to mother) and cronehood. While the Mother archetype symbolizes a universal pattern of nurturing, protection, and sustaining growth and regeneration, the Crone embodies wisdom, intuition, and spiritual power. Many women between the age of 50 – 65 simply do not connect with either of these personifications and I am one of them.

The Dark Goddess Los Angeles by Arianne MacBean

“Welcome to Hollywood! What’s your dream?” the character Happy Man says in the opening scene of Pretty Woman, a movie that epitomizes mythic Los Angeles, a place where fairy tales come true. The Dark Goddess Los Angeles, with Her lure of wealth and transformation, Her persona of glamour and aspiration, where even a down-and-out sex worker can be saved by a lawyer with a fear of heights and “save him right back.” Los Angeles calls out a westward invocation of promise. But as much as She pledges, She deceives. Her thick air, dense with unseen harmful toxins, a costly nutrient. Her sinewy highways, the blood lines of her body, sites of daily catastrophe. Our pilgrimage is the slow crawl of passing car crashes on the opposite side of the freeway divider wall. Our mantra, That could have been me. That could have been me.

I’ve been hating LA for thirty-five years. Hating Her May Grey and Her June Gloom. Hating Her maze-like web of concrete highways, Her center-less-ness. Only in Los Angeles are the freeways archetypes, “Take The 2 to The 5 to The 110 to The 10.” I’ve never felt lonelier – alone in my apartment, alone in my car, alone in my thoughts. But over time, I’ve learned to love traversing Los Angeles’ arteries. I have had some of my most profound ideas, my most aha moments, while flowing through Her pulsing veins. The neither here-no-thereness of this city is pregnant with patient possibility. Anything can happen in Her spaciousness, Her waiting.

Embracing the Dark Goddess – Empowering Paradigm Shifts, Part 2 by Judith Shaw

The Dark Goddesses, with qualities that are mysterious, magical, chaotic, destructive, violent and transformational bring a wholistic understanding of ourselves and of nature. They are wild and untamed. Today I finish up my initial dive into the Dark Goddesses which began yesterday with the publication of Part 1. Look for a more detailed look at these goddesses and more in the coming months.

Dark goddesses are wild, free, and sexual – Lilith, Erishkigal and Medb

Lilith and Erishkigal
Long before the rise of civilization, people lived together in very different ways and Goddess was understood as the force that encompasses all life – the light and the dark. It’s very interesting that two of the world’s oldest dark goddesses – Lilith and Erishkigal – are found in the creation story of Sumer, considered as the world’s first civilization.

Embracing the Dark Goddess – Empowering Paradigm Shifts, Part 1 by Judith Shaw

I always approach the Dark Goddesses with trepidation, preferring to focus on the bright, life affirming aspects of the Goddess. Yet now I find that the difficult break-downs and violent conditions of these days are calling me to explore the terrifying aspects of the ones called “Dark Goddesses.”

But who are the Dark Goddesses and why are they called dark? That question is one of controversy within the Goddess community. Carol Christ has written that the Dark Goddess only exists as a projection of patriarchal values onto the Goddess, turning the Goddess into a force of war and terror, in particular the War Goddesses found in various cultures. Christ views war as an abnormal desire for the Goddess. Whereas others view the Dark Goddess as a part of the one Great Goddess, who encompasses all.

A painting I did in 2013 inspired by Kali and in response to the destruction caused by oil drilling. “Gaia Wields Her Sword of Justice”

Sheela na gig: The Dark Goddess of Sacred Power BOOK REVIEW by Kay Bee

If there are devotees of the Dark Goddess on your Yuletide gift list, Starr Goode’s gorgeous book, Sheela na gig: The Dark Goddess of Sacred Power, may be the best gift you could choose for them.

Goode’s connection to the Sheela is profound. Equal parts scholastic study, visual feast, & ardent devotional, this book will take the reader along on the author’s epic journey into the Mysteries of the Sheela na gig. As Goode explains thoroughly, there are no written primary source documents illuminating the origins & purposes of the Sheelas that survive today. Scholars and thea/ologians argue about the truth behind Her presence, but no one can yet definitively declare Her history and meaning. However, that does not mean one cannot still study that history as one way of connecting deeply with Her Mysteries today. Continue reading “Sheela na gig: The Dark Goddess of Sacred Power BOOK REVIEW by Kay Bee”

Badb, Goddess of Life and Death by Judith Shaw

With the ongoing occurrence of huge hurricanes, floods, mudslides, earthquakes, possible nuclear war and more in both the US and worldwide it seems that the wrath of the Goddess has been awakened. I felt the need to revisit the Celtic Triple War Goddess, The Morrigan. One of Her aspects is Badb, which translates as “Hooded Crow” and “One Who Boils.” She signifies fury, rage and violence. She brings war, death, chaos but also enlightenment, life, and wisdom. Continue reading “Badb, Goddess of Life and Death by Judith Shaw”

Our Ladies of Sea, Earth, and Sky by Joyce Zonana

Sara and the Marys — Sainte Sara encompassing Sainte Marie-Salome and Sainte Marie-Jacobe

O Sainte Marie-Jacobe, priez pour nous.

O Sainte Marie-Salome, priez pour nous.

O gardeures de la Provence, priez pour nous.

The priest intoned the words in deep, liquid accents, his voice echoing from the ancient stone church in the remote village of Les Saintes-Maries-de-la-Mer, in the Camargue region of Southern France, where the waters of the Rhone River meet the Mediterranean Sea in a wild, wide, flat expanse populated by black bulls, pink flamingos, and white horses.

“O, Saint Mary-Jacobe, pray for us.”
“O, Saint Mary-Salome, pray for us.”
“O, guardians of the gates of Provence, pray for us.”

I could feel the words resonating through me, bringing sudden, hot tears. The people gathered in the small village square repeated the priest’s chant, their voices rising above the low, white-washed houses into the sunlit sky, out towards the shimmering sea where legend tells us the two Marys had drifted two thousand years ago in a boat without rudder or sail.

Continue reading “Our Ladies of Sea, Earth, and Sky by Joyce Zonana”

Cerridwen, Dark Goddess of Transformation, Inspiration and Knowledge by Judith Shaw

Cerridwen, Dark Goddess of Transformation, Inspiration and Knowledge is best known as the mother of Taliesen, the greatest of all the Welsh poets. But Her story is much older and Her powers run deep.

Cerridwen (“White Sow”, or “White Crafty One”) has many other names: Dark Moon Goddess, Great Mother, White Lady of Inspiration and Death, Goddess of Nature, and Grain Goddess. She rules the realms of death, fertility, regeneration, inspiration, magic, enchantment and knowledge. Her ritual pursuit of Gwion Bach symbolizes the changing of the seasons, nature’s yearly cycle of death and rebirth.

Continue reading “Cerridwen, Dark Goddess of Transformation, Inspiration and Knowledge by Judith Shaw”

Cailleach, The Queen of Winter by Judith Shaw

The Cailleach (KAL-y-ach), which literally translates as the “Veiled One” is an ancient Goddess whose origins are unknown. When the Celts arrived in Ireland and Scotland she was there. Over time Her name came to mean “old wife” or “old woman”. And yet she was thought to never grow old, an all powerful, ageless, Goddess of transformation.

In one of her stories, Cailleach, as an old hag, seeks love from the hero. If he accepts Her, She then transforms into a beautiful young woman, symbolizing the transformation occurring in the depths of winter when the seeds lay dormant in the earth. Yet alive within this dormancy is the promise of rebirth in the spring. She is the guardian of the life force, finding and nourishing the seeds, commanding the power of life and death. As the final phase of the Triple Goddess, she rules the eternal wheel of reincarnation. Cailleach personifies death and the transformative power of darkness. She leads us through death to rebirth. Continue reading “Cailleach, The Queen of Winter by Judith Shaw”